and destructive ways. The complex web of half-truths and false impressions that give the diegesis of Sunset Boulevard its convolution manifests in the visual imagery and physical attributes of a house at once lavish and decaying. The home of Norma Desmond embodies the actress’s own mental disassociation and emotional fragility, displaying an outward dilapidation held separate from the intimate glamour within. The two faces of Desmond’s estate exist in a visual disparity that mirrors the former star’s
garbage or a typical film-noire hero. Sunset Boulevard is a satisfyingly humorous film-noire film about the inner workings of the vicious “jungle”, that one would know of as Hollywood. It was perhaps the purposely over acted antics of antagonist Norma Desmond (Gloria Swanson), that makes Billy Wilder’s black comedy so memorable. Sunset Boulevard fits the definition of film-noire thanks to Wilder’s use of the typical film-noire style characters, the all too familiar storyline and Wilder’s visual style
actress - Norma Desmond. Through the movie, audiences identifies with an alienated celebrity. The female fatale Norma Desmond, starred by Gloria Swanson, is a distorted version of the actress herself - who had been largely absent for almost 16 years when she performed in Sunset Boulevard. Norma Desmond is the typical example of a celebrity living in the netherworld between the passed stardom and reality - "I am big, it is the pictures that got small." In the entire Sunset Boulevard, Norma is always
revive their careers in the industry, all ending in a disturbing way. The downfall of the main character, Joe Gillis, is not entirely of his own making. Although he somewhat contributes to it, Norma Desmond and Max Von Mayerling both play a devious role in his downfall. The antagonist of the film, Norma Desmond, plays a cunning and violent role in relation to Joe's downfall and is the main cause of his murder. Throughout the film she exploits and controls Joe and treats her like a pet, rather than
The Thematic Intentions of Sunset Boulevard The film Sunset Boulevard directed by Billy Wilder and staring the main characters of Norma Desmond, Joe Gillis, and Max Von Mayerling is ideal example of how important film making techniques help depict a movie’s core theme intentions with vivid clarity. Classic Hollywood is the first thing that comes to mind when one speaks about this film’s style. This signature category combined with the visual style of realism and it’s continuity editing; detailed
and the metaxological—are the heart of a compelling ontology detailed by William Desmond in... ... middle of paper ... ...n the unformed, undifferentiated, prelinguistic word [that] leaves the Du free and stands together with it in reserve where the spirit does not manifest itself but is. (I and Thou 89). Bibliography Buber, Martin. I and Thou. Trans. Walter Kaufmann. New York: Scribners, 1970. Desmond, William. Being and the Between. Albany: SUNY P, 1995. Heidegger, Martin. "The
has not been able to express her own feelings. She has bottled everything up inside, and she has a passion to open up and show her true self. Problem: Norma has been a “doll” all her life. She has taken on others problems and kept her thoughts and feelings all to herself. It is now time for Norma to explain herself and deal with the facts. Norma forged her father’s signature on an I.O.U for two hundred and fifty pounds. She tries to do anything she can so her husband will not find out. Her husband
Norma Rae This film is based on the real life story of Crystal Lee Sutton and her involvement with Ruben Warshovsky and the organization of the textile workers at the J.P. Stevens Company in Roanoke Rapids, North Carolina (Labor Films). Sally Field plays the lead role of Norma Rae (Crystal Lee Sutton) fighting poor working conditions at O. P. Henley Company in 1978. This company is a southern textile mill, working with a union organizer to overcome pressure from management, implied dangers,
of all actresses, Marilyn Monroe was born Norma Jean Mortenson on June 1, 1926, in Los Angeles General Hospital. Prior to her birth, Marilyn's father bought a motorcycle and headed north to San Francisco, abandoning the family in Los Angeles. Marilyn grew up not knowing for sure who her father really was. Her mother, Gladys, had entered into several relationships, further confusing her daughter as to who it was who fathered her. Afterward, Gladys gave Norma Jean (Marilyn) the name of Baker, a boyfriend
apparent in Norma Jean and Leroy’s marriage. As Norma Jean advances herself, their marriage ultimately collapses due to Leroy’s unwillingness to adapt with her and the changing environment. Leroy Moffit is a truck driver, and over the years as his wife Norma Jean is adapting to the changing community his adaptation to things consist of pretty much the way he drives his truck. During this time Norma Jean is left at home to fend for herself and learn the workings of nearly being a single woman. Norma Jean
a journalistic period paralleled to the Christian views of the Spanish Inquisition; a time period of branded embarrassment and horror never to be forgotten. Later McCarthy said the number he gave in his speech was not 205 but 57. The fact is that Desmond had a written copy of the speech before McCarthy gave it, but he could have changed the number to 57 when he actually presented the speech. Regardless, the number 57 would have been just as shocking as 205. The reporter's ethics and/or practices were
with, when we examine Dance with a Stranger, we see Ruth, David, Desmond and Andy as film's main characters. Ruth is the most alienated character in this film. Firstly, she was a manager of a night club, she was taking care of the customers, singing, dancing and seemed all right but after having met David, her life was totally changed she lost her job and she began to have obsessive feelings about David. She sheltered near Desmond with her son Andy and day by day she started to get distant from
met Him, John made me feel welcomed. He opened his heart to me and from that day on, I looked for friends willing to do the same. As I grew older, I met two of the most converse individuals in the world. When I was first introduced to Chris and Desmond, I did not know what to think. Everyone said that they were best friends, but for some strange reason I just could not understand why. As time passed we became closer and we grew fonder of each other. We did just about everything together. Then finally
The Character of Norma Jean in Shilo Norma Jean Moffit is a major character in Bobbie Ann Mason's "Shilo" who undergoes a profound, yet subtle change. She had to marry at the age of eighteen to the man who got her pregnant, and in a cruel twist of fate, the child dies suddenly of crib death. Now at the age of 34, she is ready to have the life she feels she always should have had, however she is stuck in a loveless marriage to a man whose interests are the opposite of hers. Her decision to leave
“Shiloh” she presents the character of Norma Jean as having a strong personality but an emptiness deep within. Norma Jean is presented as a strong character on the outside in the opening of the story. “She lifts three-pound dumbbells to warm-up, the progresses to a twenty-pound barbell.”(Mason p. 46). However as the story progresses she exhibits the emptiness which she feels. “One day Leroy arrives home from a drive and finds Norma Jean in tears.” (Mason p. 50). Norma Jean feels an emptiness toward
Sergeant Mom 	Mabel Beasley, the Mother of Norma Jean, in Bobbie Ann Mason’s "Shiloh", has all the characteristics of a Marine Drill Sergeant. A Drill Sergeant will inspect living areas for cleanliness, demand everything be in its proper place, maintain strict discipline, and change certain personality or character traits. The Drill Sergeant will force any person, without a strong spirit, to perform acts of defiance against themselves, society, or the object of their tribulations. These
her early death. Norma Jeane Baker’s father, Edward Mortenson, had deserted her mother, Gladys Baker neè Monroe, before she was born on June, 1 1926, in the charity ward of Los Angeles General Hospital. Due to Gladys’ instability and the fact that she was unmarried at the time, Norma Jeane was placed in a foster home. At the age of 7, Norma Jeane lived briefly with her mother. Gladys began to show signs of mental depression, and a year later she was admitted to a rest home. Norma Jeane was then placed
Comparing the Themes of Vincenzio Bellini’s Norma and Euripedes' Medea Vincenzio Bellini’s opera Norma is considered by many to be a reworking of Euripedes' classic Greek tragedy Medea. Both plots have many identical elements of Greek tragedy such as a chorus, unity of location, and a human decision and action culminating in tragedy. Richard Wagner greatly admired Greek tragedies, believing them to be “The highest point ever reached in human creative achievement…” (Wagner 1). In his essay Theories
Norma Rae and Labor Conflict Labor conflict is strongly portrayed in Norma Rae, especially since in the second half of the 20th century labor unions were taken for granted as a basic worker's right (even as membership declined). Norma Rae both emphasizes the power unemployment has over the worker and shows the power that unions can have in the capitalist system. Companies want to control every aspect of the labor process because they need to make profits, and the way in which they control the
food-preservatives and, above all, the Tube: the Cathode-Ray Tube. The opening line of Gravity's Rainbow, "A screaming comes across the sky," which describes a V-2 rocket on its lethal mission, finds a way into Pynchon's latest work, albeit transformed: "Desmond was out on the porch, hanging around his dish, which was always empty because of the blue jays who came screaming down out of the redwoods and carried off the food in it piece by piece." One passage describes war. Another tells of birds stealing