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dramatic techniques in richard II
analysis for twelfth night shakespeare
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In this play of challenge and debate, could it be possibly suggested that King Richard had a part to play in the murder of his uncle the Duke of Gloucester? Could the reader possibly pick up this assumption having known nothing about the play? These are all factors that one must find by reading in between the lines, noticing and understanding the silence that is exchanged. For the silence is just as important as the speech.Why is it assumed that King Richard II has anything to do with the murder? Let us review a scene from the play were Gaunt accuses Richard of being accountable for Gloucester's death.
"Gaunt: O, spare me not, my [brother] Edward's son, For that I was his father Edward's son, That blood already, like the pelican, Hast thou tapp'd out and drunkenly carous'd. My brother Gloucester, plain well-meaning soul, Whom fair befall in heaven 'mongst happy souls, May be a president and witness good That thou respect'st not spilling Edwards blood." (II.i) That passage simply states: You may be a king, but you could have respected my brother enough not to kill him. There is also another quote were Mowbray indirectly suggests that the King is also at fault. "Mow: O, let my sovereign turn away his face, And bid his ears a little while be deaf, Till I have told this slander of his blood, How God and good men hate so foul a liar." (I.i) Yet with saying this remark about the King, he also begs for his innocence.
"Mine honor is my life, both grow in one, Take honor from me, and my life is done. Then, dear my liege, mine honor let me try; In that I live, and for that I will die." (I.i) These passages indirectly state that King Richard II is at fault for the death of his uncle. But for the reader to see this they must break down the play and search for those "hidden meanings".For the ordinary reader, who does not search, the text clearly states that the fight for innocence is distinctly between Bullingbrook and Mowbray. Such an example can be found in Act I: "Bull: That he [Mowbray] did plot the Duke of Gloucester's death,Suggest his soon-believing adversaries,And consequently, like a traitor coward,Sluic'd his innocent soul through streams of blood." The rest of the dialogue converses back and forth between Bullingbrook and Mowbray, each fighting for their own innocence.
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
Anne is quite like a modern woman in the way that if a man tells her
that it was a cold murder for which he did not deserve. Both Shakespeare and
Shakespeare illustrates the innocent and naïve nature of Gloucester who unfortunately receives an untimely death due to the suffering he had to endure. His suffering did not fit his crime, something which Nemesis was never known to do. He was deceived by his son Edmund, his title was given away, and worst of all, his own two eyes were plucked out of their sockets, all because of a crime that he did not commit. Gloucester had admitted to Kent that Edmund was his illegitimate son, but he did not “love him any more than [he] love [his] bastard” (I.i.20-21). Edmund admitted his plan to the audience, but Gloucester was innocent in this whole ordeal. As a father and out of curiosity, Gloucester asked to see the letter that Edmund had with him at
Stewart, J.I.M. Character and Motive in Shakespeare: Some Recent Appraisals Examined. New York: Barnes & Noble, Inc., 1966.
The task which Shakespeare undertook was to mold the hateful constitution of Richard's Moral; character. Richard had to contend with the prejudices arising from his bodily deformity which was considered an indication of the depravity and wickedness of his nature. Richard's ambitious nature, his elastic intellect, and his want of faith in goodness conspire to produce his tendency to despise and degrade every surrounding being and object, even as his own person. He is never sincere except when he is about to commit a murder.
Shakespeare's Richard III is a play pervasive in figurative language, one of the most notable being the symbolic image of the sun and the shadow it casts. In an examination of a short passage from the text, it will be argued that Richard is compared to a shadow in relation to the sun, which has traditionally been held as a symbol of the king. The passage is significant not only because it speaks volumes about the plots of Richard, but also because it is relevant in understanding the overall plot of the play, which in the first few acts is almost indistinguishable from the plot of the scheming Duke of Gloucester.
Shakespeare is of course establishing Henry's ability to gather support from the masses, the very key to his victory over Richard later in the play. The speech also clarifies Richard's position on the subject to underline this contrast between the two men. To fine tune Richard's character, Gaunt gives a revealing and unbridled description of Richard to his face just before dying. After Richard exiles the soul heir to his estate, Gaunt is bitter and fed up with his weak and pompous qualities:
Gifted with the darkest attributes intertwined in his imperfect characteristics, Shakespeare’s Richard III displays his anti-hero traits afflicted with thorns of villains: “Plots have I laid, inductions dangerous / By drunken prophecies, libels, and dreams” (I.i.32-33). Richard possesses the idealism and ambition of a heroic figure that is destined to great achievements and power; however, as one who believes that “the end justifies the means”, Richard rejects moral value and tradition as he is willing to do anything to accomplish his goal to the crown. The society, even his family and closest friends, repudiate him as a deformed outcast. Nevertheless, he cheers for himself as the champion and irredeemable villain by turning entirely to revenge of taking self-served power. By distinguishing virtue ethics to take revenge on the human society that alienates him and centering his life on self-advancement towards kingship, Richard is the literary archetype of an anti-hero.
Within Shakespeare’s play Richard II there are many questionable and untrusting characters. Truth and duty are only illusions within the play. Lust for power and control override the order of England and its ordained king. It’s believed that it is by the will of God that Richard is king. No mortal man can come between what God has set before them as rule. The final decision is God’s and the only way that God’s choice can be changed is by God himself, and no one else. God takes the Garden of Eden from Adam, and like Adam, England is taken from Richard. It is questionable if Bolingbroke acts against God’s will or through God’s will. Richard is king, and though a sad choice, he has been ordained by God as king and ruler of England. It is not for his followers to decide if he is to be replaced by someone that they feel would be a better caretaker of the “garden';. In Richard II , by overtaking the crown and replacing Richard with Bolingbroke, society is going against its own belief that Richard is ordained by God. From an Englishman’s point of view it could be argued that God is somewhat responsible for the state that England is in, because they believe Richard was chosen by God. Within Richard II , God is believed to be forsaken so that England can become a great kingdom again, and this is done in hope that Richard’s wrongs can be made right by Bolingbroke.
...remained constant regardless of environment. Evidently, the play itself manipulates the audience’s perception of reality as it presents a historical recount designed to solidify the ruling monarch, and condemn Richard. This one-sided portrayal is achieved through animal imagery of a “usurping boar”, as Shakespeare’s pro-monarch propaganda highlights how duplicitous representations of reality may influence a society, regardless of context.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
He breeds anger in Clarence and the populace, not of himself, but of Edward and the rightful heirs. "We are not safe, Clarence, we are not safe,"3 he exclaims as his brother is hauled away to the tower. He preys on the "hateful luxury And bestial appetite"4 of the citizenry, catapulting himself to the thrown over a heap of bodies: deaths that hang on his head. But, it is Richard's attitude that his end goal of the crown justifies the murderous means that so closely links ...
In the first part of the play Gloucester receives a letter from Edmond, his bastard son, as the first plot towards the down fall of his father, Gloucester. In the BBC version Gloucester seems to be somewhere in his seventies, where in the PBS version Gloucester seems to be in his sixties a much younger man. This letter makes Gloucester believe that his ligament son has betrayed him, which makes Gloucester very angry and hurt because he loved his son. This just seems to take a lot out of him. As the play continues, Gloucester serves the King with everything he has in him. When the King goes mad, due to his daughters betraying him, Gloucester shows his loyalty to the King by taking him to safety. Oswald is the one who conveyed the message, that Gloucester hid the King from his daughters. Due to this Reagan and the Duke of Cornwall (her husband) declares Gloucester a traitor. Reagan sends for Gloucester and they bring him in to face his accusers. Gloucester faces Reagan and the Duke when he is charged with treason. Gloucester says I would rather be blind rather than to see how his daughters are treating their father. Of course I am paraphrasing the exact statement. The exact statement goes like this “Because I would not see thy cruel nails Pluck out hi...
Nevertheless, as a man of action, Bolingbroke has achieved for himself the goal of retrieving his father Gaunt's estates and much more. He, in the end, is king, King Henry IV. And though Richard as king was full of pomp and ceremony, those things were no match for ambition carried to its fullest. His strong words belied incompetence as a ruler, and he could not hold his position. It seems that it was inevitable that Bolingbroke would be the victor at last. Richard should have taken more note of his usurper, before he was such, this man he called "[Gaunt's] bold son" (1.1.3).