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Young Lonigan by James T. Farrell
"After they had left the parlor, Studs sat by the window. He looked out, watching the night strangeness, listening. The darkness was over everything like a warm bed-cover, and all the little sounds of night seemed to him as if they belonged to some great mystery. He listened to the wind in the tree by the window. The street was queer, and didn’t seem at all like Wabash Avenue. He watched a man pass, his heels beating a monotonous echo. Studs imagined him to be some criminal being pursued by a detective like Maurice Costello, who used to act detective parts for Vitagraph. He watched. He thought of Lucy on the street and himself bravely rescuing her from horrors more terrible than he could imagine."
(Young Lonigan, 62)
Studs Lonigan lives in a different world from those around him. Chicago exists as different set of sensations for Studs, who communes with his environment in a language foreign to the masses. The heat and hardness of day are replaced by the creeping and overwhelming softness of the Chicago night; it pushes the toughness out of his body, eliminates the immediacy of things and dulls the viciousness of life as an Irish boy without a future. Farrell writes Studs as a contemplative soul who verges on artistic sensitivity. When he examines his environment he is lost its texture and physical existence. He simply does not belong to the city the way it owns the community, the “people that lived, worked, suffered, procreated, aspired, filled out their little days, and died” (Young Lonigan, 147). By nature Studs cannot accept the authority or possessiveness of the city, but he is incapable of escape. It is as much a part of him as he is of it; there is a symbiosis at work in Young Lonigan that depends very deeply upon the moments Studs shares with the fading day. Darkness provides us a view of Studs’ psyche that is intensely personal and crucial to understanding him as not only a character, but a representation of a developing personality and moral code.
When darkness appears Studs is more vulnerable to both his hopes and his fears. At times he is overcome by visions of pain and hellfire; he is wracked by his Catholic guilt and a perceived lack of purity. “He puffed and looked about the dark and lonely place.
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
A Child Called 'It' by Dave Pezler. Setting:.. 1-Russian River - "The Russian River" The Russian River is a place in California where Dave and his family usually go for vacation. He remembers this place as a quiet and peaceful place. He remembers how he and his brothers would play, how his mother would hug him, and how they would all watch the sunset together.
Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
A Stolen Life by Jaycee Lee Dugard is an autobiography recounting the chilling memories that make up the author’s past. She abducted when she was eleven years old by a man named Phillip Garrido with the help of his wife Nancy. “I was kept in a backyard and not allowed to say my own name,” (Dugard ix). She began her life relatively normally. She had a wonderful loving mother, a beautiful baby sister,, and some really good friends at school. Her outlook on life was bright until June 10th, 1991, the day of her abduction. The story was published a little while after her liberation from the backyard nightmare. She attended multiple therapy sessions to help her cope before she had the courage to share her amazing story. For example she says, “My growth has not been an overnight phenomenon…it has slowly and surely come about,” (D 261). She finally began to put the pieces of her life back together and decided to go a leap further and reach out to other families in similar situations. She has founded the J A Y C Foundation or Just Ask Yourself to Care. One of her goals was, amazingly, to ensure that other families have the help that they need. Another motive for writing the book may have also been to become a concrete form of closure for Miss Dugard and her family. It shows her amazing recovery while also retelling of all of the hardships she had to endure and overcome. She also writes the memoir in a very powerful and curious way. She writes with very simple language and sentence structures. This becomes a constant reminder for the reader that she was a very young girl when she was taken. She was stripped of the knowledge many people take for granted. She writes for her last level of education. She also describes all of the even...
In "Our Secret" by Susan Griffin, the essay uses fragments throughout the essay to symbolize all the topics and people that are involved. The fragments in the essay tie together insides and outsides, human nature, everything affected by past, secrets, cause and effect, and development with the content. These subjects and the fragments are also similar with her life stories and her interviewees that all go together. The author also uses her own memories mixed in with what she heard from the interviewees. Her recollection of her memory is not fully told, but with missing parts and added feelings. Her interviewee's words are told to her and brought to the paper with added information. She tells throughout the book about these recollections.
I chose the book, The Child Called “It” because one of my friends told me about the book. The whole story line caught my attention. I was amazed at what was going on in this boy’s life. This book, a true story, is very emotional. The title relates to the book because his mother calls the boy, David Pelzer, “It”. She does not call him by his real name. His mother treats him like he is nothing but an object. Also, I think the title fits well because it catches people’s attention and gives a clue what the book is about.
1. In the book, the father tries to help the son in the beginning but then throughout the book he stops trying to help and listens to the mother. If I had been in this same situation, I would have helped get the child away from his mother because nobody should have to live like that. The father was tired of having to watch his son get abused so eventually he just left and didn’t do anything. David thought that his father would help him but he did not.
A Child Called "It", by Dave Pelzer, is a first person narrative of a child’s struggle through a traumatic abused childhood. The book begins with Dave telling us about his last day at his Mother’s house before he was taken away by law enforcement. At first I could not understand why he had started at the end of his tale, but after reading the entire book it was clear to me that it was easier to read it knowing there indeed was a light at the end of the dark tunnel. This horrific account of extreme abuse leaves us with a great number of questions which unfortunately we do not have answers for. It tells us what happened to this little boy and that miraculously he was able to survive and live to see the day he left this hole which was his home, however, it does not tell us why or even give us a good amount of background with which to speculate the why to this abuse.
gave your life, for some reason, collapses. In a religious meaning, I believe it is best described by St. John of the Cross as “the soul’s journey to the divine union of the love of God” (Perrine). The darkness represents the hardships and difficulties the soul meets in detachment from the world and reaching t...
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Studs Lonigan is the protagonist and the name of the trilogy of three novels, Young Lonigan, the Young Manhood of Studs Lonigan and Judgment Day, by the American author James T. Farrell. The novel is a classic depiction of Irish life in the South side of Chicago and how Studs Lonigan comes of age in the setting. It is particularly in the second part that Farrell brings to light the venom of racism and how its unchecked spread helped to produce and reproduce the ghetto. The main reason Farrell cites for writing the book is the urban world that he knew had never been portrayed honestly enough in fiction. In his words, ‘I am a second-generation Irish-American. The effects and scars of immigration are upon my life. The past was dragging through my boyhood and adolescence’ (Farrell, 1993). It was the acrimony that Farrell had for the Irish Chicago neighborhood in which he grew up that led him to write the novel. In his opinion the Catholic parish church as the neighborhood’s primary institution was a great obscurant whereby the immigrants and their children were always uncertain of their identity and place in the new land (Byrne, 2006).
Through writing this he is facing every English professors dark night of their souls. The dark night of the soul though is not just a writer’s grievance for a lost art, it is the soul’s journey through dark and troubling questions that draw you into the darkness of your past, your nightmares, your fears, and it is facing those giants, slaying those dragons. St. John of the Cross
Inside Toyland, written by Christine L. Williams, is a look into toy stores and the race, class, and gender issues. Williams worked about six weeks at two toy stores, Diamond Toys and Toy Warehouse, long enough to be able to detect patterns in store operations and the interactions between the workers and the costumers. She wanted to attempt to describe and analyze the rules that govern giant toy stores. Her main goal was to understand how shopping was socially organized and how it might be transformed to enhance the lives of workers. During the twentieth century, toy stores became bigger and helped suburbanization and deregulation. Specialty toy stores existed but sold mainly to adults, not to children. Men used to be the workers at toy stores until it changed and became feminized, racially mixed, part time, and temporary. As box stores came and conquered the land, toy stores started catering to children and offering larger selections at low prices. The box stores became powerful in the flip-flop of the power going from manufacturers to the retailers. Now, the retail giants determine what they will sell and at what price they will sell it.
James Joyce is the author of Dubliners, a compilation of Irish short stories that reflect on the feelings he associates with the city of Dublin, where he grew up in a large impoverished family. After he graduated from the University College, Dublin, Joyce went to live abroad in Paris, France. This action indicates a sense of entrapment that led to his desire to escape. The situations in his stories differ significantly, but each character within these stories experiences this sense of escape that Joyce had. In “An Encounter”, two boys make their first real move at being independent by skipping school to explore Dublin. In “Eveline”, the main character has a choice between taking care of her unstable father or leaving him to lead a new life with a man she has been seeing. In Joyce’s story, “The Dead,” a young man is thrown into deep human assessment, becomes unsure of who he is, and soon after is frightened of this newly discovered truth. The stories in Dubliners implicate this need for independence through characters in different situations and experiencing the feeling of entrapment.
Larson begins his novel “The Devil in the White City” by setting the stage, mentioning the events and people who made the fair so great. But simultaneously Larson hints at the evil lurking in the shadows. Although the reader is not fully aware of the dual nature of the human condition till Holmes’s big unveil. Larson describes Holmes as “a murderer that had moved among the beautiful things Burnham had created” (Larson 6). Chicagoans were startled by how such gruesome acts could go unnoticed for so long. The juxtaposition of...