Edith Wharton was a writer in the 1900’s a time in which the social status of one was extremely importanant. Edith Wharton herself was a member of the upper class but she criticizes the importance that people place on it. Through The House of Mirth and her characters the reader can determine the people Lily sees and interacts with are the same clas and type of people that Wharton would see on a daily basis. In Edith Wharton’s The House of Mirth Wharton criticizes the values people place upon joining and remaining in the upper class. Lily, like many others, wants to be a part of this luxurious lifestyle; however her desire for wealth and social standing becomes her downfall. Wharton uses Lily as an example to illustrate how ones yearning for fortune and power will conceal from themselves what is truly important. which wealth and fortune were ones main priority. In 1862 Christened Edith Newbold Jones was born. Edith was the only daughter of upper class parents who descended from “old New York families”. Since her family was wealthy she had all the amenities one could wish for. At the age of seventeen she emerged from her household, and began looking for a husband. Once she married “her future seemed clear” (Ammons). Wharton’s role in life would have been a wife and a mother. Knowing the status of women from a historical standpoint, the reader can infer that Wharton, through Lily is illustrating a typical woman in a male dominant society, referring to herself. Wharton’s parents did not take much to art and literature and they “distrusted emotion” (Ammons). Wharton’s parents represent the common individual in the upper class. The main priority was for them to keep and accumulate more money. Unlike most women in the society Wharton w...
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...egaurdless of her social status but show the inner works of the tight knit society.
Works Cited
Ammons, Elizabeth. The House of Mirth. New York: Norton, 1990. Print.
Brown, Stephen G. "The House of Mirth." Literary Reference Center Plus. Salem Press, n.d. Web. 24 Feb. 2014.
Olin-Ammentorp, Julie. "Edith Wharton's Challenge to Feminist Criticism." Studies in American Fiction 16.2 (Autumn 1988): 237-244. Rpt. in Novels for Students. Ed. David M. Galens. Vol. 15. Detroit: Gale, 2002. Literature Resource Center. Web. 24 Feb. 2014.
Tuttleton, James W. "Edith (Newbold Jones) Wharton." American Realists and Naturalists. Ed. Donald Pizer and Earl N. Harbert. Detroit: Gale Research, 1982. Dictionary of Literary Biography Vol. 12. Literature Resource Center. Web. 24 Feb. 2014.
Wharton, Edith, and Elizabeth Ammons. The House of Mirth. New York: Norton, 1990. Print.
To the urban lifestyle of growing up in the ghettos and the hardships. She depicts the usages of drugs, gang, crime, poverty, teen pregnancy and mostly how it effects the community. But also shows how the outside violence comes into the home and can devastate the natural order of the household.
Wharton’s parents raised her in aristocratic society. Her father, George supported the family working in real estate, while her mother Lucerita was a stay at home mom. Her mother was devoted to high society, and was unsupportive of her interests in writing. (Todd and Wetzel) Unlike her mother, Morton Fullerton supported Wharton. While in England, Wharton met Fullerton. As their relationship progressed, she became close friends with Katharine Fullerton. Katharine was Morton’s orphaned sister, that his family took in. (Witkosky) While Wharton was in England her husband was seeking “cures” for his depression. As portrayed in the novel, Ethan Frome’s wife Zeena was constantly seeking cures for her illness. Like Teddy, Zeena was isolated from society and kept to herself. Ethan’s wife was devoted to high society because she came from an aristocratic home. Therefore, Zeena never supported Ethan’s interest in becoming an engineer. Wharton’s mother was alike to Zeena when it came to how her life was lived. Ethan’s lover, Mattie Silver, was taken in by the Frome’s in the novel. She had no family who wanted her just like Katharine Fullerton. Mattie was raised by the Frome’s in a society she did not know how to adapt to because she was never taught how. “Mattie is attempting unsuccessfully to fit in a society she does not understand.”
Despite the common cliché, ?don?t judge a book by its cover,? you never get a second chance to make a first impression, most first impressions are derived from appearance. Edith Wharton harshly juxtaposes the appearances of Mattie and Zeena, to such an extreme that it almost seems bias. From the beginning of the novel, Zeena is depicted as an old and ?repugnant? (46) housewife. Substantial background information is not given, nor causes for her worn out and ?bloodless? (53) demeanor. ?Though she was but seven years her husband?s senior, she was already an old woman.? (53) In harsh comparison, Mattie is portrayed as a youthful, vivacious woman, yet with natural beauty. This drastic juxtaposition is black and white, with no grey areas, just the strong Mattie and the feeble Zeena. However, the colors used to describe Mattie and Zeena are not black and white, they each ...
Throughout “Ethan Frome,” Edith Wharton renders the idea that freedom is just out of reach from the protagonist, Ethan Frome. The presence of a doomed love affair and an unforgiving love triangle forces Ethan to choose between his duty and his personal desire. Wharton’s use of archetypes in the novella emphasizes how Ethan will make choices that will ultimately lead to his downfall. In Edith Wharton’s, “Ethan Frome.” Ethan is wedged between his duty as a husband and his desire for happiness; however, rather than choosing one or the other, Ethan’s indecisiveness makes not only himself, but Mattie and Zeena miserable.
Ethan Frome is the main character of Edith Wharton’s tragic novel. Ethan lives the bitterness of his youth’s lost opportunities, and dissatisfaction with his joyless life and empty marriage. Throughout the story Ethan is trapped by social limits and obligations to his wife. He lives an unhappy life with many responsibilities and little freedom. Ethan Frome studied science in college for a year and probably would have succeeded as an engineer or physicist had he not been summoned home to run the family farm and mill. Ethan quickly ended his schooling and went to run the family farm and mill because he feels it is his responsibility. He marries Zeena after the death of his mother, in an unsuccessful attempt to escape silence, isolation, and loneliness. Ethan also feels the responsibility to marry Zeena as a way to compensate her for giving up part of her life to nurse his mother. After marring Zeena he forgets his hope of every continuing his education and he is now forced to remain married to someone he does not truly love.
Ammons, Elizabeth. “Edith Wharton’s Ethan Frome and the Question of Meaning.” Studies in American Fiction, Vol. 7, No. 2,
Perhaps Edith Wharton's reason for writing Ethan Frome, was that it so vividly reflected her own dreary life. Abandoned of any love as a child from her mother and trapped in a marriage similar to that of Zeena and Ethan, Wharton found herself relying on illicit love. This illicit love was also her favorite topic of writing, which helped her to escape her own tragedies. She spent many nights in the arms of other men searching desperately for the love she believed existed, but had never felt, which is evident in all of her writings.
The creative writing techniques that Wharton uses within her writing enhance the story and make it worth reading. Wharton is very descriptive in almost every aspect of her story. This gives the reader another element to the story rather than just reading dialogue or general descriptions. A point where Wharton gets descriptive, is when she starts to explain Frome’s house and how “ the image (of itself) presents of a life linked with the soil, and enclosing in itself the chief sources of warmth and nourishment, or whether merely because of the consolatory thought that it enables the dwellers in that harsh climate to get to their mornings’ work without facing the weather, it is certain that the ‘L’ rather the house itself seems to be the center, the actual hearth-stone of the New England farm” (Wharton 11). This shows how detailed Wharton can get. It not only gives the reader a g...
Edith Wharton, originally named “Edith Newbold Jones”(Cliff Notes), was born on “January 24, 1862 in New York City to George Frederic Jones and Lucretia Stevens Rhinelander Jones and died on August 11, 1937”(Cliff Notes). She was born into a wealthy family and was a “designer, short story writer and American novelist”(Cliff Notes). Wharton descended from the English and Dutch cultures. She had two siblings, one known as “Frederic Rhinelander Jones” (Cliff Notes) who was sixteen years older than her, and “Henry Edward Jones eleven years older”(Cliff Notes). While her brothers attended boarding school, Wharton became “raised as an only child in a brownstone mansion on West Twenty-third Street in New York City”(Cliff
Garcia, Angela. "Edith Wharton’s Ethan Frome." American Writers Classics. Ed. Jay Parini. Vol. 2. New York: Charles Scribner's Sons, 2004. 89-108. Gale Virtual Reference Library. Web. 4 Feb. 2014.
... lavishness now seemed to beckon her with open arms to a life a where she could live expensively. Despite she sadness she was facing Lily knew she could not return to the realm of elites, “it was happiness she still wanted and the glimpse she had caught of it made everything else of no account” (449). At this stage of the novel, the demise of the Lily whose most ardent desire was money, power and prestige was complete. Lily’s loneliness and lack in what Lawrence show Lily that there is a fate that will cause greater pain than lack of wealth. Near her tragic end, Lily finds herself without both of her competing desires. It is then she finally understand that a life without love, happiness and freedom causes greater misfortune that a life without wealth.
Set in 1881 Starkfield, Massachusetts, Edith Wharton’s Ethan Frome reveals a recurring theme in literature: “the classic war between a passion and responsibility.” In this novel, protagonist Ethan Frome confronts the demands of two private passions: his desire to become an engineer that conflicts with his moral duty to his family and his love for Mattie Silver that conflicts with his obligations to his wife Zeena. Inevitably placing the desires and well-being of his family before his own, Ethan experiences only “‘[s]ickness and trouble’” and “‘that’s what [he’s] had his plate full up with, ever since the very first helping’” (12). The reader understands Ethan’s struggles when he abandons his studies at Worcester, when he considers running
In Edith Wharton’s Ethan Frome, there is a prevalent conflict of class struggles. Ethan Frome, his wife Zeena, and their maid Mattie all live in extreme poverty. Wharton portrays them as miserable beings, seemingly always encompassed in misfortune. Wharton herself, however, lived a near opposite life compared to that of her characters. She was born into fortune; money was rarely a concern for her (Lee). Through a Marxist lens, one could argue that Edith Wharton, a woman of extreme wealth and privilege, would characterize lower, working class people such as the ones in Ethan Frome in an inaccurately dismal light. The consistent image of winter and coldness, typically associated with misery, in Ethan Frome foreshadows an unhappy ending for the
As the middle class began to further divide, those who grew in wealth became known as a banking/industrial class. Along with their sudden economic prosperity there came a desire for social transformation- an aspiration for new aristocracy. They carried their traditional middle class values into prominence with their accumulation of wealth. They sought to achieve a merit oriented Society rather than social climbing, for their children's sake, into the existing one based solely on birth. This hindered the new class from ever attaining Aristocratic Social acceptance for their new wealth and deemed them the nouveaux riche. Despite obvious disapproval from the Aristocracy the nouveaux riche continued their economic ascent through "personal contact [which] was a crucial element in filling posts" (Loftus 5). This dependence upon others for mounting economic standing was contrary to the middle class value of independence. This industrial class was forced to rely upon the connections, potentially aristocratic, in order to succeed. Loftus explains that middle-class values were carved out in these attempts to define a society based on merit rather than aristocratic privilege. However, the importance of cultural capital and social networks to success in the period implies that the rise of the middle-classes in the Victorian period saw the replacement of one set of privileges with another (Loftus 4). However the Nouveaux Riche failed to fully assimilate into aristocratic society due to lack of pedigree.
The novella "The Dead" by James Joyce tells the tale of early twentieth century upper class society in the Irish city of Dublin. The story tells of the characters' entrapment, and the tragic lives they lead, hiding behind the conventions of their society. Joyce uses the symbolism to draw a parallel between the natural way in which the snow covers the land and the way in which the characters use their culture unnatural to cover reality. This story comes together, not only to tell of the individual tragedy of these peoples lives, but to tell the tragic story of all of Ireland, as it's true problems become obscured in so many ways.