There’s nothing better than a comedy to lift your spirits up with baskets full of laughter. I like the idea of comedies when there’s a complete misunderstanding, trickery or when things go wrong. For example in one of the episodes of My Wife and Kids when a girl called Claire tells her dad that there will be photograph day in school. So she asks her dad for a massive photograph of her to put on the wall. Her dad said no. On the day of the school photograph when she woke up, her right cheek was swollen-much bigger than the other. As persuaded by her parents she reluctantly went to school. When Claire arrived home she said to her dad thanks for only buying a small picture of me otherwise it would have been a total disaster seeing myself with one big cheek. But little did she know that her dad bought a massive picture of her and put on the front of the garage for everyone to see outside.
The Elizabethans acquired certain expectations for a comedy. This included trickery, insults, jokes and puns, wordplays and misunderstandings and happy endings. These would have all been considered elements of a comedy. Shakespeare wrote a comedy called Twelfth Night because that’s the Christmas Celebration when pranks and deceptions were allowed when people were off work. However the last day 6th January was when all the decorations came down, which brought a tinge bit of sadness to the Elizabethans.
William Shakespeare employs the dramatic conventions of mistaken identity and disguise to establish humour in an example of Act 2 Scene 2 of Twelfth Night. Viola realises Olivia is in love with her “Fortune forbid my outside have not charmed her! she made good view of me, indeed so much that, me thought, her eyes had lost her tongue”. Dramatic irony i...
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...My favourite character out of Twelfth Night would be Maria because of her ingenious scheme and clever observing skills to pull off the trick on Malvolio. Maria is a very shrewd, stocky, plain character who knew when to have a joke but she kind of lay back at the end. It maybe to the realisation that if she was to get in trouble she would have a higher chance of being sacked because the order of hierarchy-as she was a servant. My favourite scene would have to be when Malvolio found the love letter and is ordered to carry out all the instructions and the expression on his face as he thought it really was a love letter was absolutely hysterical. I also like the part when Viola and Sebastian find each other and Olivia’s face when she sees there is double Cesario and she is told by Sebastian she was attracted to a girl. I think Olivia found it amazingly mindboggling.
The characters in Twelfth Night each play an important and specific role, especially when it comes to interfering or setting fate for romantic interests. Not all characters get a happy ending, and a particular character’s husband turned out to be someone much different than who she believed to be marrying. Through dishonesty, confusion, and chicanery, each character had a helping hand in dishing out each other’s fate, but nonetheless, the relationships that resulted in a law binding marriage beat destiny and overcame every hardship standing in the way of love and happiness.
Shakespeare’s Twelfth Night is a comedy that has been interpreted in different ways, enabling one to receive multiple experiences of the same story. Due to the content and themes of the play, it can be creatively challenging to producers and their casting strategies. Instead of being a hindrance, I find the ability for one to experiment exciting as people try to discover strategies that best represent entertainment for the audience, as well as the best ways to interpret Shakespeare’s work.
In Shakespeare’s Twelfth Night and in Molière’s The Imaginary Invalid, two ladies are presented, that are not necessarily the leading protagonist, but they help unravel the plays’ plots into something amazing. Twelfth Night features Maria, the lady in waiting to Olivia. At first Maria comes off as a dilettante, later on we find out that’s not the case at all. Meanwhile, in The Imaginary Invalid, there is the disputatious Toinette, who is the maidservant and nurse to the imaginary invalid himself, Argan. Maria and Toinette are two strong women characters, their strength and wit is depicted through Maria and Toinette’s deceiving schemes to make their plays more stimulating as well as their objectivity throughout all the chaos in their respective play.
At 12:31 P.M. Central Standard Time, on Friday, November 22nd, 1963 in Dallas, Texas, something was stolen from the American people and in fact the world. The one thing that was carved from the collective souls and hearts of this great country was its innocence. The bullet from the rifle of an assassin and who fired it and from where is just smoke and mirrors, background scenery for the real unresolved questions. What did the death of JFK mean for the Country? People around the country and around the world were shocked and deeply saddened, for they knew at that moment that the beauty and glory of “Camelot” was over. Theodore Sorensen is quoted as saying, “Countless individuals have noted that the President’s death affected them even more deeply than the death of their own parents. The reason they believe, is that the latter situation most often represented a loss of the past – while the assassination of President Kennedy represented an incalculable loss of the future.”
Napierkowski, Marie Rose. "Twelfth Night: One-Page Summary." Shakespeare for Students. Vol. 0. Detroit: Gale, 1998. 1 March 2005 .
When in the course of human events, something’s are made self-evident, like having to read Hamlet and write about three soliloquies. These soliloquies tend to be very lengthy and have very sub surface meanings to them that require some enabled humanoids to use the frontal cortex of their neurological brains in order to understand these meanings. In other words, they are hard to understand, especially with them being written in the Shakespearean era of influence in the island Kingdoms that are Untied. However, they offer meanings unimaginable and crucial to the outcome of the play Hamlet. As I have just explained, the three soliloquies of Act I, II, III, of the play Hamlet by William Shakespeare have very deep important meanings and messages to them.
In William Shakespeare’s play Hamlet, Hamlet does avenge his father’s death but at the cost of many life’s. Multiple characters must be analyzed in order to make an opinion about Hamlet’s revenge. There are many reasons to hamlet delaying avenging his father’s death because he finds out from a ghost he could not trust. Hamlet can be compared to Laertes and Fortinbra. They are very similar but different and the same time. Each of them loved their fathers very much and felt as if they have to avenge their father’s death. Something they had in common has been that they felt their fathers were disrespected not only their fathers but them as well. Hamlet took a very weak approach to his father revenge where as in Laertes was quick to act and Fortinbra was in the middle.
In stark contrast to the dark and tragic "Othello," is one of Shakespeare’s lightest and funniest comedies, "Twelfth Night." The theme of love is presented in a highly comical manner. Shakespeare, however, once again proves himself a master by interweaving serious elements into humorous situations. "Twelfth Night" consists of many love triangles, however many of the characters who are tangled up in the web of love are blind to see that their emotions and feelings toward other characters are untrue. They are being deceived by themselves and/or the others around them.
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
Logan, Thad Jenkins. "Twelfth Night: The Limits of Festivity." Elizabethan and Jacobean Drama. N.p.: Rice University, 1982. 223-38. Vol. 22 of Studies in English Literature, 1500-1900. Rpt. in Studies in English Literature, 1500-1900. N.p.: n.p., n.d. N. pag. Print.
Shakespeare, William. Twelfth Night, Or, What You Will. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print.
Comedy is by far the most influential factor in deciding whether or not a story is
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.
...h the underlying theme of festivity in the play. Edward Cahill’s article and evidence from the play provides solid evidence to support this argument. However, what Salingar hasn’t addressed in his article is that the sub-plot also serves to illustrate the dangers of unchecked festivity. The sub-plot is absolutely necessary to the play and adds a layer of depth and insight into the themes of Twelfth Night but most of all, the subplot is what allows this play to be classed as a comedy.
Writers at the time such as Aristophanes and Menander wrote comedy similarly to how we do today, mocking politicians, fellow writers, and Greek philosophers (Mark Cartwright). The word ‘comedy’ is derived from Middle English, from Medieval Latin comoedia, from Latin, ‘drama with a happy ending’ (Merriam-Webster). This joyful type of performance may be why we commonly use the word ‘comedy’ to talk about jokes, humor, and hilarious performers. Comedy is meant to bring us joy and relief from reality’s negativity. Mary O’Hara wrote about comedy for a BBC article titled “How Comedy Makes us Better People”: “Comedy is more than just a pleasant way to pass an evening, humour more than something to amuse. They’re interwoven into the fabric of our everyday existence. Whether you’re sharing an amusing story down the pub, making a self-deprecating joke after someone pays you a compliment or telling a dark joke at a funeral, humour is everywhere. (O’Hara)” This is certainly an accurate statement about modern comedy. Comedy is not sadness, but rather a way to forget the woes of everyday life. What is the point in humorous incidents and ridiculous jokes if they do not make a person smile or laugh so hard their gut