On November 13, 2010, R&B’s present and future performed in Las Vegas, NV at the Mandalay Bay for Usher’s OMG Tour. New vocalist Miguel, with the success of his “All I Want is You” single, warmed up the audience. But Trey Songz, aggressive sex pop hits from his new album: Passion, Pain, & Pleasure, made the crowd start to sizzle. The talent demonstrated in the opening acts got the audience hyped up for the main attraction…Usher! This concert gave the audience the ability to take it back to 1997 with songs “You Make me Wanna” and “Nice and Slow.” Songs like “Lil Freak” and “DJ got us Falling in Love” keeps the audience in the present and of course, dancing. Usher, still being one of the leading artists in R&B for the last 16 years, proves his talent of singing and dancing during this tour. Evidence that Usher deserves to stay on top can be visualized in this concert, especially with the fans begging for an encore. Usher’s latest tour definitely leaves the audience saying “OMG!”
While most of the audience, including myself, stared at the stage watching stick-barring dancers flash lights, Usher appeared in the middle of the audience. Wearing a leather jacket with matching sunglasses, boots, and pants, Usher continued his entrance to the stage by hovering above his audience on a clear platform. While he soared over the crowd, Usher sang “Monstar,” as the opening to his “OMG” Tour. Once the platform was near the stage, instead of lowering completely, only the front wires lowered giving the suspended Usher the chance to dance against a clear wall. Defying gravity with a bunji-cord strapped to his waist, and after some ninja dance moves, Usher was front and center on stage. After greeting his audience, Usher wastes no time getting to h...
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...ter, Usher was again lifted above the crowd, while he performed a 2004 number 1 hit “Burn”. His singing ability was shown in both of these songs leaving the audience in awe.
After precise dance moves, interaction with the crowd, (some more than others) and his vocals displayed in the twenty songs performed, Usher attempts his good-bye to the large crowd. However, once Usher has left the stage, the crowd, including myself, realizes he hasn’t performed a favorite yet. The song the whole tour is named after and instantly, upon this realization, the crowd and I begin to chant the biggest hit of the year, “OMG!” Usher returns of course, almost expecting it, but upon returning, he brings the entire audience to their feet. The show ended with perfected choreography by Usher and the other dancers, flashing lights, various explosions, confetti, and of course, an encore.
Debra Rathwell is the Senior VP for AEG Live. Rathwell oversees the active New York office of AEG along with being a force in national touring. Rathwell has more than 30 years of experience in the industry and her dedication inspires me. I know she is well respected in the industry and I think it is impressive that she books on average 800 shows every year. Being a woman in the music industry is a big challenge, but Rathwell proves to me and the world that being hard working will help prove yourself. The first step that really started Rathwell’s career was during her last year at Carleton University in Ottawa, Ontario. Rathwell was Harvey Glatt’s assistant and went on to work as Bass Clef Entertainment, which partnered on shows with Canada’s concert leaders. This introduced Rathwell to the industry and the rest was like a snowball effect, one job led to another. Another step Rathwell took in her career was pivotal was joining Donald Tarlton for 12 years at DKD. With DKD, Rathwell managed a staff ...
... acoustic jam that had the crowd swaying to its lifting rhythms and happy-go-lucky lyrics. He then promised to play a little bit of “East Coast and West Coast hip-hop,” a promise he fulfilled near the end of his set by covering a song from both A$AP Rocky and Kendrick Lamar.
Warped Tour Warped Tour is sometimes billed as the “longest running music festival in the nation”. The vans warped tour has brought thousands of music fans together over a fifteen year period. Warped Tour is known for being amazing and for bringing large crowds to it. Kevin Lyman/ Sierra Lyman are the creators of Warped Tour. The very first tour kicked off on August 4th, 1995.
On Monday March 25, some members of the baseball team, my girlfriend, and I traveled to Murray State University to watch a concert performed by Nelly and the St. Lunatics. It was a terrible night to go anywhere because it was raining and storming the whole way, but there was nothing that was going to stop us from going to the concert. We where all so hyped up about it and couldn’t wait to head out. My brother, who attends Murray State, had gotten us excellent seats about seventy-five feet away from the stage.
In the lyrics of male R&B/Hip-Hop artists in the early 1980’s, there is a noticeable shift in the language used to portray women and then themselves. The language shift is in choosing words that are filled with love and emotion to overbearing words that aim to separate men and women by social status. During the 1980’s, many of the popular songs by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This observation is similar to Frith’s (1986) finding, where most successful pop songs centers around being “happy in love”, “frustrated in love” as well as having sex interests. The “happy in love” factor that Frith notices in pop songs is seen in early R&B/Hip-Hop music. Instead of using derogatory terms
Hip-Hop: from the live performances to the lyrics this here brought up many thoughts in my head. I attended a concert on April 2016 and several other old school concerts at the Queen Mary, front row VIP area which included; Debbie deb, Cover girls, Vanilla ice and so on. Going to an old school/hip-hop concert the songs and experiences as a whole are different with every time. New school hip-hop is narrative and with this you can receive the same lyrical experience every time, as for the concert the experience is the same as the next. I am not saying that an old school concert isn’t different in its own way but I do think their not so far apart performance wise. Example going to a “Drake” concert is more narrative compared to an old school
gave the mic back to the DJ, who turned the music up. But since KayDe, Kelley, and their friends had always danced that way to hip-hop music, they couldn't believe Mr. Bennett would carry out his threat—so they kept on freak-dancing.
The first piece presented in this concert was Robert Strauss’ Metamorphosen, Study for 23 Solo Strings a piece was composed during the last months of World War II, from August 1944 to March 1945, dedicated it to Paul Sacher. It was first performed in January 1946 with ten violins, five violas, five cellos, and three double basses, this was immolated in the performance by the Atlanta Symphony orchestra on April 13th that I attended. It is widely believed that Strauss wrote the work as a statement of mourning for Germany's destruction during the war, in particular as an elegy for devastating bombing of Munich during the second World War.
Whitney Houston’s career truly took off in the mid-1980s after releasing her second album, Whitney, which includes her smash hit I Wanna Dance With Somebody. I Wanna Dance With Somebody is such an upbeat tune that includes a heavily edited and enhanced pop melodic line, synthesizers, and the notorious percussion and keyboard tease that begins the tune. Whitney Houston definitely brings this to life through her outstanding vocals that fully showcases her range, elastic vibrato, and precise musical abilities. Houston is most known for her voice that, in my opinion, is still considered extremely iconic and powerful. Houston’s chart-topping single also showcased the type of music that the United States enjoyed and cherished in the late 1980s. This song brings to the surface the anticipation, joy, and free-spirit that the 1980s culture presented to its people, and this hit ties in the importance of music, love, and dancing that stem from the core of Whitney’s pop-hit lyrics. The style of music portrayed in the 1980s consisted of many drum machines, synth-based styles of music, and electronic programming that twisted and manipulated the music into its reputable popular techno/rock characteristics. These characteristics are also seen in Gloria Estefan’s hit, Betcha Say That. Betcha Say That and I Wanna Dance With Somebody explicitly shows how popular energetic anthems were to the musical audience being catered back
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
“The Godfather of Soul”, better known as James Brown grew to be one of the most influential artists in Michael Jackson’s life. As a child Michael Jackson was intrigued by Brown’s flamboyant performances on stage and would soon begin to implement them into his own stage acts. By the age of five Michael Jackson was already sealed into a world of show business by his father, Joseph Jackson. Deprived of a childhood at a very young age, Michael and his siblings began a family-musical group called “The Jackson 5.” They began playing the soul hits they listened to on the radio all across the country. The band toured the Midwest extensively from 1966 to 1968, frequently performing at clubs and bars. In 1966, they won a major local talent show with renditions of Motown hits and a cover of “I Feel Good (I Got You)” by James Brown. It wasn’t until July 23, 1968 where they received major recognition by Motown owner, Berry Gordy. Gordy was reluctant to sign the “Jackson 5” but after their audition performance of the song “I Got the Feelin”, by James Brown, he changed his mind. In March 1969, “The Jackson 5”, were officially signed into Motown records. This marked a historical point in Michael Jackson’s life where his musical influences from James Brown would be noticed. Song’s from Michael Jackson that s...
Rhythm and blues, also known as R&B, is something that I really enjoy. I am a singer and along with country music, R&B is my favorite thing to sing. With rhythm and blues, there is a song for every emotion, so most of the time the songs can be very relatable. The songs have a variety of subjects like sex, work, and even drinking. In this paper I will briefly discuss how rhythm and blues started, how it evolved into today’s music and why I like it so much.
By the twelfth song which was the last I could still feel the atmosphere, the pride and the gratitude of the people. We were just happy to be in their presence. For the last song the whole crowd moved together in a bizarre, alternative. dance. I am a sassy girl.
When the final song was over and Jars of Clay was off the stage, the lights abruptly came on. Everyone started to leave the theatre. I still wanted to hear more of their music, but just as they had come out they then left in the same way. My adrenaline was still on a high point even as we got to our vehicles.
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.