The Beatles composed and sang many beautiful and timeless songs during their musical career. One song, however, captures the essence of Victor Frankenstein’s creation. Mary Shelley wrote Frankenstein in 1818. The Beatles wrote a song off their The White Album entitled Blackbird in 1968. Generations apart from each other, these two artistic masterpieces are more similar than one may deem.
Although the era during which Blackbird came out most likely suggests it was written for the African American race to associate with, it very much correlates to Shelley’s being in Frankenstein. Symbolically speaking, the blackbird in the song represents the creation and his life, as he knows it. Victor simply created this being, but never took his responsibility beyond that point in regards to guiding this new life form toward happiness. Thus, the creature’s wings, that took him on his flight of life, were futile until he decided to learn and experience existence by himself. His sunken eyes, from the beginning of time, were empty forever longing for that guidance that he never received from Victor. The creature came into the world basically a newborn, pertaining to his lack of knowledge or any unfeigned emotion. And, it was the obligation of Victor to instill upon him normal morals and knowledge about the world to provide a structural and principled foundation. Needless to say, Victor failed to do so and the so the creature inevitably became the blackbird.
On page fifty-seven of the novel, the creation is first brought to life and Shelley describes the initial interaction of the two main characters, “…his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some in articulate sounds, while a grin wrinkled his cheeks…rushed downstairs.” This particular quote depicts how Victor immediately shut out any connections with the creature due to his appearance. He decided to interpret the creature’s instant grin and stare to revolve around evil thoughts when, in fact, the creature was simply desiring acceptance and approval from his creator. So it was that from the commencement of his existence, the creature was shunned from Victor and ultimately from the entire society merely because of his appearance. In correlation to the song, his wings were broken from the beginning of time and it was up to his own free will if he decided to learn to fly.
The creature
Victor's gradual descent towards the dark side of the human psyche is clearly portrayed through Shelley's writing. As stated in previous discussions, Victor's original motivation in pursuing a career in the science field was purely out of love for the world of science and a true passion for acquiring knowledge. However, as the novel continues, we witness his motives go from authentic to impure. As such, we delve into the dark side. His pursuit of knowledge and his creation of the monster are all on the purer or perhaps lighter side of the psyche. It isn't until he abandons him that we begin to see him cross over. His choices to abandon the creature, to let someone else to die for its crimes, to create it a companion only to kill her, to allow the ones he loved to die at its hand, and to still refuse to claim it in the end are all acts
I believe that Victor and the creature are both right about what they want and yet monstrous in their reactions. Victor is right about what he wants; one reason is because he is very committed to his work and in creating life for his creature. On the other hand he is evil because he abandoned the creature and left him on his own: "I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited" (Shelley 57). Shelley shows Victor's monstrous reaction to the creature in the way that he abandoned the creature to his own luck and he shows no responsibility for him.
When Frankenstein is at Ingolstadt, he “has a void of the soul'; so profound that he subverts Nature to fill it (qtd. in Renfroe, 2). He conceives, “A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me'; (Shelley, 32). Frankenstein decides to make a creature, to defy the powers of Nature and God -- a poor decision that ruins the rest of his life. When Victor finally succeeds in his quest to possess Nature, “horror and disgust'; fill his heart upon viewing his new creation (qtd. in Renfroe, 2). He sought companionship by capturing Nature and creating someone to honor him for giving them life; but it backfired and he sealed his fate to the wrath of his creature.
Shelley 94). Victor’s various thoughts of rage and hatred that had at first deprive him of utterance, but he recovers only to overwhelm the creature with words expressive of furious detestation and contempt, as he recalled creature’s misdoings to his loved ones. However, Victor pauses to “conceive,” to “feel,” and to “reason” with monster (M. Shelley 94). As Victor follows his creation, he notices the “air [to be full] of exultation” and “the rain” beginning “to descend,” showcasing Victor’s consent to change his view. (M. Shelley 98). Chapter 10 is exemplary of the Romantic Period where story becomes an allegory for real emotions and struggles. Victor’s
Although the Creature later went on to commit crimes, he was not instinctively bad. Victor’s Creature was brought into this world with a child-like innocence. He was abandoned at birth and left to learn about life on his own. After first seeing his creation, Victor “escaped and rushed downstairs.” (Frankenstein, 59) A Creator has the duty to teach his Creature about life, as well as to love and nurture him. However, Victor did not do any of these; he did not take responsibility for his creature. One of the first things that the creature speaks of is that he was a “poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, (he) sat ...
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
He doesn’t use the word created which would mean brought into existence but “fashioned,” which is interpreted as man-made. He also says the previous point in past tense was fashioned. As in it was originally intended for that purpose but not anymore, so what changed? His heart was suppose to be able to be influenced by kindness but the first thing he experienced was the fear of Victor causing him to flee. It also means influenced and the creature was influenced by Victor’s perception towards him. Love can be described as an intense feeling of passion and that was Victor when creating the Creature. The creatures apparent switch between love and hatred can be traced back to the fact there was no caring influence in his first few months alive. He views this betrayal as a denying of his basic right to be loved and cared for.
Even though Shelley’s creature can speak, read, and feel, he is blindly treated as a wild animal and is only met with fear and violence. The creature, which physically and mentally appears to be human or close to it, does not at any point want more than to be accepted by someone. When this fails, he lowers his expectations, and demands Victor to create ...
“His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips” (Shelley 58). This image is enough to strike fear into anyone and even the creature eventually saw that he was a monster when compared to everyone else. Nevertheless, his request to Victor espouses a side of himself that is anything but monstrous. After an extensive amount of time of hiding and living alone, the creature asks that Victor create a mate for him. Unlike Victor, who left his bride and worried her constantly, the creature desires someone to spend his unfortunate existence with, saying “You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do; and I demand it of you as a right which you must not refuse to concede" (Shelley 174). Though the extent of the creature’s opinion on the topic of women is concentrated into this one statement, the contrast between the creature and creator cannot be clearer. Victor’s primary focuses in life are his experiments and fixing his mistakes, while
Victor had created the creature with the vision from his dreams of a strong, tall perfect being with no flaws. His years of study with the unnatural and science had come to this final conclusion and masterful idea that he was determined to finish. To his surprise, he had created the opposite, “For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 35) Victor is saddened by what he thinks of as a failure. He leaves his own apartment to go sleep in his court yard outside following his creation. He begins to isolate himself from the creature because of his fear of the creature’s outward appearance. He loses all hope for the creature without even learning anything about him. The fact that Shelley begins to refer to the being that Victor created as a “creature” shows Victor’s ignorance and lack of acceptance. It is Victor’s prejudice that blinds him of the creature’s true potential due to the unwanted preconception that follows the creature as he finds meaning in
In drastic contrast to Victor, The creatures early beginning had no ounce of love as victor had as Victor gave none. Naomi Hethering describes Victors want to give affection to the creature “only fleetingly“ as his first responses to the creature were of disgust, even to the point of saying “Dante could not conceived”(43) such a horror. Appearance alone caused major alienation of a son to a father or creator, and when your father cannot even accept you where can you turn? Society's judgement on appearance continues to be illuminated as his sight alone causes an entire villages to immediately erupt in violence and causes old man to run with speed “of which his debilitated form hardly appeared capable”(90). Mary Shelley addresses this conflict directly later as the creature sees his own reflection and is horrified. We know the creatures character character is good as seen with his interactions with the Blind DeLacy so the only thing to pin this drastic alienation is the creature's appearance. His appearance and happenings with others drove his contempt of the beautiful. This seen with his interactions with Justine Moritz, as he prematurely decided what her reaction would be to seeing him and resented her for it, saying that “she shall suffer...be hers the punishment”(128). Mary Shelley illustrates a picture of horror on so manys faces during the
So, when he created Frankenstein “the monster” he turned out to be this grotesque and unnatural creature which was different from what Victor had imagined. However, at the site of looking at his creation, Victor is now spooked by his appearance and immediately turned off by his own creation. For example, in chapter 5 Victor says, “I had desired it with an ardor that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, continued a long time traversing my bed chamber, unable to compose my mind to sleep.” (Page 35). Again, we can see Shelley’s use of Gothic elements infused with the monstrous theme. However, this causes Victor to immediately stray away from the monster because he views his creation as repulsive and upsetting. Which marks the first sign of abandonment that Victor places on his creation. This doesn’t do any justice for Victor because now the monster is trying to assert himself into Victor’s life but yet feels more and more neglected from the absence of love that Victor doesn’t want to give in terms of having a relationship with
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
Through the theme of birth and creation, Shelley criticises Victor not only for creating the new being, but also for abandoning it when it comes to life. Victor first wishes to create the being because he thinks:
As previously mentioned, Victor’s childhood was full of parental support, and even included his parents “adopting” another child into their home (Shelley 35). The creature’s “parent” Victor, abandons him, leaves him to fend for himself, which results in the creature feeling angry toward Victor. The creature had a resentful, distant relationship with his creator, while Victor’s upbringing could not have been more different. Shelley uses the story of Victor’s childhood; the adoption of Elizabeth, the stories of the De Lacey children to compare to the creature and the “upbringing” Victor is denying him. The opposition in parenthood is displayed between Victor and the creature are displayed by the way Shelley writes the creature’s last quotes after Victor’s death “Once I had falsely hoped to meet with beings who, pardoning my outward form, would love me for the excellent qualities I was capable of unfolding” (Shelley 239). The opposition lies in the monumental difference in parenting between Alphonse and Caroline Frankenstein, and Victor Frankenstein. Perhaps if the creature had been cared for more adequately, the story would’ve ended much