Pwyll Essays

  • Charlotte Ward And The Mabinogion

    616 Words  | 2 Pages

    derive more intimate knowledge about the characters (ibid., p.428). Ward then details an instance of a repetitive sequence as seen through Pwyll attempting to pursue Rhiannon. She does this through an A, B, C sequence: “(A) ‘And as they were sitting, they saw a woman on a horse… coming along the

  • Analysis and Discussion of the Representation of Women in the Welsh Novel of The Mabinogion

    1709 Words  | 4 Pages

    she immediately conveys herself as a respectful, strong and sure woman. ‘I will wait gladly, and it would have been better for the horse if you had asked that a while ago!’ (Davies 2007: 10) Rather than slowing when pursued, Rhiannon only stops when Pwyll himself addresses her. (Wood 1996: 71). This promptly displays her as a woman who has respect for herself and her status. It also show how she expects men to t... ... middle of paper ... ...pbell. M, Campbel. T, (2013) Behind the Name – Rhiannon

  • Magic in Medieval Fantasy: An Ordinary Event Turning into Something Magical

    967 Words  | 2 Pages

    complete in order for a new state of balance to be restored. Pwyll prince of Dyfed is out hunting when he has a confrontation with Annwn of the underworld. The arrival of a pack of ‘white glittering hounds’(p.3) tells us that the scene has changed from a mere hunt in the woods to a confrontation with a magical being. Annwn, king of the underworld and the master of these hounds soon appears. Their conversation leads to a request. Pwyll makes the request of friendship and Annwn presents him with

  • Honor and the Celtic Heroes

    1338 Words  | 3 Pages

    The honor-code within the Mabinogi, The Tain, and Gantz’s Early Irish Myths and Sagas underlines the ethos of the traditional Celtic hero. Yet, the compliance of the honor-code could be better observed as serving the identity and reputation of the hero rather than a deeper code of morality as it might suggest. The gae bolga, Efnisien, Mider’s love for Etain, and Rhiannon’s magic bag are all instruments of unworldly power, making the impossible possible for each of the heroes. It is because of these

  • Fairies In Elizabethan England

    768 Words  | 2 Pages

    We call them faerie. We don't believe in them. Our loss. ~Charles de Lint. Although, unlike in modern times, where the general populus does not believe in the supernatural beings or happenings, during the Elizabethan era and surrounding time periods, fairies were not only believed in but were thought to be part of everyday life in The British Isles. Fairies were embedded in Elizabethan culture and literature. Fairies are beings that take a resemblance to humans. Usually, they are described as shorter

  • the banshee

    2702 Words  | 6 Pages

    Beltane Essay Beltane is the last of the three spring fertility festivals. Beltane is the second principal Celtic festival (the other being Samhain). Celebrated approximately halfway between spring equinox and the midsummer (Summer Solstice). Beltane traditionally marked the arrival if summer in ancient times. At Beltane the Pleiades star cluster rises just before sunrise on the morning horizon. The Pleiades is a cluster of seven closely placed stars, the seven sisters, in the constellation of

  • What Role Did Epona Play In Greek Mythology

    1978 Words  | 4 Pages

    figure who is likely derived from her, Rhiannon. Rhiannon’s appearance in the mythos is in the Mabinogi, the earliest written record of the stories of Britain written in approximately the fourteenth century. In this text, she appears to the hero, Pwyll, as a beautiful woman casually riding a white horse, but when he and his men try and catch up to her, they cannot. Finally, he asks her to stop and she rebukes him for failing to ask earlier and unnecessarily tiring his horses. Rhiannon’s story is