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Feminism in emily bronte's wuthering heights
Feminism in emily bronte's wuthering heights
Women in Bronte
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Born in the beautiful, wet and green country of England in 1818, Emily Jane Brontë would grow up and write one of the literary world’s most acclaimed work of literature. Before she wrote Wuthering Heights in 1847, Emily Brontë came from a very creative household as both of her sisters, Charlotte and Anne Brontë, were also writers with whom Emily would enjoy spending time with writing prose and poetry. Because the Brontë sisters lived a strongly patriarchal society where the ideal Victorian woman only dealt with domestic matters and left everything else to men, they wrote their novels and poems under the male pseudonyms of Currer, Ellis, and Acton Bell. Emily Brontë, like her sisters, wrote under a male pen name because she wanted to limit the bias readers might have on her novel and she did not want readers to reject her book only because a woman wrote it. Since Emily Brontë lived a strong patriarchal society, her novel also portrays a society very similar to the one she lives in because throughout her life she has lived in and been constantly affected by a world dominated by men. While Emily Brontë’s Wuthering Heights portrays a headstrong young woman with the potential for heroism in Catherine Earnshaw, the novel proves that destruction and chaos emerge when patriarchal society tries to tame women and bring them out of their natural, free state.
At Wuthering Heights, Catherine finds herself in her freest state unaware of the patriarchal society she lives in. Living in a male dominated home after her mother had passed away, Catherine Earnshaw lives most of her childhood unaware of her duties assigned to her by society. Society’s use for a woman “was to bear a large family and maintain a smooth family atmosphere where a...
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... Wuthering Heights. Fourth ed. New York: W.W. Norton and Company, 2003. Print.
Eagleton, Terry. "Wuthering Heights Depicts a Marxist Struggle." Class Conflict in Emily Brontë's Wuthering Heights. Ed. Dedria Bryfonski. Farmington Hills: Christine Nasso, 2011. 75-77. Print. Social Issues in Literature.
Gilbert, Sandra M. "Emily Brontë's Bible of Hell." Wuthering Heights. Ed. Richard J. Dunn. N.p.: n.p., n.d. 379-94. Print.
Gold, Linda. "Catherine Earnshaw: Mother and Daughter." Literature Resource Center. N.p., 2006. Web. 12 Feb. 2014.
Hagan, John. "Control of Sympathy in Wuthering Heights." The Brontës. Ed. Ian Gregor. N.p.: n.p., n.d. 59-75. Print.
Marsh, Nicholas, ed. Emily Brontë: Wuthering Heights. New York: St Martin's, 1999. Print.
Zhao, Juan. "Female Consciousness in Wuthering Heights." Literature Resource Center. N.p., 31 Oct. 2011. Web. 12 Feb. 2014.
Charlotte Bronte's Jane Eyre may be superficially read as simply a sweet romance in which Jane ends up with the man of her dreams after overcoming many obstacles and challenges. But doing so misses the much deeper—richer—messages of Bronte's lasting masterpiece. A more thoughtful reading reveals this novel, especially its heroine Jane, challenging centuries-old gender roles which assume male supremacy, characterizing men as the dominant, more privileged gender, while women are oppressed into inferior and submissive roles. Of course this Victorian novel portrays the expected gender roles of both men and women in 19th century England, but Jane rises out of the patriarchy challenging the social roles assigned her with a personality marked by sass and self-assurance . Ms. Bronte, through Jane, ultimately demonstrates that women can live their lives on equal terms with—or independent of—men.
Virginia Woolf’s Mrs. Dalloway and Emily Bronte’s Wuthering Heights share similarities in many aspects, perhaps most plainly seen in the plots: just as Clarissa marries Richard rather than Peter Walsh in order to secure a comfortable life for herself, Catherine chooses Edgar Linton over Heathcliff in an attempt to wrest both herself and Heathcliff from the squalid lifestyle of Wuthering Heights. However, these two novels also overlap in thematic elements in that both are concerned with the opposing forces of civilization or order and chaos or madness. The recurring image of the house is an important symbol used to illustrate both authors’ order versus chaos themes. Though Woolf and Bronte use the house as a symbol in very different ways, the existing similarities create striking resonances between the two novels at certain critical scenes.
Jane Eyre, written by Charlotte Brontë, was published in 1847 by Smith, Elder & Company, in London. This year is exactly ten years into Queen Victoria’s sixty-four year reign of the British Empire. The Victorian Era was renowned for its patriarchal Society and definition by class. These two things provide vital background to the novel, as Jane suffers from both. Jane Eyre relates in some ways to Brontë’s own life, as its original title suggest, “Jane Eyre: An Autobiography”. Charlotte Brontë would have suffered from too, as a relatively poor woman. She would have been treated lowly within the community. In fact, the book itself was published under a pseudonym of Currer Bell, the initials taken from Brontë’s own name, due to the fact that a book published by a woman was seen as inferior, as they were deemed intellectually substandard to men. Emily Brontë, Charlotte’s sister, was also forced to publish her most famous novel, Wuthering Heights, under the nom de plume of Ellis Bell, again taking the initials of her name to form her own alias. The novel is a political touchstone to illustrate the period in which it was written, and also acts as a critique of the Victorian patriarchal society.
Charlotte Brontë’s Jane Eyre entails a social criticism of the oppressive social ideas and practices of nineteenth-century Victorian society. The presentation of male and female relationships emphases men’s domination and perceived superiority over women. Jane Eyre is a reflection of Brontë’s own observation on gender roles of the Victorian era, from the vantage point of her position as governess much like Jane’s. Margaret Atwood’s novel was written during a period of conservative revival in the West partly fueled by a strong, well-organized movement of religious conservatives who criticized ‘the excesses of the sexual revolution.’ Where Brontë’s Jane Eyre is a clear depiction of the subjugation of women by men in nineteenth-century Western culture, Atwood’s The Handmaid’s Tale explores the consequences of a reversal of women’s rights by men. This twentieth-century tradition of dystopian novels is a possible influence, with classics like Aldous Huxley’s Brave New World and George Orwell’s 1984 standing prominence. The pessimism associated with novels of this genre—where society is presented as frightening and restrictive—exposes the gender inequality between men and women to be deleterious.
Emily Brontë’s novel Wuthering Heights, set in the countryside of England’s 1700’s, features a character named Heathcliff, who is brought into the Earnshaw family as a young boy and quickly falls into a passionate, blinding romance with the Earnshaw’s daughter, Catherine. However, Heathcliff is soon crushed by this affection when his beloved chooses the company of another man rather than his own. For the remainder of the novel he exudes a harsh, aversive attitude that remains perduring until his demise that is induced by the loss of his soulmate, and in turn the bereavement of the person to whom the entirety of his being and his very own self were bound.
A Doll’s House, by Henrik Ibsen, and Wuthering Heights, by Emily Brontë, were both published in the nineteenth century, when the campaign for women’s rights was starting to make an appearance. In 1755, Corsica allowed women’s suffrage, until 1769, when it was taken over by France. This started the ball rolling towards universal suffrage for women. This play and story serve as the last remnants of a time in the western world when women had very few, if any, rights.
Bronte is known as one of the first revolutionary and challenging authoress’ with her text Jane Eyre. The society of her time was male dominated, women were marginally cast aside and treated as trophies for their male counterparts. Their main role in life was to be a mother and a wife, “ Literature cannot be the business of a woman’s life……the more she is engaged in her proper duties, the less leisure she will have for it.” A quote from a letter Robert Southey wrote to Bronte. A clear sign of the mentality and opposition Bronte was up against. A woman’s “proper duties” of course being to tend and wait on her “master’s” every whim and need. Women during Bronte’s time had no clear voice, none that was of any merit, they were a silent category of society, silenced by their male oppressors. Bronte’s book was in fact written before the first women’s rights movement had happened, yet it puts forward an image of an independent strong character, of a passionate and almost rebellious nature. A character “refusing subservience, disagreeing with her superiors, standing up for her right’s, and venturing creative thoughts.” I put forward that Bronte throughout her text not only revises the themes of male power and oppression, but reconstructs them also. The text is a female bildungsroman of it’s time, sometimes subtly and sometimes overtly tackling the patriarchal view of women.
Emily Bronte’s Wuthering Heights is a novel about lives that cross paths and are intertwined with one another. Healthcliff, an orphan, is taken in by Mr. Earnshaw, the owner of Wuthering Heights. Mr. Earnshaw has two children named Catherine and Hindley. Jealousy between Hindley and Healthcliff was always a problem. Catherine loves Healthcliff, but Hindley hates the stranger for stealing his fathers affection away. Catherine meets Edgar Linton, a young gentleman who lives at Thrushcross Grange. Despite being in love with Healthcliff she marries Edgar elevating her social standing. The characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.
Brontë, Emily, Fritz Eichenberg, and Bruce Rogers. Wuthering Heights. New York: Random House, 1943. Print.
Emily Bronte was born in 1818 and belonged to the Romantic convention. Although Remembrance is not Bronte’s most famous poem, she did in fact become more famous with her one and only novel, Wuthering Heights and is now considered a classic of English literature. Emily, and her sister Anne were both very imaginative and sometimes their creations were very exaggerative. Bronte was the third youngest of the four surviving siblings. They lived under the strict governance of their religious father in which they grew isolated and lonely, which can be seen in their work. All three sisters are famous for their romantic style of writing. The poem Remembrance is related to Ro...
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
Brontë, Emily. Wuthering Heights. 1847. Ed. Richard J. Dunn. 4th ed. New York: Norton, 2003.
Phillips, James. "The Two Faces Of Love In Wuthering Heights." Bronte Studies 32.2 (2007): 96-105. Academic Search Complete. Web. 13 Feb. 2014.
Charlotte Bronte’s novel Jane Eyre, is not a book that can easily be viewed through one critical theory. However, by knowing the historical background of when Bronte developed her novel, readers are able to understand Jane Eyre on a deeper level. The Victorian era was a time of change, and what authors like Charlotte Bronte did was help increase the change by shedding light into problems in Victorian society. Jane Eyre touches on many of the issues in Victorian society like feminist issues, class struggles, and the relationship between Britain and its colonies. Not only can readers see how much society has changed, but also the similarities. By understanding the novel at a historical level, readers can understand the novel through the lense