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Amy Tan’s “Two Kinds.” essay
the meaning of the story two kinds by amy tan
amy tan "two kinds" essay
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Recommended: Amy Tan’s “Two Kinds.” essay
"Two Kinds" is truly an amazing work; it captivates readers with by telling a story of a young girl trying to find herself. Amy Tan does a phenomenal job, not only by portraying a very real mother-daughter relationship, but at showing how much a young girl can change. Jing-Mei evolves throughout the story in a way that many people can relate to; crushed hopes, obeying your parents even if it means doing something you don't want to do, and finally standing up for what you believe in.
Since "You could be anything you wanted to be in America" (Tan 348) Jing-Meis' mother thought that meant that you had to be a prodigy. While that makes "Everything [sound] too simple and too easily achieved; [Jing-Mei] does not paint a picture of her mother as ignorant or silly" (Brent). In fact, in the beginning, Jing-Mei and her mother are both trying to "Pick the right kind of prodigy" (Tan 349). "In the beginning, [she] was just as excited as [her] mother,"(Tan 349) she wanted to be a prodigy, she wanted to "become perfect
[she wanted her] mother and father to adore [her]"(Tan 349). As she strived to achieve perfection she and her mother would try many different things to try and find the "right kind of prodigy" (Tan 349).
"Every night after dinner, [Jing-Mei and her mother] would sit at the Formica kitchen table. [Her mother] would present new tests, taking her examples from stories of amazing children she had read in Ripley's Believe It or Not, or Good Housekeeping, Reader's Digest, and a dozen other magazines
[Her mother] would look through them all, searching for stories about remarkable children" (Tan 350)
Over time "The tests got hardermultiplying numbers in [her] head, finding the queen of hearts in a deck of cards, trying to ...
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... mother never talked about the "disaster at the recital or [her] terrible accusations afterward at the piano bench" (Tan 356), she was surprised when her mother "offered to give [her] the piano, for her thirtieth birthday" (Tan 357). She doesn't accept it at first, but later "[Has] the piano reconditioned, for purely sentimental reasons" (Tan 357).
When her mother dies, Jing-Mei really shows how much of a dynamic character she is. She realizes that, just like the songs in the piano book, her mother and she "were they were two halves of the same song" (Tan 357).
Works Cited
Bernheimer, Kate. "Two Kinds." Short Stories for Students, volume 9:287-302
Brent, Liz. "Two Kinds." Short Stories for Students, volume 9: 287-302
Tan, Amy. "Two Kinds." Literature: A Portable Anthology. Ed. Janet E. Gardner, et. Al. Boston: Bedford/ St. Martin's, 2004. 348-357.
Jing-mei Woo has to become a member of the Joy Luck Club in place of her mother, Suyuan Woo, who passed away. Before Suyuan's passing Jing-mei does not know much about her mother, as the story continues to develop Jing-mei realizes how much she did not know about her mother and learns more and more new things about her on her journey of finding her sisters. “Your father is not my first husband. You are not those babies” (26), this quote is from Suyuan Woo and shows Jing- mei that her mother has a lot of secrets that she does not know about. “Over the years, she told me the same story, except for the ending, which grew darker, casting long shadows into her life, and eventually into mine” (21). This quote shows how Jing-mei did not know much
No matter what actions or words a mother chooses, to a child his or her mother is on the highest pedestal. A mother is very important to a child because of the nourishing and love the child receives from his or her mother but not every child experiences the mother’s love or even having a mother. Bragg’s mother was something out of the ordinary because of all that she did for her children growing up, but no one is perfect in this world. Bragg’s mother’s flaw was always taking back her drunken husband and thinking that he could have changed since the last time he...
Jing-mei realizes her mother was trying to help her out, but since their personalities clash, Jing-mei first believed her mother was forcing her to play piano. She thought her mother was setting up unrealistic expectations for her, when only she just wanted to see her daughter live the American Dream. She didn’t understand the Chinese way of thinking so she thought her mother was just being strict. Her mother wants her to be a strong, independent American woman. She just wanted her daughter to have all the opportunities she wasn’t able to have in China.
In the story Two Kinds by Amy Tan, Jing Mei’s mother’s obsession with making Jing Mei a prodigy is the cause of destruction in their relationship but, once Jing Mei begins to understand her mother’s reasoning, the enabler for their reconciliation. For instance, Jing Mei struggles with trying to play the role of the...
Tan, Amy. “Two Kinds”. Literature: An Introduction to Reading and Writing. Longman. Boston. 10th ed.
Jing-Mei was forced to take piano lessons; this only further upset her as she felt that she was a constant disappointment. Her mother was mad at her on a regular basis because Jing-Mei stood up for herself and explained to her that she didn’t want to be a child prodigy.
In "Two Kinds," Jing-Mei struggles with the plans her mother forces on her and the path she wants to create for herself. She spends her entire childhood doing everything her mother makes her, so that she can become a prodigy. Her mother has her take tests, classes, and learn skills she does not want to just so she can be successful. As a result, Jing-Mei rebels by not paying attention during her studies or by not attempting the quizzes. She spends her entire childhood being mediocre to the point she does not really know how to try when she wants to. It takes her until her mother dies just to find closure. By that point she had not even been rebelling it was just forced into her character. Luis and Jing-Mei might have rebelled for different reasons, but the reasons for their parents to push them were incredibly similar.
In the onset of the story we find Jing-Mei's mother convincing her that she 'can be prodigy…'; (491) and that she 'can be best anything.'; (491) Deciding that Jing-Mei's destiny is to become a prodigy, her mother takes control and begins to push Jing-Mei towards this goal. At first Jing-Mei is, 'just as excited as my mother, maybe even more so.'; (491) By saying these things, Jing-Mei's mother tries to create an ideal identity for her. Jing-Mei's mother begins to test her with questions and she cooperates. But as time goes on and the tests her mother gives her gets harder, Jing-Mei begins to be resentful and unwilling to cooperate. She thinks to herself, 'I won't be what I'm not.'; (492) This shows a child resisting it's parents control.
Jing-Mei Woo, who is called June in America, represents her mother's hopes and dreams. Her mother's name, Suyuan, meaning, "long cherished wish" speaks of this hope for Jing-Mei, whose name means "the pure younger sister (p322-3)". In the beginning, June is excited and dreams of what she will become. "In all my imaginings, I was filled with a sense that I would soon become perfect. My mother and father would adore me. I would be beyond reproach. I would never feel the need to sulk for anything (p. 143)." Her mother pushes June into many areas- academics, dance, and the piano. After failing to excel at any of the areas presented to her, she feels like a failure. She sees all the hopes her mother has for June as expectations. The final conflict comes when June performs a piano piece filled with mistakes at a talent show, which makes June believe that her mother is completely ashamed and disappointed with her. June looked through the crowd to her mother’s face. She thought to herself, "...my mother’s expression was what devastated me: a quiet, blank look that said she had lost everything." (p. 143) What June did not realize, was that the real reason why her mother was upset was not because she had not lived up to her expectations. She was unhappy because June did not care about having the best for herself. She did not have high hopes or a passion to be successful at anything.
In America, it is believed that you have the opportunity to become anything you would like to be. For immigrants it is believed that “you can be best anything” (553). It is the same for the mother in this story. She believes that her daughter, Jing-mei, can be anything she wishes, even a prodigy. Though this idea of Jing-mei becoming a prodigy sounds far fetched, the mother is determined to turn her daughter into something, or someone who will make the family proud.
The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
Jing-mei 's mother wants Jing-mei to be a prodigy and get popular. Thus, the mother rents a piano for Jing-mei to help her achieve this. Many years later, Jing-mei finds the piano in a broken state, so she decides to have it repaired. She starts playing the song she used to play, “Pleading Child.” But to the right of “Pleading Child,” she finds a second song named “Perfectly Contented.” She starts to play both songs, “And after I [Jing-mei] had played them both a few times, I realized they were two halves of the same song.” (6) Jing-mei’s mother tells Jing-mei that there are two kinds of people: the respectful kind and the disrespectful kind. At that time, Jing-mei also finds out that there are two kinds of people inside her. She could choose to be the kind where the person is a prodigy and respectful, or be the kind that is ugly in the eyes of people. When she plays “Pleading Child” and “Perfectly Contented,” Jing-mei realizes that her identity had changed completely because of her laziness and beliefs. Jing-mei learns that there are two kinds of people in the world, and she should choose the right
"My mother believed you could be anything you wanted to be in America" (491). This ideology inspired Jing-mei’s mother to work hard to create a better life for herself and her family in a new country. The search of the American dream exerts a powerful influence on new arrivals in the United States. However, realizing that they may not achieve the dream of material success and social acceptance, parents tend to transfer that burden to their children. It is a burden where dreams usually fall short of expectations.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
The Narrator’s family treats her like a monster by resenting and neglecting her, faking her death, and locking her in her room all day. The Narrator’s family resents her, proof of this is found when the Narrator states “[My mother] came and went as quickly as she could.