Robert Alexander Schumann was born in the small riverside town of Zwickau, Saxony, in 1810.The youngest of five children, Robert Schumann was brought up in comfortable, middle-class respectability. As a child, he apparently exhibited no remarkable abilities. At the age of six, Robert was sent to the local preparatory school, run by Archdeacon Dohner. He had in fact already begun his education, with the young tutor who gave lessons in exchange for board and lodging at the Schumann home. At the age
A Look into Clara Schumann’s Liebst du um Schönheit A peer to such keyboard greats - such as Rubenstein, Thalberg, and Liszt - Clara Schumann (1819-1896) was a brilliant pianist and composer. Carrying a career which extended over sixty years, Schumann contributed a great deal of repertoire to the world of Lieder. Much like her performing technique, her compositions were famous for carrying a beautiful tone and poetic temperament. In analyzing Clara Schumann’s Liebst du um Schönheit, one can
Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example
expressional, and dramatic. Schumann’s piano miniature remains a supreme example of the Romantic style in its uses of form, pitch, rhythm, and texture. Although the romantic period lays higher interest in the melody and style of a piece rather than form, Schumann uses form to heighten to display the contrasting emotions within each section. Schumann’s work encompasses a form that is very easily recognizable and unambiguous. His form of ABACABA is very repetitious with very similar sections throughout the
Clara Schumann like most women of her day, faced a myriad of obstacles to becoming recognized composers in the 18th and early 19th century. Clara Schumann was an accomplished composer of her times but recognition of this feat did not come with ease. Clara faced many of the common stumbling blocks to women during this time to include the idea that a woman’s place was in the home and that her life focus is to please her husband, run the home and take care of the children. Despite this mindset
Clara Schumann was a concert pianist born to Frederick Wieck and Marianne Tromlitz in Leipzig, Germany on September 13, 1819 (Comminfo). Clara was the second of five children and the daughter of a prominent music teacher and piano proprietor (Friedrich Wieck) and an opera soprano singer (Marianne Tromlitz). She died in 1896, renowned as a classical pianist and composer in the nineteenth-century Romantic style. During her height of popularity, the press deemed Clara as the “Queen of the Piano”
Clara Wieck Schumann and the Struggle for Equality in Nineteenth-Century Germany The place of women before and during the nineteenth century is well summarized by a Bavarian statute book, which states that “by marriage, the wife comes under the authority of the husband and the law allows him to chastise her moderately” (Gay 177). These ideas are similarly echoed in the Declaration of the Rights of Man and of the Citizen and the writings of Jean-Jacques Rousseau. The former did not afford women
during composition"-he destroyed score after score. And in daily life he never learned to apply the advice of a wit tot he victim of a temperament like his: "less remorse and more reform." As a youth he reluctantly studied law, as much bore by it as Schumann had been, and even became a petty clerk in the Ministry of Justice. But in his early twenties he rebelled, and against his family's wishes had the courage to throw himself into the study of music at the St. Petersburg Conservatory. He was a ready
Mozart’s K.330 has a lot of fast-tempo and dotted melodies, which gives the peice a brisk feeling, but does not show many manipulations of strong harmonies as Schumann’s work does. Unfortunately, our textbook does not include piano music composed by Schumann, we should compare Fantasiestucke, Op.12 with other piano music our textbook has. The Fantasiestucke, Op.12 has several sections, some of which are smooth and delicate, yet others are very exciting. The entire peice shows some typical features of
the Romantic period and the 20th Century. The two artists that I find inspirational during those two periods are Clara Wieck Schumann and Irving Berlin. These two artists are highly talented in their music and each had their own style, but yet, served one purpose:
is theater, performing a song, ballet dancing, conducting an orchestra or being on television. Eileen Marie Moore shows discipline, excellence and success in her all-age field today. Amy Beach was the first woman to compose a symphony and Clara Schumann was the first woman be publicly accepted as a woman musician. These women opened doors for aspiring and existing women composers and performers to gain recognition, regardless of the culture. A tribute for Amy Beach, Michael Anthony quoted “Being
The brilliant composer Clara Schumann was born as Clara Josephine Wieck on 13 September 1819. Even before her birth, her destiny was to become a famous musician. Her father, Friedrich Wieck, was a piano teacher and music dealer, while her mother, Marianne Wieck, was a soprano and a concert pianist and her family was very musically gifted. Her father, Friedrich, wanted to prove to the world that his teaching methods could produce a famous pianist, so he decided, before Clara’s birth, that she would
as learning subjects like Math or History. I will begin my description of the music that I heard at the LACMA concert with the work that I liked best. This was the new discovery from Kinderszenen’s Ahnung, the composer of this piece was Robert Schumann, U.S. Premiere performed by the pianist Luiza Borac. This piece was first beginning with the repeating chords accompanied with the soft moderato me... ... middle of paper ... ...xcited to have this experience. Part of the drama of the concert
are often quoted at Anzac Day ceremonies each year. The lyric chosen is also on the theme of war, and is titled ¡§I was only Nineteen¡¨, written by John Schumann. While the common setting is war, there are also other underlying themes that link both pieces of writing, such as loss of life, and alienation¡K I was only Nineteen John Schumann 1 Mum and Dad and Denny saw the passing out parade at Puckapunyal. It was a long march from cadets. The sixth battalion was the next to your and it
(Platt and Smith 4). However, being the headstrong romantic that he is, he manipulated the limiting factor into an area of expanse, in which he... ... middle of paper ... ... Joseph Joachim (Brahms’ good friend and virtuoso violinist) and Clara Schumann represented the conservatives, while the progressives were lead by Franz Liszt (in which Brahms been acquainted with earlier) and Richard Wagner (Burnett 111). While the main disagreement between the two parties were that the radical progressives
Robert Schumann (June 8, 1810 - July 29, 1856) was a famous German composer and music critic of the Romantic Era. He was known for many of his piano, vocal, choral and orchestral works, but had only composed mainly for piano up until 1840 when he married his wife Clara Wieck. Out of Robert Schumann’s short, well-lived life, he only wrote four symphonies in his lifetime. These Symphonies were: (1841) Symphony No. 1 in B-flat major, Op. 38 ( “Spring Symphony”), (1847) Symphony No. 2 in C major, Op
the German Lied, Jack Stein attempts to evaluate the fidelity of Schumann's music in Dichterliebe to the poems he appropriated from Heine's Lyrisches Intermezzo. Stein asserts that, although he certainly caught some of the nuance of Heine's work, Schumann often ignored the text's "caustic" and "ironic" components which results in a "sweetening and sentimentalizing of Heine's sharp, pointed verse." Stein progresses through the song cycle chronologically, pointing out the many songs he believes to
“To say the word romanticism is to say modern art - that is, intimacy, spirituality, color, aspiration towards the infinite, expressed by every means available to the arts.” Charles Baudelaire. The Romantic era in classical music symbolized an epochal time that circumnavigated the whole of Western culture. Feelings of deep emotion were beginning to be expressed in ways that would have seemed once inappropriate. Individualism began to grip you people by its reins and celebrate their unique personalities
most distinguished citizens of Vienna. (Weinstock 457). Brahms venerated Beethoven, possible more than other Romantic composers did. His works contain wh... ... middle of paper ... ... Bible. In 1896, he attended the funeral of his friend Clara Schumann who he had known since 1853. On his return, he was seriously ill and died a year later. Generations later, his music and name may still provoke argument in musical circles. However, there can be utterly no doubt that he is included in the first
books opened up a completely new world for him and learning about folklore became his favorite. Playing for various places around his home helped supplement his family’s income during tight times. In 1853, at age 20, he met the legendary Robert Schumann who rightly prophesied him as the composer of the future. Shortly after, Robert dies and Brahms a...