pioneering Dolores Del Rio. Lauded as “The Princess of Mexico", Del Rio was a star whose allure captivated legendary figures Orson Wells, Marlon Brando, Elvis Presley, and Frida Kahlo. Fast friend Marlene Dietrich labeled Dolores, "The most beautiful woman in Hollywood. She has better legs than Dietrich and better cheekbones than Garbo". A beauty that lead to wild rumors of an orchid petal diet, or that Del Rio slept 16 hours a day to maintain her loveliness. Sadly, in a fundamental way, Del Rio’s talent
images date back to the 1930’s in Lupe Velez and to the present Rosie Perez. Dolores Del Rio and Maria Montez represent the virgin Senorita. (Rodriguez 75-7) These are just some of the actresses that have portrayed characters that fit into these two stereotypes. Other actresses include Carmen Miranda, Natalie Wood, and Rita Moreno. These actresses are featured in the following films, West Side Story, Flying Down to Rio, Mexican Spitfire, and White Men Can't Jump. These two stereotypes have been carried
The Latin Image "The romantic and erotic Latin image implied recognition that Latin Americans and Romance peoples produced persons of great beauty and attractiveness."(Rios-Bustamante,21) The most predominant stereotype that surfaces in "The Four Horsemen of the Apocalypse" and "The Mark of Zorro" is that of the Latin Lover. This stereotype may be portrayed in a more positive light because in comparison to other demeaning Latino roles in early American film, the Latin Lover is characterized
System and her cousins were one of Hollywood’s most well known “Latin Lovers,” Ramon Novarro, and Latin American to Hollywood crossover star Dolores Del Rio. Palma began a career in the arts in Mexico City, working at local theater companies and contributing her talents to the Mexican fashion industry. After the success of her cousins, Novarro and Del Rio, in Hollywood’s silent film industry, Palma traveled to Los Angeles and was hired as the wardrobe consultant for Marlene Dietrich on the set
The media’s concept of the ideal body image isn’t static, so much that in less than 10 years we have an ideal that contrasts so much with the previous decade, they are practically opposites! This is seen in a recurring pattern over the years, most prominently seen in the 1900s. To make it worse the body image ideal of most admired models have grown gradually slimmer, dipping far into an unhealthy weight that is far beyond the the grasp of the average Australian woman, representing a nearly impossible
years, Latina actresses still take on the roles of the "dark skinned lady" and other such stereotypes with strong sexual connotations. It is often debatable whether or not the role of the Latina has undergone dramatic changes since the days of Dolores Del Rio and Carmen Miranda dancing with the fruit baskets on top of their heads. However, in recent years there has been an emphasis by various Latinas in the film industry to combat such stereotypical roles and redefine themselves through the film medium
In the book Latino Images in Film: Stereotypes, Subversion, and Resistance, by Charles Ramírez Berg he argues that six different stereotypical images have been used to define Latinos in U.S. cinema since the first appearance in film in the 1920s: the bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady. Though resistance to such demeaning depictions seemingly emerged during waves of Chicano filmmaking beginning in the late 1960s, Berg identifies-through analysis
The Colonial Era consisted of Europeans making settlements on the North American Continent. All thanks goes out to Christopher Columbus during his voyage because he brought together Europe, Africa and America and the completion of the voyage by Magellan who also played a part in being the first person to circumnavigate around the world. With Columbus and Magellan leading the way, Portugal and Spain were able to become their own colonizing nations. There was an obvious difference when it came to the
Depiction of Latinos in 20th Century Film Graphs Not Included Over the course of this past century, the depictions of assimilated Latino characters has improved a great deal. Early portrayals of Latino assimilation generally proved to be a montage of unrealistic caricatures which seemed to convey the filmmaker's creativity more so than true representations. This formed the manner in which the American people at large viewed not just Latino characters attempting to assimilate, but also those
Manuel Orozco Oswaldo Guayasamin was born in Quito, Ecuador on the 6th of July, 1919. His father was a native of Quechua ascendency and his mother was a mestiza. Jose Miguel, his father, worked as a carpenter, truck and taxi driver; his mother, Dolores Calero, owned a small shop and died at a young age, an event that would later inspire a series from the artist. The family was always poor even by Ecuadorian standards, as his father had difficulty holding a steady job. He was the oldest of ten
The “Lindy Hop” is a painting by Mexican artist Miguel Covarrubias. The Lindy Hop is currently on display at the Philadelphia Museum of Art, as part of the “Dance: Movement, Rhythm, Spectacle” exhibition. Dance has long fascinated artists interested in capturing the human body in motion and the spectacle. Beginning in the late 1800s, new forms of dance coincided with the development of modern visual art, leading to a dynamic exchange between the two forms of creative expression. (Philamuseum.org)
Productions; directed by Fred Niblo, 1920. Cortes, Carlos E. "Chicanas in Film: History of an Image". Rodriguez, Clara E. Latin Looks. Boulder, CO: Westview Press, 1998. Pp.121-139 Flying Down to Rio. Directed by Herbert Brenon. Produced by Louis Zarecky, 1932. All Movie Guide, Dolores Del Rio. http://www.allmovie.com/cg/x.exe?p=avg&sql=bp18330 Mexican Spitfire. Directed by Leslie Goodwins. Produced by Cliff Reid, 1939. Erens, Patricia. The Jew in American Cinema. Bloomington: Indiana
“I can make a big-looking movie for very little money by just being resourceful, being creative, using the rubber band versus a lot of technology, and not being ashamed about it.” ~ Robert Rodriguez Who says you can’t make a successful movie without spending millions of dollars? Robert Rodriguez, a successful Chicano film director, knows all about pinching pennies while making a film. Just ask him, he’ll be honest with you. Robert Rodriguez is known for directing, writing, and editing some
The state of Texas was the 28th state added to the United States of America on December 29, 1845 . At the time, it was the largest state in the US and would remain that until the inclusion of Alaska into the US in January 3, 1959. Texas became a state because of the diverse political strife, military success, and because of nationalism , over the course of 80 years. It starts as just a province of Spanish Mexico empire, and would eventually become the Lone Star State. Now, the Mexican Revolution