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class discrimination in merchant of venice
critical analysis of the merchant of venice
critical analysis of the merchant of venice
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Today Bassanio came up to me asking for my moneys. Later on I told him that I would lend him the moneys without any interest. I was very cautious in the repeating of his demands. Antonio is naive risking his life hoping the ships will return. I am clever because I am using this opportunity to get revenge. I made Bassanio nervous when I called Antonio a good man and they both probably knew the meaning. I'll show Antonio when his ships fail to return. Lancelot is getting on my nerves again. He is snail-slow in profit and he sleeps by day. My daughter seems to want to get out of the house and might be getting annoyed with me. I am sure that it is just a phase.
Because it meant that Bassanio would lose even more of the money he borrowed I decided to attend the feast with all those creepy masks. I took no pleasure in it but I intend to ruin Bassanio. Bassanio will have all the ducats spent in no time.
I forgot about my anger over my daughter's flight when I heard about Bassanio's ship wrecked in the English Channel. I then quickly remembered my daughters leaving when Tubal came to me with information on Jessica's reckless spending of my moneys. My heart was broken when I heard about I exchange for a monkey, she traded the ring that was a gift from my wife to me. I should have seen this coming.
My hate turned into a disaster in only a short time today. First, Bassanio offered me double the money that was borrowed, but I was too stubborn to accept and reminded the court that the flesh was mine by law. I looked into Antonio's eyes and he seemed to have felt that he deserved what should have come. As I was sharpening my knife, Gratiano started abusing me. I guess I deserved what was happening but what happened next I'm not sure of. A lawyer came in and seemed to be on my side until she mentioned that I could only take Antonio's flesh, no blood. I was shocked to hear this but I then tried to accept the double amount but knew it was too late because that wasn't written on the bond. If that was not enough I could not just go home. The lawyer bent the law and would have taken away my life if it weren’t up to the Duke.
In Susan Pharr's "The Common Elements of Oppression", she defines "the other" as the outcast of society, the ones who stand up for what they believe in, no matter how `against the grain' it may be, the ones who try the hardest to earn acceptance, yet never receive it. In Shakespeare's "Merchant of Venice", Shylock, the `villain' is portrayed as the other simply because of his faith, because he is Jewish in a predominantly Christian society.
Soccer has guided me in many ways to become the person I am. Especially in high school, the sport has showed me how to be much more cooperative and open with others. Before high school, I isolated myself from others and had only a few close friends. Rather than being a sociable, I acted as though I was the only person in the world and had the outlook that as long as I do what is right individually, there is no need for me to work with others. This outlook changed when I joined the soccer team at Holy Spirit, my high school. With the way soccer is at the high school level, I had no choice but to cooperate and associate my selves with others. Once on the field, instead of introducing myself as "me" I had to introduce myself as a part of the team. You win as a team and you lose as a team. Sometimes I wanted to drive to games myself, and I was not allowed to because we are supposed to travel together and it would be wrong to the team for me to separate myself from the group.
The Merchant of Venice and Othello: Shylock vs Iago. Shakespeare's use of timeless themes makes his works relevant to the modern reader. His two plays "The Merchant of Venice" and "Othello" deal with the seeking of revenge and forbidden love. In "The Merchant of Venice," Shylock, the main character, is a Jew who loans money and charges interest.
Using the chosen texts, Twelfth Night and The Merchant of Venice, this essay will consider whether or not the dramatic effects of deception and disguise are significant in Shakespearean works. Deception and disguise show the difference between appearance and reality and often go hand in hand within many, if not all of Shakespeare’s plays. There are, for example, many instances of disguise leading to accidental deception, the use of disguise as a means to deceive in a form of self-preservation such as the tactics used within Twelfth Night and there are occasions when deception is used in a more malevolent fashion as shown in both Twelfth Night and The Merchant of Venice. Other characters are known to even deceive themselves, ultimately believing they are something they are not, as such deception and disguise is one of the most significant dramatic effects used in any Shakespearean play.
Portia then goes onto speak about why Shylock could show mercy and for what reason but with0out pressuring him into this act. He declines the offer. He states that he "Shylock: . . . I crave the law
which tells us that Shylock is being referred to as a dog, not like a
more alive and the love that is in the story line more prevalent. Portia hooks in Bassanio with the gift she bestows upon him. For example, “In “The Merchant of Venice” spotlights shiny displays of sacrifice and gift giving. At the same time he (Shakespeare) lets the shadows of darker motives encroach on the glitter of those displays”(Berger 1). The darker motives show that Portia is a little bit conniving in her way the she bestows the ring onto Bassanio. She uses the ring to self-protect, setting herself into a win-win situation. For example, “Portia’s gift to Bassanio is an act of self-protection “in a naughty world”(Shakespeare 5.1.91), a something for nothing that she can transform
... only reason why he really wanted the bond was to get an upper hand on
The Character of Shylock in Merchant of Venice Few characters created by Shakespeare embodies pure evil like the character of Shylock in The Merchant of Venice. Shylock is a usurer and a malevolent, blood-thirsty old man consumed with plotting the downfall of his enemies. He is a malignant, vengeful character, consumed with venomous malice1; a picture of callous, unmitigated villainy, deaf to every appeal of humanity2. Shylock is the antagonist opposite the naive, essentially good Antonio, the protagonist; who must defend himself against the "devil" Shylock. The evil he represents is one of the reasons Shakespeare chose to characterize Shylock as a Jew, as Jews of his time were seen as the children of the Devil, the crucifiers of Christ and stubborn rejecters of God's wisdom and Christianity.
of why he hates Antonio is because he is a Christian. (I. iii. 43) This to the
Shakespeare’s The Merchant of Venice is a simple story line with three distinct plot lines incorporated into each other intricately. These three plot lines are the bond plot, the casket plot, and the ring plot, each equally vital to the meaning and conclusion of the play. In this essay, I will discuss the roles of the characters in the plot, the symbols, images, and rhetorical figures central to each plot, and finally how the events of the three plots are intertwined.
Characters and Relationships in The Merchant of Venice by William Shakespeare The characters Antonio, the merchant of Venice, and Bassanio, his friend who lives beyond his means, have already been introduced by Shakespeare in the first scene. Here Bassanio has asked his friend to lend him money so that he might woo the rich and beautiful Portia. Antonio has expressed his willingness to lend the money, but, as his. trading ships are all away at sea, he does not have funds readily.
In this essay I will try to discover is Shylock a villain or a victim, in the William Shakespeare play “The Merchant of Venice”
Defeating the enemy, light-heartedness, and a happy ending for the lovers are all elements in a comedic play. William Shakespeare’s The Merchant of Venice shows that love conquers all and that you can always defeat the enemy. Even if a pound of flesh is the difference between life and death, or if one wrong person chooses the casket that decides your fate. For example, The Merchant of Venice, Antonio, not only survives the fate of having a pound of his flesh taken from his body on account of his friend that could not repay the bond to a man who is seen as the devil, but gets thrice his money back and the villain is taken down. Not to mention that Antonio’s best friend, Bassanio, not only repays the bond and gets out of his debt to help his friend, but also marries himself a rich wife. In contrast, Portia, who was bound by her dead father to marry a man whom she could never love, cheated her fate and married the man she truly loved. What makes this play a comedy is clearly evident; the villain is defeated and destroyed, and happy endings are given to those that deserve them like the Christians.
Shylock, in Shakespeare's The Merchant of Venice, epitomizes emotion unrestricted by moral character or intellectual rationality. Shylocks' conversation at the beginning of act four, scene one clearly demonstrates this as the Duke and Antonio urge Shylock to use both his empathetic and rational abilities. Shylock’s humanity, a trait which would normally allow him to feel empathy, is doubted by Antonio who describes Shylock as. By calling him "stony" and "inhuman" and "empty," Antonio draws attention to Shylock’s clear lack of empathy and humanity, and furthermore, suggests that Shylock is deeply and inherently evil, describing him as something monstrous or animalistic.