Compariing Three Versions of Chaucer's Pardoner's Tale
One of the interesting things about the works of Chaucer is the amount of difference one can find between the different manuscripts of his work. I thought it would be interesting to look at the difference between two manuscripts, using the transcriptions available in the Chaucer Society Specimens of all the Accessible Unprinted Manuscripts of the Canterbury Tales. I found a copy that has comparative versions of the manuscripts assigned to us, taking a look at the Pardoner's Tale. While we have not looked at that tale in class, and given that it was the only sample I could find in the scattered volumes of the Specimens, I felt it would be interesting to look at them, especially compared to the Riverside edition we are reading in class.
Beginning with the Riverside edition, the introduction to the Pardoner?s tale begins with ?Heere endeth the Phisiciens Tale? and ?The woordes of the Hoost to the Phisicien and the Pardoner.? (Benson, 193) These introductory words, as well as the closing words for the previous tale, are not present in the Bodleian text. One could surmise that the transcriber of the text felt these to be perfunctory and unecessary, and though the reproduction I have does not reproduce it, it?s possible that there could be some other dividing point to break off one tale and begin another. The Additional MS has a conjunctive phrase, though it is different than that presented in the Riverside edition. ?here ende the Maister of phisikes tales? and ?Here bigynneth the prologe of the reheytyng of our hoost.? (Specimens 91, 2) It is interesting to not the difference of terminology here. The physician is ?Phisicien? in the Riverside text, yet the ?Master of phisikes? in the Additional MS. One wonders why one is preferred over the other, and which is the more authoritative version. With only these three texts assigned, it is not for this author to speculate, and again, with a small sample, there can easily be isolated differences.
One of the most interesting things to note in these differing manuscripts, I?ve found, is the variance and change that even identical passages can take, separated into various edition. Much like modern English, when you ask several different people to write the same thing, you can get many different variations base on how they?re transcribed.
Analysis of Kittredge's Chaucer's Pardoner A realistic character is an important element of literary works. This "dramatic propriety" is a characteristic that many critics believe is absent in Chaucer's "The Pardoner's Tale" due to lack of believability. However, George Kittredge challenges this view in "Chaucer's Pardoner", stating that throughout the tale, the pardoner is indeed an extremely realistic and complex character. Kittredge's defense of "The Pardoner's Tale" begins with his acknowledgement of alternative explanations for the pardoner's unusual confession. Using logic, Kittredge disproves the theory that the pardoner is "a reproduction of the False-Semblant."
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
A pardoner is a person that could relieve someone from their sins. In the case of the Pardoners Tale, the Pardoner expects money for relieving sinners from their sins and for telling a story. The pardoner in this tale is hypocritical, his scare tactics prove this. He says that greed over things like money is an evil thing, and his audience should give him large amounts of money so he can pardon them from their sins.
Mandell, Jerome. Geoffrey Chaucer : building the fragments of the Canterbury tales. N.J. : Fairleigh Dickinson University Press, 1992.
Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.” The narrator describes the Pardoner as an extremely over confident, arrogant, and unattractive man, noting that his hair is “as yellow as wex,” lying thin and fl...
Rapport, Lisa J. "Child Beauty Pageants: The Real Story Behind the Glitz." Child Beauty Pageants: The Real Story Behind the Glitz. N.p., 30 May 2011. Web. 20 Mar. 2014.
The portrayal of the Pardoner in the Canterbury Tales gives Chaucer a chance to satirize religious men in their deceitful, lying ways. The Pardoner is a liar. He persuades people to purchase certificates of forgiveness by preaching his moral stories. Chaucer creates the Pardoner to be a very greedy and deceitful preacher when he writes, "'And thus I preach against the very vice/ I make my living out of--avarice,'" (Chaucer 24-25). The Pardoner is telling his crowd that he preaches certain stories to make a living rooted in greed. He is so obssesed with greed, and want for money, the Pardoner will blatantly lie every day of his life. Chaucer is satirizing religious men in the story to make fun of them, and try to improve their behavior in the
myself be a full vicious man, A moral tale yet I you telle kan.’ The
The Canterbury Tales, written by Geoffrey Chaucer, has gone through many adaptations. Some authors decided to translate the story into verse, while others chose to write the as a narrative in prose. Although all adaptations are based off the same story, they are vastly different and can be the result of opposing interpretations of the original work. After reading a text translated by Nevill Coghill (referred to as Version I) and a text translated into a narrative by a different author (referred to as Version II), it is obvious that for each similarity they share, there are many more differences in language, syntax, and imagery as well.
Chaucer, Geoffrey. "The Pardoner's Tale." Chaucer's Works. Ed. Walter W. Skeat. Vol. 4. London: U of Oxford, 2007. N. pag. Web. 24 Apr. 2014
Throughout literature, relationships can often be found between the author of a story and the story that he writes. In Geoffrey Chaucer's frame story, Canterbury Tales, many of the characters make this idea evident with the tales that they tell. A distinct relationship can be made between the character of the Pardoner and the tale that he tells.
When we are taken on the pilgrimage to Canterbury by Chaucer in the story “The Canterbury Tales” we are introduced to all classes of characters from every corner of life. The use of satire is used throughout the story and I believe it helps, it shows the stereotypical difference in class at his time of day. While keeping nothing from harm in “The Canterbury Tales” Chaucer takes a huge chance by mocking even the church. But did all the use of raunchy humor and everyday language really help him or did it make the story too much to read?
In the book Canterbury Tales, Geoffrey Chaucer, gives us a stunning tale about a rooster named Chaunticleer. Chaunticleer, who is the King of his domain in his farmland kingdom. Like a King, he quotes passages from intellectuals, dreams vivid dreams, has a libido that runs like a bat out of hell, and is described as a very elegant looking Rooster. He has every characteristic of a person belonging to the upper class. Chaucer's hidden meanings and ideas make us think that the story is about roosters and farm animals, but in reality he is making the Aristocracy of his time period the subject of his mockery by making the reader realize how clueless the Aristocracy can be to the way things are in the real World. Chaucer describes Chaunticleer in many different ways. One of them is his language. Chaunticleer's language is that of a scholar. He quotes many different scriptures in a conversation with Pertelote, such as, Saint Kenelm, Daniel and Joseph (from the bible), and Croesus. From each author he tells a story about an individual who had a vision in a dream and the dream came true. He may have been making all the stories up in order to win the argument with Pertelote, but, this seems unlikely because he does not take heed to his own advice and stay away from the fox that encounters him later. He is educated enough to know these supposed quotations but not intelligent enough to understand the real meaning of them. It is if he simply brings because they help him win the argument with his spouse and not because he actually believes what they say. Chaucer is using the idea that the Aristocracy has schooling throughout their childhood, but it is only done to have seemingly important but empty conversations. His physical appearance is also described with such beautiful passion that it makes us think Chaunticleer is heaven on earth. "His comb was redder than fine coral, and crenellated like a castle wall; his bill was black and shone like jet; his legs and toes were like azure; his nails whiter than lily; and his color like the burnished gold." Chaucer describes Chaunticleer as the quintessential Cock, so perfect that his description is no longer believable when we realize he is describing a Rooster. Chaucer is setting up Chaunticleer to be as regal and grandiose as a King.
Beauty pageants have caused an increase in mental and physical issues in young girls who participate. Participation and competition for a beauty prize where infants and girls are objectified and judged against sexualized ideals can have significant mental health and developmental consequences that impact detrimentally on identity, self-esteem, and body perception ("We must protect our kids from the catwalk of shame."). If young girls don't win, they might take it personally and get hurt feelings. The child might end up feeling unattractive or inadequate ("Child Beauty Pageants Pros and Cons.") which can lead to the development of disorders such as bulimia or anorexia. ("How Do Child Beauty Pageants Affect a Child's Development?") These are both eating disorders girls develop to lose weight excessively. Furthermore, the average BMI of a beauty pageant contestant as of 2010 is 18.3 (Beauty Pageant Statistics), which is classified as underweight...
...ociety; we do not need teens, which are not ready for marriage, to be married. Marriage is all about compromise, understanding, and give and take. Teens have not fully grasped that concept yet. They need to experience more in life before becoming married. They are missing out on so much; it is truly not worth it to rush into marriage.