Compare or contrast two major female fertility deities as to character, activities and role in the myth.
In the myths of the ancient world, a great deal of importance is placed on the rhythmical cycle of birth, maturity, death and rebirth. Ancient agrarian people observed the world around them, and from this observation they realized that their lives as well as every other living thing on this planet was a part of an intricate continuing cycle. Everything withered and died, but not before reproducing and continuing the cycle of life. Since female plants and animals were directly responsible for the birth of new life, people worshipped female deities to ensure that the earthly cycle of life was maintained in proper balance.
One such goddess can be found in Japanese mythology. The most ancient of Japanese deities, Amaterasu is the goddess of the sun. She is also the ruler of the gods and the universe. She is revered and given considerable praise, evidenced by the fact the Japanese imperial family traces its lineage directly to the Goddess Amaterasu. This reverence is understandable, given the sun's extreme importance in the cycle of life. Without the sun, there would be no warmth, no plants, and certainly no humans. It also represents the important role that women played in early Japanese culture, where they occupied the same social roles as men. In the myth of Amaterasu, her brother Susano-o-no-Mikoto has offended her by defiling her home and not respecting her. He has also committed an act of physical violence against one of her servants.
In one version of the myth, one of Amaterasu's weaving women dies as a result of a wound to her vulva caused by Susano-o-no-Mikoto. This so enrages Amaterasu that she closes herself into a cave and refuses to come out. Without her life giving rays of sunshine the world begins to wither and die. Other Gods and Goddesses attempt to lure her out of the cave by throwing a celebration. They also set up a large mirror in a hope that when Amaterasu sees how brilliant she looks, she will want to come out and spread her radiance and glory.
One of the Goddesses, Ame no Uzume, performs a dance in front of the entrance to the cave. The other Gods and Goddesses cheer so loudly in appreciation that Amaterasu becomes curious about why everybody is so happy. After all, they should all be depressed since she and her sunshine are gone.
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
The Greek gods and goddess have sparked my interest ever since seventh grade when I read The Percy Jackson Series. All throughout the books my attention was grasped by their power and demanding personalities, one specific goddess that stood out to me was Athena. Her charm and dominant personality fascinated me and definitely caught my attention. Before reading The Percy Jackson Series, I knew very little about Athena or the gods and goddess’ in general. Later, I took it upon myself to find out more about who the gods were and why they are important to the series I was reading at the time. My knowledge came in handy during the research I did to complete my paper. During my research I found that Athena was very important in not only The Odyssey, but in Greek mythology. She was one of the most confident and practical goddess’, and she was very well respected by the Greek people because of how she helped them.
“Are you delighted with what I have done? Now anyone who glances in your eyes will turn into stone and no one will be able to save them,” I snapped quickly. “Even you, Medusa, should you seek your reflection, will turn to rock the moment you lay eyes on your face.” In order for no one to lay eyes on her by accident, I sent her to live with blind monsters, named the Gorgon
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
Aphrodite was the goddess of love in Greece. She was also said to have been the most beautiful of all the Goddesses and to have been born from sea foam. Although she was beautiful, some saw her as treacherous and malicious. She was known to have a bewitching power over men that more times than not brought about their own destruction. Aphrodite also involved herself on several occasions with the affairs of the Gods and Goddesses on Mount Olympus, as well as the Greek mortals. Aphrodite was legendary for her beauty, but she was also very vain. It was her vanity that started the Trojan War. (aphrodite, 2015)
also the goddess of war and the patroness of arts and crafts. Which led her to be a great leader
life, i.e. birth, harvest, etc. Accompanying the 6 major goddesses (Hera, Athena, Aphrodite, Hestia, Demeter and Artemis) we have the lesser divinities such as the Muses, the Graces, the Fates, etc.
People of the ancient world often had questions about their existence and how life and people came to be on earth. Most ancient people answered these questions through religion. The Sumerians were the first important group of people to inhabit Mesopotamia and they were known to practice a form of worship called polytheism, which is the worship of several gods. Mesopotamians associated different gods with natural events, emotions, and other occurrences. Their main deities included An (the god of the heavens), Enlil (Lord Storm), Enki (god of wisdom), and Nihursaga (the mother of all living things)(p.22). The Mesopotamians believed that the gods controlled all of the events and occurrences in life. An ancient text called “Creation of Man by the Mother Goddess” (p.34) helps us understand how the M...
For the most part, women in today's society hold a position equal to that of a man;
The role of women in Hesiod's Theogony and Works and Days is outstandingly subordinate. There are a number of times in Hesiod's text that despises women, being mortal, immortal, or flesh-eating monsters. The overall impression of women from Theogony and Works and Days, leads one to believe that Hesiod is a misogynist.
Women in The Epic of Gilgamesh plays a very significant role. Women were not considered as the most powerful gods nor the strongest or wisest of all humans but they still had great influence over others around them, at that time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu were men, women did not necessarily play a minor role. The roles of women in The Epic of Gilgamesh were mixed. Women are represented as harlots (Shamhat), wise (Ninsun) and as gods (Ishtar. In the epic of Gilgamesh, it can be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. Several women mentioned and described in the Epic of Gilgamesh carried roles that had important effects on the men they encountered. One woman I found very interesting is Ishtar, the goddess of love and fertility. I will discuss how women were being portrayed in the story using her character to support my analysis and how the creators of this epic portrayed women in Mesopotamia through this character.
A goddess in ancient Mesopotamia is considered a woman who is of the highest ranking and deserves the highest respect to be considered by men (Thompson). Ishtar, the goddess of love and war, has a small, destructive role in the epic. She essentially lets all fire and brimstone loose, which leads to a battle with Enkidu and Gilgamesh, which in turn leads to Enkidu getting the death penalty from the gods, which sends Gilgamesh off to his failed quest for immortality (shmoop). One more
Mortal females cause struggles among men and are portrayed as wicked in Greek Mythology. In the story of How the World and Mankind Were Created, the Father of Men and of the Gods, Zeus, swears to get revenge upon mankind because of the poor sacrifices made to the altars. Therefore, he “[makes] a great evil for men, a sweet and lovely thing to look upon… they [call] her Pandora… the first woman… who are an evil to men, with a nature to do evil… is the source of all misfortu...
The goddesses such as Hera, Thetis and Athene are strong, powerful, and elegant. Aside from powerful, in Iliad the goddess Hera represents a nurturing and motherly side, and Homer writes, “I have come down to stay your anger but will you obey me? from the sky; and the goddess of the white arms Hera sent me, who loves both of you equally in her heart and cares for you” (7). In the Odyssey we have the two goddesses, Calypso and Circe whom Odysseus has extended affairs with and they are beautiful and embraced sexuality. Calypso had an egocentric and dominative character because she wanted Odysseus as her immortal husband (Bauschatz, 22). Women gods in the Odyssey and Iliad are elegant, strong, and wise while mortal women are property and subordinate as written in Hesiod’s Works and
Images of women, mostly old statuettes representing women whose wombs and hips are extremely exaggerated, all dating to the Stone Age, outnumber images of men throughout evolution and history. This has led to speculation about the place of women in society and religious faiths. Some have argued that these female figurines signify, or once signified, the existence of a prominent female deity identified as the “Earth Mother” or the “Mother Goddess”, it was been suggested that, unlike today, women played a considerably more important, if not dominant, role in Paleolithic society and that possibly, a matriarchy existed.