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The Idealism of Kurt Vonnegut
Kurt Vonnegut was greatly influenced by his involvement in
World War II. His entanglement with the Dresden bombing had an
unequivocal effect upon his mentality, and the horrid experience
propelled the liberal anti-war assertions that dominate many of
his novels. Throughout his life, his idealistic nature has
perceptibly undulated, and five representative novels illustrate
the forceful progression and gradual declivity of his liberal
views.
The first thirty years of his life outwardly coincided with
the average American man. He was born in Indianapolis on November
11, 1922, and lived a happy childhood with a stable family. He
then proceeded to pursue science in college, serve his country in
World War II, study under the GI Bill after the war, and land
a job in public relations before becoming a full-time writer.
Even his large and growing family seemed to capture the true
spirit of the American ideal.
However, one element of his past would affect him in a way
that would change his life forever. In December 1944, he was
captured by the Germans at the Battle of the Bulge. He and his
fellow POWs were taken to Dresden, an "open" city rich with
architectural treasures and devoid of any military value. British
and American planes needlessly firebombed the city on the night
of February 13, 1945, hoping to inspire terror in the Germans and
crush their fighting spirit. Over 135,000 civilians were
killed-twice the amount of casualties at Hiroshima. The insane
horror and absurdity of the Dresden attack remained deeply etched
into Vonnegut's mind from that day forward.
Nearly two decades later, Vonnegut published Mother Night,
a novel that displays the profound influence that the massacre
exerted upon him. It contains this stirring autobiographical
account of his Dresden experience in its preface:
We didn't get to see the fire storm. We were in a cool
meat-locker under the slaughterhouse with our six guards
There are many similarities between the war experiences of Kurt Vonnegut and the character of Billy Pilgrim in his novel Slaughterhouse Five. Several similarities between them are shown in the letter from Kurt Vonnegut to his family dated May 29, 1945 (Vonnegut, Armageddon in Retrospect 11-14).
Authors incorporate religious principles to set forth the moral characteristics and ideals expected of a person. Literary works are illustrated with biblical allusions to help express the message behind the plot of a story. The poem Sir Gawain and the Green Knight integrates biblical beliefs to depict the views on human nature. In this work, Christian concepts are embedded into the poem to suggest the Green Knight’s characterization as God, a representation to test human nature’s fidelity.
Oscar Wilde, an acclaimed Irish Poet, novelist, dramatist and critic once aptly commented, “Men become old, but they never become good”. The philosophical aspect of this quote relies on the basis that human beings are inherently malevolent. Through his pessimistic perspective, Wilde clearly captures the ill-disposed mindset of mankind. Moreover, there are various deductive arguments that discredit the optimistic depiction of human nature. One of the prime examples can be found in Kurt Vonnegut’s literature. In Kurt Vonnegut’s Cat's Cradle, through the illustration of his characters, the author symbolizes the four elements of human fallibility.
Known today as two of the most prominent American satirists, Joseph Heller and Kurt Vonnegut both served time as soldiers during World War II, Heller serving as a bombardier in Italy (Scoggins) and Vonnegut as a soldier and prisoner of war in Germany (Parr). Not coincidentally, both Heller’s 1961 novel Catch-22 and Vonnegut’s 1969 novel Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death follow the journeys of young men in combat during the Second World War – Captain John Yossarian of the US Army Air Forces and soldier Billy Pilgrim, respectively. While it is evident that these fictional novels are both set during the World War II era and convey bleak images of war, closer inspection of both texts brings to light the common
What does Kurt Vonnegut and June CasaGrande have in common? Both authors don’t have anything in common other than they both are authors, and may disagree. In Vonnegut writing, he states “No one is smarter than anybody else” (Vonnegut) while CasaGrande discuss that “the human brain approaches the task of writing and reading differently” (CasaGrande). Vonnegut and Casagrande reach a concurrence in their writings Harrison Bergeron and A Word, Please: Why is it so difficult to catch or own errors? and share a similar message that brains are different, have different task levels, and thinking levels.
Kurt Vonnegut's personal experiences force him to question the meaningless cruelties and conflicting paradigms in life. As a second generation German-American and a witness of Dresden's bombing during World War II, he observes firsthand the pointless destruction of which humans are capable (Dictionary 494). He devotes his works to understanding the chaotic, cruel world he encounters. According to Peter Reed, Vonnegut's works feature a "...protagonist in quest of meaning in an absurd world" (500). While struggling to understand the disordered universe around them, Vonnegut's protagonists attempt to become satisfied individuals by understanding the purpose of human life.
Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.
“Sir Gawain and the Green Knight.” Element of Literature, Sixth Course. Austin: Holt, Rhinehart & Winston, 1997. 161-172. Print.
Satire in American literature has evolved in response to the development of the American mind, its increasing use of free will, and the context that surrounds this notion. Satire is the biting wit that authors (labeled satirists) bring to their literature to expose and mock the follies of society. Satirists can be divided, however, into two groups with very different purposes. One type mocks simply for the enjoyment of mocking. These satirists are found almost everywhere in the world, on every street corner, household, and television sitcom. It is the second type of satirist who is a strong force in the world of literature. The satirical author will mock to heighten the reader's awareness of the problems that threaten to destroy the world that they believe has so much potential. They do this with the hope that their satire will encourage others to better society. "I have often hoped that the arts could be wonderfully useful in times of trouble" (32) says the writer who is perhaps the king of this second type of American satire, Kurt Vonnegut Jr. Vonnegut uses his literature to help guide a disillusioned America, in which free will has been fundamental since the writing of the Constitution. As a humanist, Vonnegut uses the idea of free will as a constant motif in his writing. He believes that every soul has the freedom to do anything, but that the problem with society is that people lack direction. Free will, used as a theme in Timequake, is an enormous responsibility. Acknowledging the free will that one has also involves accepting the responsibility that is necessary to use this privilege in a way that will benefit humanity. In several essay...
The Doctrines of Kurt Vonnegut The writing of Kurt Vonnegut exhibits perception without restriction and imagination without limitation. It surpasses mountains of ignorance and rivers of innocence to extend emotions for society to sympathize with reality. He incorporates his knowledge and view-points into a variety of literary genres for everyone to learn of his inquiries and philosophies. To draw readers into his sphere of influence, Kurt Vonnegut administers an inflection on the present to state other tenses
Sir Gawain and the Green Knight. The Norton Anthology of English Literature, Volume A. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 162-213.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
In the novel, The Glass Castle, Jeannette Walls recounts her childhood as a tale of harsh struggle and of conflicting viewpoints. The set of ideals which she developed as an individual along with those instilled within her by her parents seemingly rival those purported by society and the developed world, creating an internal struggle greater than any of her physical conflicts. Examples of such conflicts involve the abstract areas of race, wealth versus poverty, and idealism versus realism.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
Idealism is difficult to practice in an everyday setting; it is especially hard in a political sense. This paper will discuss several aspects of idealism and its struggles to exist.