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living conditions for orphans in the 19th century
poverty and living conditions
working conditions for children in 19th century england
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William Wordsworth's Composed Upon Westminster Bridge and William Blake's London In London during the 1800s most poor young children used to get diseases by drinking water from the river Thames. This was because the people of London would throw there waste into it. Many poor children died of a disease called cholera that made them turn blue and spotty; it was carried through infected drinking water in the public water pumps. The lower classes were too poor to buy medicine from the doctors to cure themselves, so many died from illnesses that would not be serious today. There were no medicines given to children to stop them getting diseases like measles, mumps, whooping cough and polio. A large percentage of children died from these diseases. In poor areas of the inner cities, up to half the children born were dead before the age of five years. The poor people lived in terraced housing; this type of housing was usually very cramped for the large families. They did not have back gardens, and the streets between the houses were cobbled, with waste channels running along them. There was no water supply in the houses, so they had to walk to the local pump every day to collect water for their washing, cooking and cleaning. Also at the end of the alley was a communal "privy" which was the only toilet facilities for the families to share. About Hundred and eighty people used the same toilet every day, so it was very smelly and unhealthy. The children had to share beds: four people usually lay top to tail in the same bed. They often had to take it in turns to sleep in the beds or on mattresses. Families owned tin baths which they filled with water, usually once a week. The family members all used the same water, one after the other. Houses were warmed by coal fires, which made the area very smelly and smoky in the winter. Many poor children had to work in factories making cloth or household goods.
small and they also had to sleep two to a bed. They were educated, but
and owning only the clothes they wore. The need for assistance was very desperate as thousands
How does William Blake convey his anger in the poem London? The poem 'London' by William Blake, reflects his feelings upon the society that he was living in, and how desperately it needed help. Blake thought that all of the poverty and misfortune that was happening on the streets were caused by the political oppression in London. The.
In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.
The Romantic period brought a new outlook on how people viewed the world. The fight for individual rights was a major cause for the sudden change. There were too many rules that held people back from being able to express themselves. Once they began to broaden their ideas and practice new motives whether it was political, or emotional, it brought freedom of expression. Many poets took the chance to enlighten their readers on their works. They would write in order to paint a picture and gave more detailed descriptions of the conscious mind. For these poets it brought many people to enjoy their freedom of speech and encouraged a new way of thinking.
In line 17 the word “hearse” is used as a car to take the bride to the
bound by the government or new laws. He uses the first person as if he
One of the most popular American poets is Walt Whitman. Whitman’s poetry has become a rallying cry for Americans, asking for individuality, self-approval, and even equality. While this poetry seems to be truly groundbreaking, which it objectively was, Whitman was influenced by the writings of others. While Whitman may not have believed in this connection to previous authors, critics have linked him to Emerson, Poe, and even Carlyle. However, many critics have ignored the connection between Walt Whitman and the English writer William Wordsworth. A major proponent of Romanticism, Wordsworth’s influence can be seen in Whitman 's poetry through a Romantic connection. Despite differences in form, one can see William Wordsworth’s influence on Walt
poem is about only a small snapshot of the city, when it is very quiet
The Influence of Nature in Lines Composed a Few Miles Above Tintern Abbey by William Wordsworth
Historic poetry is unique in the respect that it gives readers an insight into a certain historic time period that textbooks cannot provide. Historic poetry not only gives a description of the time period but it allows the readers to connect to the emotions of the poet and to a point experience what it would have felt to live in that era. This is the case with William Blake’s poem London. London not only describes the horrid condition of England’s lower class during the industrial revolution but it also connects this description with a strong emotion response from the speaker. Blake’s stylistic and structure choices through out the poem paint a dark and morbid view of London but the emotion of the poem remains divide. The words of the poem’s speaker evokes both sympathy for the lower classes at the same time as he is chastising the people who have the power to change the situation.
During the 18th century, two great companion; William Wordsworth collaborated together to create Lyrical Ballad; one of the greatest works of the Romantic period. The two major poems of Lyrical Ballad are Wordsworth’s “Lines Composed a Few Miles above Tintern Abbey” and Coleridge’s “Frost at Midnight.” Even though these two poems contain different experiences of the two speakers, upon close reading of these poems, the similarities are found in their use of language, the tone, the use of illustrative imagery to fascinate the reader’s visual sense and the message to their loved ones.
because of the way they grew up. Blake was brought up in the city and
These two poems are both written about London, one titled 'London' is written by William Blake. The other 'Composed up Westminster Bridge' is written by William Wordsworth. Even though these poems are written on the same setting, they are opposite sides of a coin. 'London' shows the appearance of the city from the position of an onlooker, it shows the suffering of the common man. 'Westminster Bridge' tackles a different view point, it portrays London as the city really is. The rich upper classes sit on the high seats lining their pockets with the riches that the poverty stricken lower classes have made for them. All the time these people shield themselves against the poverty of the city.
In William Wordsworth’s poems, the role of nature plays a more reassuring and pivotal r ole within them. To Wordsworth’s poetry, interacting with nature represents the forces of the natural world. Throughout the three poems, Resolution and Independence, Tintern Abbey, and Michael, which will be discussed in this essay, nature is seen prominently as an everlasting- individual figure, which gives his audience as well as Wordsworth, himself, a sense of console. In all three poems, Wordsworth views nature and human beings as complementary elements of a sum of a whole, recognizing that humans are a sum of nature. Therefore, looking at the world as a soothing being of which he is a part of, Wordsworth looks at nature and sees the benevolence of the divinity aspects behind them. For Wordsworth, the world itself, in all its glory, can be a place of suffering, which surely occurs within the world; Wordsworth is still comforted with the belief that all things happen by the hands of the divinity and the just and divine order of nature, itself.