Celebration of Infinite Diversity and the Notion of Utopia in Star Trek: The Original Series Star Trek, an American science fiction series created by Gene Roddenberry, revolved around the interstellar escapades of Captain James T. Kirk and the crew of the USS Enterprise as they explored galaxies to seek new discoveries and establish allegiances with otherworldly beings. The first instalment of the show, referred to as The Original Series, had been aired on NBC in 1966 until its third and last season
Star Trek took the world by storm with its futuristic scenarios and outlandish ideas, which opened up the doors for science fiction in America as it gained recognition and popularity all across the world. It started as a television series in the 1960’s to becoming a multi-billion dollar franchise including 5 television series, 12 movies, and selling a magnitude of merchandise (Star Trek). People tend to look past the fact that Star Trek was so influential on the world, all they see is men and women
The film I’m discussing is Star Trek: The Motion Picture. The film, which takes place in the 23rd century, is about the newly appointed Admiral Kirk and his crew taking back the Enterprise in order to stop a force that is threatening Earth. Although problematic with regards to gender issues, Star Trek: The Motion Picture, along with the original television show and the other movies, used aliens and the futuristic as a tool to examine race and sexuality issues in a way that hadn’t really been explored
science fiction series in television have been hugely popular in both the U.S. and the U.K. all throughout history. After the 1960s, ‘New Wave’ science fiction began to take over television screens. ‘New Wave’ refers to science fiction which was characterized by a high degree of experimentation (Wolfe). It was during this time when the U.S and the U.K started to telecast science fiction series which had a huge impact on society. Star Trek became the forefront of American science fiction series in television
Gene Roddenberry once said that he had “no belief that Star Trek depicts the actual future, it depicts us, now, things we need to understand about that.” He helmed a show that, in its very first episode, promised to boldly go where no man had gone before... and go there it did. Throughout its run and multiple spinoffs, Star Trek made powerful social commentary in line with its creator’s vision. The original series ran from 1966 through 1969, in an overlap between the civil rights movement’s height
Star Trek’s great accomplishment was giving us a stage on which to answer our “what if” questions about the future of humanity and explore philosophical ideas in a modern framework. What happens after we reach utopia? What happens when we meet alien life? What does humanity do when it doesn’t have to do anything? According to Star Trek, it boldly goes for the sake of knowing what’s out there. Created in 1966, Star Trek was described by creator Gene Roddenberry as a “Wagon Train to the Stars.” One
On September 8 1966, Star Trek the Original Series premiered to American audiences for the first time and was given a vision of the idealized future of space travel. Set in the 23rd century, the series follows the adventures of the crew of the Starship Enterprise as the “seek out new life and boldly go where no man has gone before. ” Although the Science Fiction television show was set in a timeline into the distant future, many of the episodes centered around current themes of the 1960s, especially
finely- tuned words could easily fit this description. His name you ask? Odysseus. If you are familiar with the readings of Odysseus then you are well aware of the epic adventures in which Odysseus took part. If you are also aware of the TV action series Star Trek then you are acquainted with the heralding adventures of James T. Kirk. If you are fortunate enough to be familiarized with both works then you can already see the resounding resemblance between the two heroes. No matter how charismatic they
creation and then brought back together again. It's just not right." (Character, Dr. Leonard McCoy, original Star Trek series) I wonder what Bones would have to say about swallowing, or being injected with billions of microscopic robots, or nanobots, to enter into a three dimensional cyberspace - a virtual reality environment or to enable him to live forever? In an article that could be taken from a Star Trek: Voyager script, I think Dr. Kurzweil is proposing the coming of the perpetual human as a result
(Campbell). In these stages the hero leaves his normal life behind, fulfills him/herself in some activity, and returns as a hero (Campbell). These stages can be applied to a smash hit released in 2009, a science-fiction film titled Star Trek. James T. Kirk in Star Trek closely follows Campbell’s theory as he departs from his childhood home in Iowa, fights a rogue Romulan enemy, and returns to Earth as a Starfleet captain. The movie starts out with a spectacular space battle that showcases James’ father’s
become legendary on September 8, 1966 at 8:30 PM on NBC. America was never the same after Star Trek made its debut that night. The series did not receive the recognition it deserved until it was canceled after only three years and later returning in syndication. However, Star Trek was never an ordinary science fiction program to begin with. Comparison to other programs in this genre is difficult because Star Trek is certainly not an unconventional science fiction program- it is a science fiction program
their position and gain respect. I came into the course of Appreciation of Film disliking anything Star Wars or Star Trek related. Once I heard they were both in the genre of science fiction, I immediately labeled them as unworthy to watch. In spite of this wrong accusation, I had no logical reasoning for why I did not like these movies. I had not even sat through a whole movie. Watching Star Trek Into Darkness
In the movie, Star Trek: Into Darkness, Spock best exemplifies Aristotelian ethics. A logical alien from the planet Vulcan, Spock displays a perfect balance of the virtues proposed by Aristotle as he seems to have reached the golden mean in all facets of the scales and whose telos is logic and reason and his pursuit of the logical decisions guides his choices. Spock’s ethical mastery is displayed in the opening scenes of the movie as he prepares to risk his life to save the native inhabitants of
Star Trek: Into Darkness is a film with a multiplicity of moral themes and dilemmas, and it can be argued that each character adheres to a particular ethical theory. For Spock, the ethical theory adhered to is rule-based utilitarianism. Kirk seems to adhere to a care ethic. Khan, on the other hand, seems in many cases to be motivated by a combination of a misled form of retributivism, a form of psychological egoism, and a form of care ethics. In this paper, I will analyze the ramifications of these
The Star Trek television series was truly a groundbreaking show not just for its plot lines and ideological messages, but also for its revolutionary cast. Two of the main actors were Jewish, one main actor was a gay Asian, and of course, one was a black woman. Uhura was one of the first main black characters on a television show – and of course, her kiss with Kirk was the first interracial kiss ever on television. For a show in the 1960s, Star Trek broke many barriers across religious, racial, but
in a form of movies or TV shows, the more the audience wants to see the characters and the story again. Star Trek pushed the idea of a transmedia franchise pretty far: the Star Trek franchise has been building out the world of Star Trek across not only twelve feature films, but also a series of comics (first from the Marvel comic production, then by the DC comics company), an animated series, plenty of video games and novels and even a theme park attraction (which lasted until 2008). Each of these
In 1966 a series called "Star Trek" was created. It's creator, Gene Roddenberry, did not create the show to be a science fiction series. The series was much deeper than that. It wasn't just about discovering new planets and civilizations. It was about controversial issues. Even though the series' take place in the 23rd and 24th century the issues struck with the times and related current issues. Through each series, The Original, Next Generation, Deep Space Nine and Voyager, there has been progression
The Science in Science Fiction: The Changing of Times and Special Effect in Producing Sci-Fi Programs Captain Kirks 1960s TV series Opening Narration: “Space. The final frontier. There are the voyages of the starship Enterprise. It’s 5 year mission: the explore strange new worlds, to seek out new life and new civilisations, to boldly go where no man has gone before”. Since the beginning, the sci-fi genre has used special effects and sound to create the technologically advanced future worlds
sexual orientation, where individuals are judged solely on their merits. Gene Roddenberry envisioned this idea when he created the influential television series, Star Trek in 1966. Since the original television series, there has been many other shows based on the original and they all share this same theme and idea, one in particular sticks out. Star Trek: Voyager not only shares Roddenberry's legendary vision of the future, but exceeds it with the way in which it represents women, generating an ideal
this lack of adequate representation more obvious than in the world-famous science fiction franchise Star Trek. Star Trek first premiered almost fifty years ago, and since then, films, syndicated television series, and novels have kept the series alive for generations of fans worldwide. The first Star Trek series, called merely Star Trek in its time and later named Star Trek: The Original Series, features only two regular female characters, and only one of those a main character: Lt. Nyota Uhura