Heart of Darkness
The Heart of Darkness
In the Heart of Darkness, Conrad uses his own experiences in the Belgian Congo to create a character, Marlow, who is appalled by what he discovers in the Congo. Conrad uses a nameless second narrator to reveal the truth Marlow encounters as he journeys deep into the jungle. In his journey, Marlow becomes obsessed with the reclusive Mr. Kurtz. Because of his obsession, Marlow discovers an inherent evil deep down with in himself and all those around him. Conrad uses Kurtz in a way to show the absolute corruption and lack of self-restraint Marlow encounters in the Congo.
When the novel starts Marlow imagines his trip into the Congo will be an adventure in the unknown, but as he gets deeper and deeper into the jungle Marlow discovers the darkest part of the human mind. Marlow is horrified by what he sees around him and is held from oblivion only by the hope he holds for discovering the genius, Mr. Kurtz. Marlow discovers that the only thing that gives people restraint in society, and when left to himself man will become no better than a common animal. Only a rear and extraordinary man can control himself and those surroundings, Marlow believes that Kurtz is such a man. Marlow’s discovery of Kurtz and what he has done destroys his ideals, and this realization ho comes to in the Congo isolates him.
Kurtz becomes a source of light for Marlow in an otherwise dark place, the latter is driven to find Kurtz by a strong obsession. Marlow discovers the full capacity of his obsession when one of his crew dies, so that Marlow may reach the source of his light. As he journeys into the Congo, Marlow comes to discover ugly truth about himself and Kurtz. This has a great impact on Marlow and makes him a dynamic character. Marlow struggles throughout the novel to maintain some self restraint which everyone else seems to have lost out in the darkness. This use of light and dark is one of the most effective devises used by Conrad.
The framing device drives home the degree to which Marlow’s discoveries have isolated him from mainstream European society.
The most important difference between novella and film is the development of their main characters, Marlow and Willard, respectively. In Heart of Darkness, the reader is introduced to Marlow through his various philosophical ruminations about imperialism, morality, and human nature. He learns of the mysterious Kurtz through first-hand accounts of his accomplishments and his bizarre behaviour. As Marlow spends more and more time in the jungle, his pre-occupation with Kurtz becomes an important refuge from the brutality of the Belgians for whom he works. Although critical of the Belgian bureaucracy, it is unclear whether his displeasure stems from their immoral practices or their incompetence and inefficiency. Conrad never reveals Marlow’s true feelings, forcing the reader to confront the issues of racism and human nature themselves.
Looking at the book from a psychological viewpoint, there are apparent similarities to the psychological theories of Sigmund Freud in its suggestion that dreams are a clue to hidden areas of the mind, and that at the heart of things--which Freud called the Id--we are all primitive brutes and savages, capable of the most appalling wishes and the most horrifying impulses. Through Freud, or other systems of thought that resemble Freud's, we can make sense of “the urge Marlow feels to leave his boat and join the natives for a savage whoop and hollar” (Tessitore, 42). We might even, in this light, notice that Marlow keeps insisting that Kurtz is a voice--a voice who seems to speak to him out of the heart of the immense darkness--and so perhaps he can be thought of, in a sense, as the voice of Marlow's own deepest, psychological self. Of course, we must remember that it is doubtful Conrad had ever heard Sigmund Freud when he set out to write the book. Although a psychological viewpoint is very useful, it does not speak to the whole of our experience of the book.
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Through the usage of individual characters, Conrad illustrates the differences between dark and light and black and white created by colonialism. Marlow and Kurtz can be as two halves of one soul. Throughout the tale, Marlow is disgusted with what he sees during his employment with the ivory company. He is shocked and angered at the horrible treatment of the black workers. By the end of his tale, Marlow has turned f...
Throughout the entire novella, Joseph Conrad uses simple events to describe significant dark and light imagery. As the story begins, a man named Marlow describes his journey into the depths of the African Congo. He is in search of a man name Kurtz who is an ivory trader. His experiences throughout his journey are physically difficult to overcome. However, even more complex, was the journey that his heart and mind experienced throughout the long ride into the Congo. Marlow’s surroundings such as the setting, characters, and symbols each contain light and dark images that shape the central theme of the novel.
Both stories are about "Man's" journey finding himself, and confronting his fears of failure, insanity, culture and even death. Marlow is an early version of Kurtz, and Kurtz is what Marlow could become. He, like Kurtz, had good intentions upon entering the Congo. Along the trip into the wilderness, they discover their true nature through contact with the natives. Even Marlow admits, "I was getting savage." As Marlow ventures farther up the Congo, he feels like he is traveling back in time, the deeper into the heart he goes the more regressed the inhabitants seem.
One of the central tragedies of Joseph Conrad’s Heart of Darkness is the insanity of Mr. Kurtz. How could a man who seemed so good, so stable, suddenly become so mentally lacking? Through the deterioration of Kurtz’s personality and Marlow’s response to his breakdown, Conrad explores the elements of strong versus weak characters.
The main character of the story, Marlow, is a thirty-two year old English seaman who has been traveling all his life. All he really wants is to find some shred of goodness in the European domination of Africa. He finds his thoughts completely consumed by one man named Kurtz. Kurtz is a man in charge of the most successful ivory business in the Congo. He is the focus in the novel, in that he is the one whom the other characters react to.
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
Kurtz. Marlow retrieves an ailing Mr. Kurtz, who is holding onto life by a thread. In his last words, Mr. Kurtz screams, “The horror! The horror!” When reflecting upon this outcry Marlow states, “I affirm that Kurtz was a remarkable man. He had something to say. He said it. Since I had peeped over the edge myself, I understand better the meaning of his stare, that could not see the flame of the candle, but was wide enough to embrace the whole universe, piercing enough to penetrate all the hearts that beat in the darkness.” Marlow admires Kurtz because Kurtz was able to break free from racism and wholeheartedly assimilate with all stretches of humanity. Perhaps Kurtz knowledge of the world comes at the cost of sanity. Marlow observes Kurtz’s universal perspective, but he himself does not quite attain it. Although he has taken steps in the direction of understanding for the natives, Marlow’s innate prejudices restrain him from crossing the bridge into the land of
Marlow is an honest man. He sets out on a genuine search for answers to his questions of exploration of the unknown "when (he) was a little chap" (Conrad 64). Marlow was drawn to a certain place on the world map, called the Congo "the biggest, the most blank, so to speak---that (he) had a hankering after" (Conrad 64). Upon first entering the mouth of the Congo River, Marlow declares his stance on lies and those who lie. [He believes that lying in the worst thing for a person.] He vows never to lie in his life. After reading Kurtz's report about his progress down the Congo, Marlow finds that Kurtz lied, and in part loses all the respect he ever had for Kurtz. However, Marlow still continues to pursue him. Marlow continues his journey up the Congo River, penetrating further and further into the heart of darkness. In the process, Marlow reverts back to his innate state to survive, whether or not that means going against his principles. Finally, 200 miles later, Marlow meets Kurtz, who is the object of his psychological desire, only to find him very ill. After Kurtz's death, Marlow finds himself transformed into a person he thought he would never become, a liar. Marlow lies to Kurtz's intended about Kurtz's last words when he returns to Europe. After being consumed by the heart of darkness, Marlow throws away his previous values as he reverts into a savaged, almost evil state of mind.
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
The Significance of the Congo River For Marlow, the journey on the Congo River is one of the most difficult and ominous journeys he will ever take. The fact that it takes him around and not completely into the jungle is significant of Marlow's psychological journey as well. He never really goes on land but watches the shore from the outside. The only time he goes on shore he finds a wasteland. For Marlow the jungle of the Congo is representative of evil that man is capable of. In Heart of Darkness, it seems that the further Marlow travels into the jungle, the deeper he looks into himself. All this time is spent on the Congo River as he looks from the outside. This is symbolic as he is looking at his soul from the outside but never really sees himself until he goes on land to get Kurtz. When he arrives on land is symbolic of when he looks the deepest into himself. He goes to find Kurtz on his deathbed and is given he choice to take over for him as a god among an African tribe. Marlow is faced with the ultimate choice between good and evil. For a moment it is uncertain what choice Marlow will make. But, unlike Kurtz, Marlow picks the good over evil, as he rescues Kurtz back to the steamer. The fact that Marlow sailed along the Congo River, around the jungle, and not actually into the jungle is an important symbol also. Marlow never walks the path that Kurtz did to self-destruction. He went around the jungle to avoid getting captured by evil. Kurtz was a decent Englishman until he gave into the desires of his heart of darkness. Kurtz spent all his time in the jungle and eventually forgot all of his self-control, manners, and upbringing. He truly looked in the deepest part of himself and found that his evil desires would reign. This is symbolic because he was deep inside the jungle. In this respect Conrad uses to men to show the reader both the good and bad of humankind. He shows the true evil and good that man is capable of If proper restraints had been there would Kurtz have done things differently?
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).