Critical regionalism can be seen as an approach to architecture that tries to stand up for places, culture and identifies of a place where Modern Architecture has failed to, by using the building's geographical context and reference of vernacular architecture. Frampton (1983:76). The term critical regionalism was first used by Alexander Tzonis and Liane Lefaivre and, with a somewhat different meaning, by Kenneth Frampton. Paul Ricoeur wrote: “The phenomenon of universalization, while being an advancement
be in place by early 1998 and for the building to be complete for the new Millennium. As such, it seems the Scottish parliament was unable to decide where there priorities lay with respect to quality, cost and time. The panel selected designer Enric Miralles with the work being awarded to EMBT/RMJM (Scotland) Ltd, a Spanish-Scottish joint venture design company set up specifically for the project. The two practices found the two different cultures and ways of working difficult to adapt to, especially
a serious understanding of their surrounding in which they design in. They have achieved this by responding with an appropriate architecture that reflects site, climate, culture and tradition. Le corbusier, Tadao Ando, Alvar Alto, Louis Khan, Enric Miralles and many others take on this term ‘regionalist architects’ because of their attention to represent culture, identity and the environment in which the building is situated. They also design simplified structures that capture the symbolic values
One of the essential roles that architects are trained to fulfil is taking a clients brief and developing it creatively. Developing a brief is a crucial starting point of design to achieving a clear objective, well structured and financed plan of work. When architects are involved early in the planning stage they have an opportunity to create a much more enriched brief as they will have a greater understanding of the clients needs and the nature of the project Setting out a development/design