The Taming of the Shrew Essay: Katherina's Development
Katherina's development in the play, The Taming of the Shrew, is a complicated dilemma for the reader to figure out. Is she really tamed by Petruchio? Or does she figure out his game and decide she's better off playing along? Or does she recognize her own excessive behavior in his and decide to change of her own free will? Or does she really fall in love with Petruchio and wish to please her lord? I think her evolution is a combination of all of the above. But do we, as readers, want her to be tamed or was her initial independence a virtue?
It's obvious that Katherina's father, Baptista Minola, hasn't treated her as well as he treats Bianca, her younger sister. On the other hand, is her "shrewishness" a cause or a result of this favoritism? Katherina is obviously a highly intelligent woman whose gifts have no outlet in the domestic company of the household. For example, in their first meeting, Katherina keeps up with Petruchio pun for pun and insult for insult. Perhaps her fury is simply the result of having no outlet for her feisty wit. And when Petruchio comes along and treats her as an equal (the opposite of taming), I think she is taken aback and that is how he is able to swoop in and win her. In this first encounter, Katherina is, for the first time in her life, spoken kindly to by a man. She seems moved by Petruchio's praise. Also, when it appears she has been left at the altar, she weeps and wishes she had never met him. I think her grief is a sign of her genuine affection and perhaps even love for Petruchio.
By the end of the play and in her final speech, Katherina may seem genuinely tamed, depending on your interpretation of the soliloquy -- is it genuine or tongue-in-cheek? Is she really her lord's noble servant or is she pandering to him and what he wants to hear? I think she wants to give her husband happiness, but knows that her husband will do the same for her. I think Petruchio and Katherina would actually have a very balanced marriage of mutual respect, because they each know what the other is capable of.
This coursework focuses on how each character contributes to the suicide of a poor girl Eva Smith/Daisy Renton.
An Inspector Calls by J.B. Priestley In the introduction of Act One, we are given a few brief details about
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Comparing the Beginning of the Novel and the Film Of Mice and Men Like any writer or director, John Steinbeck and Gary Sinise set out to. grab the audience's attention. Although the novel and the film are Based on the same story, John Steinbeck and Gary Sinise immediately involve the audience in different ways. When writing "Of Mice and Men" John Steinbeck draws the reader in by. mainly describe the setting.
.... She now obeys what is asked of her by Petruchio like such as when she is told to lecture the other wives about how to be a good wife, “Katherina, I charge thee, tell these headstrong women, what duty they do owe their lords and husbands.” Without arguing and saying a word against what is asked of her she gives her advice, “Thy husband is thy lord, thy life, thy keeper, thy head, thy sovereign, one that cares for thee.”
In Taming of the Shrew, the first introduction to Katharina, by Gremio and Hortensio, tells that she is a shrew, (1.I .54-60) and that she will never find a groom. When she first speaks we see her responding to these insults, but she was provoked so her words seem appropriate. Yet as the play continues we see Katharina tying up Bianca, (2.I.29) and hitting her. This can be rejected as sibling rivalry, but later Katharina slaps Petruchio when he is trying to woo her (2.I.214). Katharina seems to have a physically violent side that isn't present in Beatrice. She also does not seem to have as strong as a character as Beatrice, especially when one considers that Petruchio was able to tame her in a very short time.
Petrucio enjoys verbal sport and a non-conventional sense of humor. Petrucio surrounds himself with neither tame nor conforming people. You can even see this in his servants. His servants like him very much and enjoy his entertainments. An example of this is when Petrucio and his servant man Grumio get into a disagreement about knocking on the gate. Reflective of this is Petrucio’s methods to “woo” Katherine. His methods are game like and outrageous. Such as when he beats up Grumio because Kate’s horse stumbles, or showing up late to the wedding. While showing Katherine how ridiculous she is about things, he is also making her feel special, which is something she never felt in life. He also says that “This is the way to kill a wife with kindness.” (IV,i 211) This is his courting method of when he makes the wife feel to good for everything surrounding her. When they eat dinner once he complains “Endanger choler planteth anger…. since of ourselves are choleric”. (IV, I 177) While Petrucio may not agree with what society has determined to be proper, he is aware of the importance to conform. He knows the ways of society and that he must demonstrate this to Katherine, who has no regard for public presentation.
Petruchio tames Katharina on several occasions. The first taming scene is during Petruchio and Katharina's wedding. Petruchio shows up in "a new hat and an old jerkin; a pair of old breeche...
In the Taming of the Shrew, the battle of the sexes is more so in the mind of each and every woman, rather than an actual battle between men and women. It is a battle that the women have to overcome in order to be able to enjoy life and to love their husbands, and situations like the fights between Katherine and Petruchio are symbolic of this. When a woman, like Katherine is able to see that love is something that has no roles, or expectations, is when she and her husband can "live happily ever after".
...se Katherine is a, in that time, controversial female character. Females were supposed to be sub missive creatures who listened to there masters, Katherine never listened to anyone which bothered people. She was also rude and violent, ladies were supposed to be polite and were told not to fight. One serious issue is that Petruchio tried such odd way to get Katherine to be have some were on the verge of torture. He did not let her eat or sleep and he forced her to agree with him or she could not do anything she wanted to.
Due to the patriarchal society of the Elizabethan era, women were expected to succumb to men and follow their orders. Shakespeare created Katherina in order to challenge Elizabethan society’s view that a dominant woman was a symptom of disorder . She has little respect for men and speaks bluntly A prime example of this is when she tells Hortensio that she will, “Use you like a fool.” Katherina employs the use of mockery, violence and a rhyming couplet in order to indicate her disdain of Hortensio. The simile also serves to demonstrate that she does not...
Called "cursed Kate" throughout the play, Katherine is openly jealous of the attention he sister is receiving, whereas she, because she speaks her mind, is being bypassed and even avoided in the wooing process. Katherine reveals this attitude in act 2 scene1, lines 31-35, "nay, now i see she is your treasure, she must have a husband; i must dance barefoot on my wedding day, and for your love to her, lead the apes to hell. Talk not to me i will sit and weep!...." This anger is not concealed, it serves to provide motivation as to why a rational person would rebuke petrucchio so rudely upon first encountering him. Katherine surely realizes that petruchio is interested in her for ulterior motives other than love. Be it purse that the dowry will bring or the actions of an...
In this marriage Katherine has no power. She is verbally abused by Petruchio and denied what she needs. As said in the article,“ Kate is transformed after enduring the irrational world of Petruchio 's country house, where she is denied food, sleep, and fashionable accoutrements of her social class” (Karen 263). Katherine is tamed and she praises and respects him now that she is tamed. At the end of the play, when Katherine and Petruchio are at the wedding, Katherine is the only woman out of all at the wedding that actually listens to her husband when they all call their wives. Katherine ends up giving them a speech and telling them to respect their husband: “Thy husband is thy lord, thy life, thy keeper, Thy head thy sovereign, one that cares for thee And for thy maintenance commits his body” (Shakespear V. ii . 162-164). She respects who he is and all the work that he does for her. Petruchio has the power in marriage because she respects him and his
Katherina rebuts this whining after their father enters, and ends the scene with her own speech in which she argues that
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.