Sonnet CXXX In our class we have been discussing sonnet cxxx. Many of my classmates believe that Shakespeare was saying that, although this girl is ugly, he still loves her. While others claim that he was not making any statements about her looks, but instead being realistic. It is my view that he was making a point of claiming that his girlfriend was a regular person and not a mythological goddess. Most people have heard on television or in movies, some guy tell his girlfriend that she has eyes as deep as the ocean or lips as soft as velvet. Although these all sound very romantic they are probably not true. In the first line of this sonnet, Shakespeare says "his mistress' eyes are nothing like the sun". then he says that her lips are not as red as coral, and that her skin is not as white as snow. of coarse she doesn't have white skin no person has truly white skin. So to assume that he was stating that she was then dark and pail lipped would be wrong. One cannot claim, that since he says she is not one thing, that he must be implying she is the opposite. He goes on to say that perfume smells better than her breath. never says that In our class we have been discussing sonnet cxxx. Many of my classmates believe that Shakespeare was saying that, although this girl is ugly, he still loves her. While others claim that he was not making any statements about her looks, but instead being realistic. It is my view that he was making a point of claiming that his girlfriend was a regular person and not a mythological goddess. Most people have heard on television or in movies, some guy tell his girlfriend that she has eyes as deep as the ocean or lips as soft as velvet. Although these all sound very romantic they are probably not true. In the first line of this sonnet, Shakespeare says "his mistress' eyes are nothing like the sun". then he says that her lips are not as red as coral, and that her skin is not as white as snow. of coarse she doesn't have white skin no person has truly white skin. So to assume that he was stating that she was then dark and pail lipped would be wrong.
Shakespeare used little discretion within his sonnets and plays in regards to his expressions of desire. His sonnets tell the tale of what is believed to be a romantic interlude with a young male (Shakespeare’s Sonnets, 2011), but in Sonnet 130 Shakespeare espouses on the feminine form in explicit although unflattering, detail (2006. p. 507). . His description of his love is much kinder. One of Shakespeare’s most famous lines “Shall I compare thee to a summer’s day? /Though art more lovely and more temperate:” (2006, p. 499) is much more flattering and represents the desire he feel for another
In the beginning of this week, I tried to continue and complete the reading of the previous unit as I'm not just interested in having good grades in my assignments without reading all the materials, but really insist on learning in order to have a solid base in computer science that can boost my carrier. So I started to read the "Problem Solving and Programming Design" and the "Problem Solving Basics" documents and I really enjoyed them as I learned how to decompose a problem in order to design an algorithm and to provide a good and consistent program.
I think having a willingness to learn is the first and most important part. You cannot teach someone who is not willing to learn in the first place. I am always willing to learn, wither its new or just a new way to do old tricks. I take it all in and then use what I need and file the other away for another day. "The only stupid question is the one you do not ask." (me) This is always my responds when someone asked " Can I ask you a stupid
In Shakespeare’s first sonnet he declares his admiration and adoration towards this mans beauty, begging him to take pity on the world and reproduce to share with the rest of the world and generations to come his beauty that can be passed on through a child. He also compares in his 18th sonnet the beauty of another man with a summers day, stating that he is in fact more beautiful than a summer day because summer’s beauty ends and this mans beauty never will. It will forever be etched on paper in a poem Shakespeare has written. This shows his admiration and love toward these men, without any romantic or sexual interest. We can tell he has no sexual interest because he explains in sonnet 18 that mother nature got overly excited creating this perfect of a being, and added an extra part that was of no use to shakespeare. There is also no indication that these men have any personal connection to shakespeare, pushing away the idea of a love involving personality. This type of love can be eternal or temporary, all depending on the people who are a part of it. A type of love that is undeniably most common is the kindred
it suggests the female he is addressing is not physically attractive and that despite this he loves her. In order to convey this idea he uses trope like language used in love poems and suggests the his “mistress” is not this, shown in the first line and throughout (quote and analyse). this creates the idea that the she is human and not the idealistic beauty as set out out in daniels poem. This humanising element to Shakespeare's poem contradicts the theory of Debeauvoir which suggests women to be other (quote). Also, the nature of the poem confuses her idea that to men there is the good and bad woman this is because this poem is suggested to be aimed at shakespeares dark lady and at first glance you may assume that this means she would fall into the trope of the bad women. However the love the reader feels for the women is deep and true, going beyond physical appearance and this links closer to the trope of the good women. This suggests that the idea of the good and bad women is not as clear cut and Shakespeare plays with this idea. Through his description he paints an almost revolting image of the female, an example of this being "If her hair be wires, black wires grow on her head." This clever simile creates the impression that she is unkempt and we get almost hag like connotations from this description. Also in lines 7 and 8 "And in some perfumes is there more delight/Than in her breath that
...uty which is impossible for any woman or man to match. Campion's poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the speaker has created of her. The image is false, and so is his love because he is only focusing on her outward appearance. The speaker in Shakespeare's sonnet clearly is not in love with his mistress' looks. Everything about her is contrary to society's standards, but he understands the absurdity of these standards and rejects them. There is more to his mistress than meets the eye, and that is why he truly loves her.
From the beginning, readers could easily define the subject Shakespeare portrays. The Mistress was detailed in humorous tone, which negates the typical blazon. The striking first four lines of the poem contradict the common blazon. Traditionally, blazon is to compliment and praise the subject’s features, and not to insult, which in this case, the Mistress. However, Shakespeare does not ignore the format and goes forth describing her from head to toe. Shakespeare started the first four lines picturing the Mistress’ eyes, lips, breast and hair. Symbolically, eyes, lips breast and hair are essential cliché features of a female beauty. Nevertheless, from his intense sketch of her features, he portrayed that she does not carry any representation of beauty. From the simile in line one; Shakespeare negates the comparison of the Mistress to the sun: “My Mistress’ eyes are nothing like the sun;” (Woolway). Line two to three mentions the shades like red coral, and “dun”. Coral is a fami...
Germinating in anonymous Middle English lyrics, the subversion of the classical poetic representation of feminine beauty as fair-haired and blue-eyed took on new meaning in the age of exploration under sonneteers Sidney and Shakespeare. No longer did the brown hair of "Alison" only serve to distinguish her from the pack; the features of the new "Dark Lady" became more pronounced and sullied, and her eroticized associations with the foreignness of the New World grew more explicit through conceits of colonization. However, the evolving dichotomy between fairness and darkness was not quite so revolutionary; in fact, Sidney and Shakespeare lauded the virtues of fairness with the same degree of passion as their predecessors, albeit in a cloaked form. To counter their mistresses' exterior darkness, the poets locate an interior lightness that radiates beyond the funereal veil of hair or eyes‹raven-hair or jet-eyes is acceptable only if there is an innate brightness that illuminates the sensuality of the superficial.
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
'My Mistress' Eyes Are Nothing Like the Sun' is a poem written by William Shakespeare about the love towards an imperfect woman. He explains that although his mistress is imperfect, he finds his love special and 'rare.' If the modern day reader is not careful, he/she might be quick to assume the role of the woman that Shakespeare writes about. Although the word mistress now refers to a sweetheart or a woman who lives with a man without being married to him, in Shakespeare's time, it meant a woman who rules others or has control. With that understood, the reader can focus on some important conventions of this poem- theme, tone, and form- to better understand and appreciate the piece.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
Closely related to subversive comparisons, Shakespeare also makes use of exaggerated similes. Unlike his contemporaries, Shakespeare introduces his Mistress in negative conventional terms. “My mistress’ eyes are nothing like the sun / cor...
Neruda begins his sonnet in a most unusual manner. He states in the first few lines ways in which he does not love his companion. He does not love her as if she were “the salt-rose, topaz, or arrow of carnations.” These are all examples of beautiful things that are to be admired. Each one is a bright and colorful breed of rose. The poem is not implying that this person is unattractive. Rather, it is simply stating the unimportance of her appearance in relation to his love for her. The beauty within her soul charms him. The narrator is completely captivated with this person. Neruda uses emotions to portray love in his poem. “Sonnet XVII” does not describe a love for someone who has done kind things or someone who has been there emotionally, mentally, and physically for another. It describes a love that is illogically based on intense affection alone.
Through the form of sonnet, Shakespeare and Petrarch both address the subject of love, yet there are key contrasts in their style, structure, and in the manner, each approaches their subjects. Moreover, in "Sonnet 130," Shakespeare, in fact, parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Through his English poem, Shakespeare seems to mock the exaggerated descriptions expanded throughout Petrarch’s work by portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, upon a review of "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” one quickly perceives that Petrarch's work is full of symbolism. However, Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan style.
That means, the approaches of poet’s love remain the same. In one place, he portrays beauty as conveying a great responsibility in the sonnets addressed to the young man. The poet has experienced what he thinks of as "the marriage of true minds," also known as true love, that his love remains strong, and that he believes that it’s eternal. Nothing will stop their love, as in the symbols like all the ships, stars and stormy seas that fill the landscape of the poem and so on what can affect to their love. The poet is too much attracted with the young man’s beauty, though this indicates to something really bad behavior. But in another place, Shakespeare makes fun of the dark lady in sonnet 130. He explains that his lover, the dark lady, has wires for hair, bad breath, dull cleavage, a heavy step, pale lips and so on, but to him, real love is, the sonnet implies, begins when we accept our lovers for what they are as well as what they are not. But other critics may not agree with this and to them, beauty may define to something