Spirited Away Essays

  • Spirited Away

    1154 Words  | 3 Pages

    what is possible through hard work and perseverance. Heroes also reflect the fears and limitations that people are faced with. Heros inspires people to be the best versions of themselves. Chihiro the main character in Hayao Miyazaki’s film Spiri ted Away, is no exception. The story begins in the ordinary world with Chihiro and her family moving to a new home. Chihiro is intimidated by the prospects of starting her life anew. Resulting in her being a whiny, selfish and fearful little girl. All of this

  • Spirited Away Reflection

    1628 Words  | 4 Pages

    Spirited Away is a Japanese anime movie by Hayao Miyazaki and produced under Studio Ghibli. The film was first released in July of 2001, and became the most successful film in Japanese history, grossing over $274 million dollars worldwide. The film was so successful, it even overtook Titanic (top grossing film at the time) and because the highest-grossing film in Japanese history with a total of $229,607,878. (Johnson, G. A.) The story follows a 10 year old girl named Chihiro who, upon moving to

  • Spirited Away Religion

    1127 Words  | 3 Pages

    Spirited Away is an animated film by director Hayao Miyazaki that is to date the largest grossing film in Japan’s history. Critically acclaimed and lauded worldwide, the movie’s story line is heavily dependent on Japan’s indigenous religion for its plot and central themes. The animation is filled with cultural markers and abstract characteristics of the religion that are relatable and charming to any audience regardless of religious background. Throughout the film; however, there are two recurring

  • Examples Of Greed In Spirited Away

    510 Words  | 2 Pages

    The most outstanding theme in the movie Spirited Away is greed. Examples of this are Ubaba, her parents, and the bathhouse. This can be shown in many various ways. The best example is Ubaba, because of her avarice, longing and stinginess. The main chapter of her parents representing greed is when they find the amusement park and start gorging themselves with food. The bathhouse shows greed throughout the film, but the most prominent example of this is when no-face visits the bathhouse and showers

  • Paper On Spirited Away

    1174 Words  | 3 Pages

    Ever heard of Spirited Away? Well if not it’s a shame since people of all ages enjoyed it. Spirited Away is about a ten year old girl who gets lost in the spirit world and has to change her parents back into humans again. But even though people loved it no one knew about the director, the production it went through, and how successful it really was, since it wasn’t made in the U.S.A. The director's’ name was Hayao Miyazaki. Also known as the Walt Disney of Japan even though he hates that nickname

  • Spirited Away Analysis

    1190 Words  | 3 Pages

    Spirited Away: A bridge of the Fantastic and Realistic Introduction I choose Reider’s “Spirited Away: Film of the Fantastic and Evolving Japanese Folk Symbols” as my article because of my interest in the film. I first saw Spirited Away back in 2002, and, since then, I have come to recognize and think about the symbolism and storyline deeper. My database search began by searching for animation; however, animation is too broad of a topic to search through so I narrowed it down to “Studio Ghibli,” which

  • Spirited Away Reflection

    1292 Words  | 3 Pages

    In Spirited Away, Hayao Miyazaki introduces a young girl named Chihiro. She’s brought into the Spirit World through the curiosity and greediness of her parents. Miyazaki makes her life problematic because of the simple nature of humans. He realizes that the different negative characteristics that humans have within them lead them to trouble, even children. He claims that “I 'm not going to make movies that tell children, "You should despair and run away".” (Hayao Miyazaki Quotes) With this in mind

  • Spirited Away Movie Analysis

    855 Words  | 2 Pages

    Director Miyazaki illustrated in “Spirited Away” and “Ponyo” how love, identity, perseverance, and adversity can conquer anything. At the beginning of the movies, we see how food and water set Chihiro, Sosuke, and Ponyo’s adventures, and the conflict, they endure and how they were perceived in the spirit and human worlds. The spirit world was less tolerant of anything different, whereas the human world was more welcoming; however, they both illustrated the same message about how people should be

  • Spirited Away: Universal Themes

    746 Words  | 2 Pages

    1. Spirited Away Spirited Away was a global hit and the first anime to win the Best Animated Feature Award at the Academy Awards. As a result, it must have universal themes that people from around the world can relate to. One of the major universal themes within Spirited Away is that it is a coming-of-age story focusing on a young girl becoming her own brave and independent person. Chihiro starts the film as a nervous and slightly annoying young girl who is told what to do by everyone and lacks

  • Spirited Away: A Culturally Relevant Film

    547 Words  | 2 Pages

    Spirited Away is a culturally relevant film that reflects Japanese society and the values they find meaningful. In the movie, the spirit world is key. This spirit world is based on the native religion of Japan, Shinto. Shinto observers believe that every part of nature has a spirit. Therefore; there are river gods, mountain gods and even rock gods and these gods or spirits live amongst the people and are a part of their daily lives. Spirited Away gives life to these spirits and makes them an integral

  • Miyazaki's Spirited Away as a Storytelling Tool

    1852 Words  | 4 Pages

    In Spirited Away, emphasis is placed on the importance of collectivism for Chihiro to achieve her goals - most prominently through the varied interaction with different characters, driving this narrative plot. Such a method of storytelling thus express how the force of the community is fundamental to the Japanese society. Chihiro’s success in saving her parents hinges on the help she receives and gives in the spiritual world. In particular, Haku’s emotional support allows Chihiro to survive in a

  • A Comparison Of Spirited Away And Hayao Miyazaki

    1325 Words  | 3 Pages

    The best words to describe the film Spirited Away and Hayao Miyazaki would be, “Once you’ve met someone, you never really forget them”. Upon hearing those words, you get a sense of nostalgia and dreaminess that gets to you in a heart moving way. Throughout Miyazaki’s works, an intensely cultivating dream-like atmosphere is presented in an unforgettable experience. Each hand drawn scene and carefully picked soundtrack seems to fit nearly flawlessly with every heart wrenching lesson to be learned about

  • Analysis of Filming Techniques in Spirited Away

    1568 Words  | 4 Pages

    Spirited Away, titled Sen to Chihiro no Kamikakushi in Japan, follows a young girl named Chihiro on an adventurous, yet threatening journey into a magical realm after her parents are turned into pigs. She forms relationships with people that will help her find her way back home such as Haku, Zeniba, and Mr. Kamaji. She also encounters those like Yubaba who try to make her time in the realm of spirits difficult. Spirited Away quickly became Japan’s highest grossing film of all time. It received many

  • Spirited Away And Song Of The Sea Analysis

    1356 Words  | 3 Pages

    A Reminder of Lore: A Comparison of Spirited Away and Song of the Sea Mythology and folk tales have a longstanding history of representing a culture’s values and traditions. As the world advances often times these stories are lost in the next generations but efforts are being made to combat that, often times bringing key elements into visual media. Two such films to do so are Spirited Away (2001) and Song of the Sea (2014). Although separated by over ten years and from two different countries both

  • Research Paper On Spirited Away

    546 Words  | 2 Pages

    Spirited Away is an animated film that is directed by Hayao Miyazaki. This movie begins with Chihiro, a ten year old girl, and her parents on their way to their new home. On the way, they stumble upon what seemed like an deserted amusement park. Her parents find an empty restaurant that appears to be open and begin to devour the cooked food like hungry pigs. While Chihiro looks around the area, she meets a young boy named Haku who warns her to get out before sunset. But it is too late, her parents

  • Analysis Of Solipsism In Spirited Away

    1385 Words  | 3 Pages

    through their solipsistic tendencies can never be obtained due to those very same tendencies, and only an outside force, like the introduction of young Chihiro, can break through the cycle of self-destruction. The characters of Hayao Miyazaki 's Spirited Away, Yubaba, Haku, Boh, Lin, No Face, and even the small coal spirits, all display self-involvement and the resulting sins, which are only detrimental to themselves and others. These people are not inherently evil or outright malicious, but they lack

  • Economic Analysis of Hayao Miyazaki’s Spirited Away

    1018 Words  | 3 Pages

    with animation techniques. Hayao Miyazaki, a director, animator, screenwriter, and illustrator of such animated films is the creator of Spirited Away. Spirited Away is a film about Chihiro, a young girl who upon moving to a new town becomes lost in the spirit world after her father takes a wrong turn on their way to their new house. Hayao Miyazaki’s Spirited away illustrates not only the struggles Chihiro has to overcome in order to save her parents who turn into pigs upon eating the food of the spirit

  • Biography Of Hayao Miyazaki

    779 Words  | 2 Pages

    Princess Mononoke. Dir. Hayao Miyazaki. Toho (Japan), Miramax Films (international), and Madman Entertainment (Australia), 1997. DVD. Dargis, Manohla. "Forces of Nature, Including Children." The New York Times. n.p., 13 Aug. 2009. Web. 16 May 2014. . Spirited Away. Dir. Hayao Miyazaki. Toho (Japan), Walt Disney Pictures (international), and Madman Entertainment (Australia), 2001. DVD. Works Cited

  • My Neighbour Totoro Miyazaki Research Paper

    1001 Words  | 3 Pages

    Widely regarded as one of the best animation filmmakers of all time, Tokyo-born Hayao Miyazaki has achieved international acclaim through his imaginative and, oftentimes, fantastical, cinema. With films which broke the international barrier such as Spirited Away (2001) and My Neighbour Totoro (1988), Miyazaki’s work separates itself from others through his distinctive style of both storytelling and animation, conveying themes of youth, family, and nature. Like many other auteurs, Miyazaki also writes many

  • Wonderment and Awe: the Way of the Kami

    4726 Words  | 10 Pages

    kami; love of nature; tradition and the family; and cleanliness (Picken 1994:9-10). For the scope of this article, I will be looking at how respect for the kami and nature inform two of Miyazaki’s films Princess Mononoke (Mononokehime 1997) and Spirited Away (Sen to Chihiro no Kamikakushi 2001). The key to Miyazaki’s work lies in his knack of transformation and transfusion. He transforms and reinvigorates the tenets of Shinto and also elements of Japanese myth such as dragons and gods. His films