subject would have appeare... ... middle of paper ... ...iling de las humanidades y las ciencias sociales, 1(25), 155-164. Retrieved February 11, 2014, from the Academia database. The Buffoon Sebastian de Morra. (n.d.). Museo Nacional del Prado: On-line gallery. Retrieved February 11, 2014, from https://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-buffoon-sebastian-de-morra/ The Nude Maja. (n.d.). Museo Nacional del Prado: On-line gallery. Retrieved February
The Censorship of David Wojnarowicz, Robert Mapplethorpe, and Francisco Goya Censorship is usually considered “official” censorship because it is action taken by governmental institutions such as government committees, or universities, to limit the view of a specific artwork or a group of works by the public. However, these concrete official actions taken to limit public view of specific artwork are only the results of the abstract “censoring attitudes” of individuals or groups of individuals
the display of her own sensuality. Take for example, Goya’s 1797-1800 nude painting of La Maja Desnuda. This painting was received with public outcries because the nude and reclined woman possesses a facial expression as daunting, unashamed, and sensual as Sonia de Klamery’s. Essentially, it is imprudent and improper to think that women may have sexuality of their own, let alone publicly display it the way la maja does in Goya’s painting. Although this painting was made in the early nineteenth century
The world was in 1950 at a point of multiple crossroads. After two World Wars an exemplary series of bad events followed, like the Cold War and the atomic menace. But it was also the beginning of some prosperity. People started again to gather material values. Nevertheless, the slow awakening from the fog of war was a process too complex to be generally accepted. In an apparently healing world there were still too many fears and too many left behind. On this ground of alienation, isolation and despair