Comparing Heart of Darkness and Apocalypse Now
Heart of Darkness written by Joseph Conrad and "Apocalypse Now" a movie directed by Francis Coppola are two works that parallel one another but at the same time reflect their own era in time and their creator's own personal feelings and prejudices. "Apocalypse Now" was released in 1979 after two years in the making, as Coppola's modern interpretation to Joseph Conrad's novel, Heart of Darkness (Harris). Conrad's book is an excellent example of the advances writers and philosophers made in the nineteenth and early twentieth centuries. This advance deals with civilized humanity's ability to be prepared for and know the unknown. (Johnson) Comparatively, Copolla's movie does the same in the late 1970's. "Apocalypse Now" dares to breach the edges of soldier sanity in a stressful and protested Vietnam War.
One of the many similarities between Heart of Darkness and "Apocalypse Now" is race. Joseph Conrad and Francis Coppola both use white men as the characters that have dominance (Bradley). The white men not only dominate their respective crews, but also the peoples native to the country the white men are visiting. The character Conrad uses, Marlow, and Coppola uses his character, Willard, both look at the natives as though white men are the civilized culture and the native people are the savage culture (Franklin). Both works also reflect the theory that "civilized" white men that go into an uncivilized land become savage and do not return to white civilization. An example of this that is in the book is MarlowÕs appointment with the doctor. The doctor measures Marlow's skull to compare its size at the present time to the size of his skull upon his return from the Congo. The thought is that a civilized manÕs skull is a different size than a savage's skull. When Marlow asks the doctor how what the results of this test have been in the past, the doctor comments that there are none because no civilized person has ever returned from the Congo. An example of this in the movie is when Willard faces his own personality of whether or not to complete his soldierly mission of killing Kurtz or to abort it. If he completes the mission he is still civil, if he does not, the Vietnam jungle has conquered him. The first soldier that is sent to kill Kurtz did not kill Kurtz, but in fact became one of his followers.
Pearl is a symbol of Hester’s transgressions and even has similar qualities as the sin which she represents. Pearl’s life and behavior directly reflects the unacceptable and abnormal nature of Hester’s adulterous sin. Hester is plagued with more than just a letter “A”; she is given a child from her affair who is just as much a reminder of her sin as the scarlet letter. Ultimately Hester overcomes the shame associated the scarlet letter and creates a sense of family for herself and Pearl. This relationship is integral to the theme of this novel and the development of its characters.
Nathaniel Hawthorne's The Scarlet Letter tells the story of Hester Prynne, a sinner, living in a puritan society. As punishment, she is forced to wear a scarlet letter on her chest. Her daughter Pearl is the product of her sinful ways, and a constant reminder of her wrongdoing. Pearl’s embodiment of the Scarlet Letter causes her hostile relationships with the world and her mother. However, when Dimmesdale kisses her, he frees her from isolation and allows her to form human connections.
The political and social unrest of the 1970s provided Hollywood with some of its most influential films, often stemming from unlikely sources; two decades after melodrama's heyday, the genre re-emerged in an original form that continues to affect modern filmmaking. The historical influences of Italian opera and Hollywood family melodramas spawned a type of film that has been described as "historical, operatic, choral or epic" (Greene 388). Filmmakers of the 1970s explored the traditional modes of melodramatic expression in order to address the socially charged times they lived in. Filmed in the wake of the Vietnam War, Francis Ford Coppola's Apocalypse Now is a complex treatise of human morality and modern warfare that expresses itself through melodramatic conventions. Coppola contained his war movie to the personal level, in order to make larger criticisms of the Vietnam conflict. The central narrative, based on Joseph Conrad's Heart of Darkness, follows an Oedipal trajectory similar to those found in many 1950's family melodramas. The surreal, and often ironic use of music provides a startling counterpoint to the actions on screen. The film is imbued with many of the representative motifs, such as sexual dysfunction and alcoholism, which are found in earlier melodramas. Apocalypse Now helped to establish a new film genre - the operatic melodrama - that combined the historical representations of classic melodramas with the raw spectacle of modern filmmaking.
Throughout Franny and Zooey, Franny perceives humans to be inherently evil. As a result, she constantly feels frustrated with the egotism and self-centeredness of the world. One of Franny’s major outlets for this cynicism is poets. Because poets choose to write about the beauties of life, and Franny is unconvinced that such aspects are human nature, she characterizes the profession as “awful,” (18) and “fraudulent.” Conversely, Holden does not assume that people are bad; rather, he is an idealist. When he does see others’ faults, however, Hold...
One of the most complex and elaborate characters in Nathaniel Hawthorne’s The Scarlet Letter is Pearl, the daughter of Hester Prynne and Arthur Dimmesdale. Pearl, throughout the story, develops into a dynamic individual, as well as an extremely important symbol. Pearl is involved in a complex history, and as a result is viewed as different and is shunned because of her mother’s sin. Pearl is a living Scarlet A to Hester, as well as the reader, acting as a constant reminder of Hester’s sin. This connection leads to many different views of Pearl’s character.
Francis Ford Coppola’s Apocalypse Now portrays the brutality of the Vietnam War and American’s perspective from therein. Coppola successfully produced this film parallel to Joseph Conrad’s 1899 novella, Heart of Darkness. Both portray the effects of imperialism on a native land with respect to the imperialists’ viewpoint. The scene of Apocalypse Now that mirrored Heart of Darkness with the most creative license, on the behalf of Coppola, is perhaps the final scene as Kurtz is slaughtered. Each creator successfully utilized the arts of their crafts to create a final production worthy of admiration while clearly stating their interpretation of imperialism.
Apocalypse Now is a very vivid and sometimes disturbing film centered on the Vietnam War. Because it was based on Joseph Conrad's novella Heart of Darkness, it is possible to draw some parallels between the two. Both can be interpreted as metaphors for a journey through the inner self, and each has its own singular message to convey. Apocalypse Now very perspicuously depicts the fact that men have hearts of darkness, and it explores the evils of war. At the same time, however, it seemingly glorifies some aspects. The anti-war sequences were often brutal and portrayed destruction as a result of the human condition. The film Apocalypse Now, directed by Francis Ford Coppola, can be interpreted both as pro-war and anti-war in its intent, although the latter is a more valid interpretation.
Initially Pearl is the symbol of Hesters public punishment for her adultery. As the novel progresses and Pearl matures she symbolizes the deteriation of Hester's like by constantly asking her about the scarlet letter "A". Pearl in a sense wants her mother to live up to her sin and, she achieves this by constantly asking her about the scarlet letter. Another peice of evidence that shows how Pearl symbolizes the sin Hester has committed, is when the town government wants to take Pearl away from her Revrend Dimmsdale convinces the government that Pearl is a living reminder of her sin. This is essentialy true, Hester without Pearl is like having Hester without sin.
Although one is a book and the other is a movie, both Apocalypse Now which is directed by Francis Ford Coppola and Heart of Darkness by Joseph Conrad portray very detailed scenes by using various elements in their respective works. A scene is particular that stands out is the death of the helmsman which contains many similarities but also many differences between the two works. Similarities like the iconic fog that appears serve to convey a message of the helpless that the characters feel because at the mystery of their surroundings and of the uncertainly of what their tasks.
Everybody is getting drunk everywhere. And Gatsby gives no thought to cost- at one party he has an entire orchestra playing for his guests. People come to the party who aren’t invited, yet Gatsby makes no effort to get rid of them (he lets them stay, maybe hoping that they’ll help to ...
Although there are some aberrations in Christianity and Islam, there are many more similarities between the two. Those who practice Christianity consider being Muslim taboo because they are said to have renounced Jesus Christ, the founder of Christianity. Aside from that factor, most practices are equal. Sadly, most Muslims and Christians will never get along because in their eyes, the few differences are colossal enough to keep them divided. Each side is too blinded by the error of the others ways to see how analogous to one another they actually are.
The world religions of Islam and Christianity may have their differences to the naked eye, but when you take a closer look into their histories similarities arise. They both went through transformations that had drastic impacts on the way they were controlled and the way that the religion was taught to the followers. Christianity and Islam have both experienced splits between their members due to the fact that followers thought that their beliefs were the correct way to practice the religion. While these transformations are long in the past, the splits that have occurred within each religion continue to have lasting effects on Islam and Christianity to this day.
The Scarlet Letter by Nathaniel Hawthorne is a book of much symbolism. One of the most complex and misunderstood symbols in the book is Pearl, the illegitimate daughter of Hester Prynne and Reverend Arthur Dimmesdale. Throughout the novel Pearl develops into a dynamic symbol; one that is always changing. In the following essay, I will explore Hawthorne's symbolism of Pearl from birth, age three, and age seven. Also, I will attempt to disprove the notion that Pearl is branded with a metaphorical scarlet letter "A" representing amorality; instead she represents the immorality of her mother's adultery.
Christianity and Islam are two religions that grew from the same central idea of one divine being; they also originate from Jerusalem. However, the two religions bear great disparity but they also hold a few similarities. Both Islam and Christianity believe in Abraham as the forefather of both religions; they believe Him to be the founder of the two religions. The two religions have a holy book; Islam uses the Quran while Christians use the bible. Even though the two books do not bear the same teachings they are considered sacred in both religions. However, Christianity and Islam share a great deal of differences starting from the holy books, their beliefs, and the information contained in the respective holy book (Kavanaugh, 5).
Islam and Christianity have a vast amount of similarities as well as differences. Islam searches for guidance from the Qur’an and Christianity depends on faith in Jesus. Islamic faith believes in the God, Allah. Above anything else, all religious Muslims obey Allah and his commandments to obtain peace. On other hand, Christianity puts faith in Jesus who is the son of God. A major concept that separates both of the religions is the fact that the God of each faith has different qualities. This means Islam and Christianity don’t worship the same God. Islam and Christianity are two separate belief systems in which two separate Gods exist.