Death of a Salesman by Arthur Miller was first presented in 1949 and has been studied and reproduced countless times since. The plot revolves around a salesman named Willy Loman and his family. Willy is 63 years old, and on the decline. His career as a traveling salesman is going badly, and during the play he is let go. Willy’s flashbacks to a better past take up much of the past, and are brought on by the return of Biff, Willy’s favorite son, who comes to visit from out west. Biff is 34 and
All DCM (Discovering a Christian Mind) classes at Calvin read Cornelius Plantinga Jr.’s Engaging God’s World, which discusses why it is valuable to aim to live Christ-like in today’s world. In his book Plantinga explains basic Christian beliefs and Reformed doctrines by highlighting God’s creation, the fall, and human redemption by Jesus’ death on a cross. The ideas of creation, fall, and redemption are displayed by the actions of male protagonists in three major plays: The Tempest by William
Born January 5th, 1931 in Texas, Alvin Ailey was an African-American dancer and choreographer. Leaving Texas to move to Los Angeles, he studied dance under modern choreographer Lester Horton, a teacher and choreographer of a modern dance school and company. He then moved on to pursue broadway, making his debut in Truman Capote’s House of Flowers in 1954, in New York (Alvin Ailey Biography n.d). It was here that he also had to opportunity to study dance with Martha Graham and in 1958 Ailey founded
Alvin Ailey, a dancer born in 1931, founded what is known today as the Alvin Ailey American Dance Theater. Born in Texas, Ailey faced intense racism and discrimination growing up. As a result he strove to created a multi-racial company where dancers were judged upon ability and not their race or background. This was groundbreaking since at the time racism led to limited opportunities for African American dancers. At 22 Ailey joined the Horton dance company where he would eventually become the artistic
beginning of this book the author describes the dancers coming in on a rainy Monday morning to begin warm-ups and rehearsal. This of course is the beginning of their voyage to opening night. The dancers taking part in this production were from the Alvin Ailey American Dance Theatre. The ballet that they plan to perform in seven weeks is called “Speeds.” The choreographer of “Speeds” is a world-renowned woman by the name of Jennifer Mullers. This production contains a cast of eleven dancers and five
Every company has what is known as a “signature piece,” that is, a work which expresses something about the artistic direction and the spirit of the company. For the Alvin Ailey Dance Theater that piece is Revelations. Choreographed and set to traditional music, Revelations was first performed at the Ninety-second Street YM-YWHA New York, NY., January 31, 1960. The lead dancers were Joan Derby, Minnie Marhsall, Merle Derby, Dorene Richardson, Jay Fletcher, Nathaniel Horne, and Herman Howell and the
Why the Chipmunk has Such big Teeth Once upon a time, there was a chipmunk named Chippy. Chippy was a very adventurous chipmunk he would always go on long journeys to try and find some different kinds of foods to eat. He ate plants, and ants, and even Teddy’s pants, he ate berries, ferries, doors, smores, and even apple cores, Chippy could eat anything! Or so he thought. One day Chippy was strolling through the forest looking for a new food to take his mouth down to flavortown, when he eventually
Although blackness influenced much of Alvin Ailey’s work, he ultimately felt that the importance lay in the dancer rather than the race. Ailey told the New York Times, "I am trying to show the world that we are all human beings and that color is not important. What is important is the quality of our work." Alvin Ailey, an iconic American choreographer, was born on January 5, 1931, in Rogers, Texas. Being an African-American born in the South influenced much of Ailey’s later work. He grew up in the
Hammerstein II, and Joshua Logan won acclaim with South Pacific in 1952. One of the most emotionally charged plays of 1952 was The Diary of Anne Frank. Dance underwent change during this period. Martha Graham's work influenced dancers worldwide. In 1952, Alvin Ailey created the American Dance Theatre, which featured all-black casts, and dance styles that were culturally based and truly American in style. (1950's Theater-Type Standing Ashtray-Arrows) Radio's influence was still very great as is seen in the
Alvin Ailey played a large role in the diversification and cultural storytelling that can be seen in modern dance today. With the founding of the Alvin Ailey American Dance Theater, his dance company stands strong as one of the most respected and prosperous dance companies because of its artistic representation of the beauty that is otherwise known as the African culture. His work absolutely changed the atmosphere of modern dance because he was able to provide the modern dance community with a wider
Resilience: The Story and Lessons of Alvin Ailey As the first African-American to create a multicultural, international concert dance company, Alvin Ailey’s dance company has been dubbed the “cultural ambassador of the world” (Gorman 36). Through his Alvin Ailey Dance Company, he addressed the racism and injustice faced by ethnic minorities across the globe. Ailey clearly revolutionized African American participation in 20th century concert dance as well as revived interest in modern dance. As an
Sergeant York An American Hero Struggling with the woes of poverty and added responsibilities, Alvin York, discovers himself fleeing from religion with Satan dangling securely to his shirttail. York is a round character that is a rabble-rouser in the beginning, yet evolves into an extraordinary spiritual man. “Sergeant York” is a 1941 film portraying the trials and triumphs of Sergeant Alvin York. Based on real situations, the aforementioned flick depicts the life of a boy who grew up in the Tennessee
All the children seemed cleaned and well put-together with the exception of Logan. Logan smelled like urine and I had to point it out to Miss Orbach it took me to say something for anyone else notice. The children have cereal for breakfast Miss Orbach's interaction with the children started off well, because she had a game plan for how the day should go. She explained the assignment and the rules to the children. She gave herself an out-time. She did her best to stay calm and to work with the children
Deaf The fresh wound didn’t seem like it would be such a problem until I saw the blood trickling out. Sure, when I had cut my self by grabbing a piece of saw palmetto, I felt my skin ripping and quickly retracted my right hand. However, my want for adventure to explore the tree island overcame the small bit of pain I felt. An adrenaline rush helped me overcome all of the annoyances pushing through the dense brim of the island, like palmetto leaves and spider webs, as well as the myriad of other
many think of people with superhuman traits like Superman or Captain America when they think of heroes, the official definition of hero is, “a person noted for courageous acts or nobility of character.” One person that best represents both terms is Alvin C. York. He presents all of the characteristics of a hero including a few that I also deem to be of heroic material. He is known for his courageous acts in the battle of Hill 223 as well as his noble acts of charity funding and the building of a school
impact the world in a good way inspiring great people to follow their dreams, stand for what they believe in, and overcome big obstacles in life. Alvin York, soldier of America, shows good traits to be influenced. Alvin York is influential because of his long legacy, his brave, heroic acts, and his great accomplishments that went with him to the grave. Alvin York, a hero, puts a long legacy on people. According to Dr. birdwell a history professor he says “In 1940-41, York joined the Fight for Freedom
a God who is both omnipotent and wholly good” (Peterson 289). We cannot believe in omnipotence, omnibenevolence, and evil at the same time according to Mackie. It yields to contradictions. Alvin Plantinga rejected Mackie’s claim by saying, “Does the theist contradict himself?” (Peterson 297). Plantinga showed that Mackie’s three statements contained no logical contradictions. Anselm’s ontological argument attempts to prove God’s existence merely through formal structure and necessity. Anselm
Philosophy of Religion: An Anthology. 259-261. Mackie, John L. "Evil and Omnipotence." Ibid. 186-193. Pike, Nelson. "God's Foreknowledge and Human Free Will Are Incompatible." Ibid. 261-271. Plantinga, Alvin. "God's Foreknowledge and Human Free Will Are Compatible." Ibid. 271-275. Plantinga, Alvin. "The Free Will Defense." Ibid. 194-212. Pojman, Louis P., ed. Philosophy of Religion: An Anthology. New York: Wadsworth, 1998.
probability of God’s existence will be centered on gratuitous and horrendous evils. In this essay, the concept of evil and the existence of God will be explored through Marilyn McCord-Adam’s (1989) discussion of horrendous evils, Stephen Wykstra (1986) and Alvin Plantinga’s (1977) defense of skeptical theism and critique of William Rowe, as well as through Rowe’s (1979) argument against the ability for evil (including gratuitous) to exist alongside an omniscient omnipotent wholly good God. I do not defend
Anselm’s classical ontological argument is criticized precisely for its attempt to define God into existence. The argument is deductive and its form known as reduction ad absurdum. “That is, it begins with a supposition S (suppose that the greatest conceivable being exist in the mind alone) that is contradictory to what one desires to prove” (Pojman 41). In other words, the argument attempts to show a contradiction or absurdity in the opposite view in order to claim his own view is correct. There