"Vampire, Vampire!" The CIC talker said aboard Ticonderoga. "We have numerous incoming missiles. Weapons free."1
Tom Clancy, the best modern fiction writer, and probably, one of the all time best. Above was an excerpt from his second number one bestseller, Red Storm Rising. Tom Clancy is a civilian genius that knows more about top-secret weapons systems than the men who designed them. This makes for an explosive, could be real, story. It is because of his gripping story lines, and powerful descriptions of battle scenes that have drawn me, along with millions of other Americans to his master works of art. Ironically Mr. Clancy’s dream of becoming a writer was not fulfilled until he wrote The Hunt For Red October in 1984. Until then, he was an insurance salesman whose previous stories had been turned down. That is another thing that I like about Mr. Clancy, he doesn’t give up. Clancy once said, "In America, there ain’t no excuses. You can go out and do anything you damn well please if you try hard enough."2 Finally, this author, was the only one that didn’t put me to sleep with a warm cup of milk.
Thomas L. Clancy Jr., son of a mailman and department store credit employee, was born in Baltimore, Maryland, in 1947. He attended a local catholic parochial elementary and secondary school. Most of his friends were interested in sports, and following their favorite teams throughout the season, but Tom had more important things on his mind like guns, tanks, and planes. He went to Loyola College, a Jesuit college of liberal arts in Baltimore where he majored in English. While attending college he joined the ROTC in order to serve in Vietnam, but poor eyesight kept him from fulfilling his desire. The first short story he wrote was rejected by Analog Sci-Fi magazine, crushing another dream of having his name on a book. In 1973 he became an insurance agent, as he wasn’t making any head way as a writer. Eventually he joined his wife’s father’s insurance agency, and later bought it in 1980 for $125,000. It was an established business with around 1,000 clients. Tom was so effective, and the business so profitable, that he could accomplish all the work in the morning and have the rest of the day to devour all sorts of technical journals and papers.3 After his writing career took off in 1984, he eventually moved into a 400 acre estate on the Chesapeake Bay.
Tim O’Brien begins his journey as a young “politically naive” man and has recently graduated out of Macalester College in the United States of America. O’Brien’s plan for the future is steady, but this quickly changes as a call to an adventure ruins his expected path in life. In June of 1968, he receives a draft notice, sharing details about his eventual service in the Vietnam War. He is not against war, but this certain war seemed immoral and insignificant to Tim O’Brien. The “very facts were shrouded in uncertainty”, which indicates that the basis of the war isn’t well known and perceived
To write a true war story that causes the readers to feel the way the author felt during the war, one must utilize happening-truth as well as story-truth. The chapter “Good Form” begins with Tim O’Brien telling the audience that he’s forty-three years old, and he was once a soldier in the Vietnam War. He continues by informing the readers that everything else within The Things They Carried is made up, but immediately after this declaration he tells the readers that even that statement is false. As the chapter continues O’Brien further describes the difference between happening-truth and story-truth and why he chooses to utilize story-truth throughout the novel. He utilizes logical, ethical, and emotional appeals throughout the novel to demonstrate the importance of each type of truth. By focusing on the use of emotional appeals, O’Brien highlights the differences between story-truth and happening-truth and how story-truth can be more important and truer than the happening-truth.
Born in Virginia, to mother Martha Puller and father Matthew Puller, he grew to become a well recognized marine globally (Russell & Cohn, 2012). His father’s dead while he was 10 years did not stop him to achieve a high point career; in fact, his childhood lifestyle of listening to war stories...
Kurt Vonnegut Jr. was an ordinary man, a great father and an extraordinary writer. He was born in indianapolis Indiana. As a fourth generation German-American, he would later serve in the Second World War. He had the capability to include spaceships,vulgarity, and childish characteristics while still causing his readers to learn crucial life lessons. Yet the most interesting thing is what was behind his curtain. It is what captivated, intrigued, and how he analyzed the Midwestern region that would eventually differentiate him from other authors. Kurt Vonnegut was inspired by technological advances, the effects of WWII, and humanity.
O’Brien, Tim. How to Tell a True War Story. Literature and Ourselves. Sixth Edition. Eds.
In their respective life journey, both Wes Moores often found them facing with some hard choices or decision to make or standing at a crossroads of life change without knowing which way to turn. Therefore, “for all of us who live in the most precarious places in this country, our destinies can be determined by a single stumble down the wrong path or a tentative step down the right one” (Moore xiv). During their early childhood, both Wes Moores struggle at school and had troubles with the law. However, for the author Wes Moore, attending the military school was the biggest turning point in his life. Aware of his mother’s determination, his family’s sacrifice, and encouragement from classmates and instructors as well as the influence of role models, the author Wes Moore finally made up his mind that he wanted to succeed in the military school. At the end, the author Wes Moore fulfilled his dream and did well academically from then on. On the other hand, the other Wes Moore had tumbled on a series of missteps along the road: dropping out of school, getting involved with drug trade, committing violent crimes, and being a father of four when he was so young and immature. Even though there was a time when he tried to reinvent himself: joining the Job Corp, getting a high school diploma, and finding some decent jobs, the reality and his making-quick-money mentality eventually brought him back to the original path with no return. At last, by committing an armed robbery that left a police officer dead, the other Wes Moore irreversibly drove himself to the dead end of life. Obviously, based on their early life experiences, both Wes Moores would have gone the same route to failure. Nevertheless, at some critical points of their lives, the author Wes Moore made some good choices with intervention and guidance of good people while the other Wes Moore lost his footing under undue
...in the Cumberland Massacre. His career was in corporate communications before returning to creative writing. He currently is working on an anthology of short stories that are stylistically reminiscent of O. Henry and a novel set in Taiwan during the Vietnam war. He lives in Connecticut and can be reached at w.giersbach@att.net.
O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. Boston: Houghton Mifflin, 1990. Print.
...unt for Red October, Clancy was suddenly a celebrity. He was invited to the White House for a private meeting with President Reagan and was met by military enthusiasts around the country. Now he had the opportunity to gain firsthand experience with the military operations and hardware he had known only from books and technical manuals. Clancy observed joined in training exercises and spent a week at sea on a mishearing frigate, and another on a submarine. Despite the detailed descriptions of life aboard a submarine in The Hunt for Red October, Clancy had never set foot on one until after the novel was published.
In The Things They Carried, an engaging novel of war, author Tim O’Brien shares the unique warfare experience of the Alpha Company, an assembly of American military men that set off to fight for their country in the gruesome Vietnam War. Within the novel, the author O’Brien uses the character Tim O’Brien to narrate and remark on his own experience as well as the experiences of his fellow soldiers in the Alpha Company. Throughout the story, O’Brien gives the reader a raw perspective of the Alpha Company’s military life in Vietnam. He sheds light on both the tangible and intangible things a soldier must bear as he trudges along the battlefield in hope for freedom from war and bloodshed. As the narrator, O’Brien displayed a broad imagination, retentive memory, and detailed descriptions of his past as well as present situations. 5. The author successfully uses rhetoric devices such as imagery, personification, and repetition of O’Brien to provoke deep thought and allow the reader to see and understand the burden of the war through the eyes of Tim O’Brien and his soldiers.
discusses his life as a kid, and how he was accidentally placed in a vocational program in his
Throughout Tim O’Brien’s novel, The Things They Carried, a plethora of stories are told concerning the lives of a select number of soldiers in and out of the Vietnam War. In his writing, O’Brien also conveys his own thoughts on the art of storytelling and the nature of stories themselves. In these passages, O’Brien provides a detailed analysis of the challenges of storytelling, the effects of time on memory, the role of imagination in storytelling, the reason for retelling a story, and a story’s purpose and process for the reader.
In “How to Tell a True War Story” by Tim O’Brien, Orwell’s ideas are questioned and the competition between the truth and the underlying meaning of a story is discussed. O’Brien’s story depicts that the truth isn’t always a simple concept; and that not every piece of literature or story told can follow Orwell’s list of rules (Orwell 285). The story is told through an unnamed narrator as he re-encounters memories from his past as a soldier in the Vietnam War. With his recollection of past encounters, the narrator also offers us segments of didactic explanation about what a “true war story” is and the power it has on the human body (O’Brien 65). O’Brien uses fictional literature and the narration of past experiences to raise a question; to what extent should the lack of precision, under all circumstances, be allowed? In reality, no story is ever really truthful, and even if it is, we have no proof of it. The reader never feels secure in what they are being told. The reliability of the source, the author, and the narrator are always being questioned, but the importance of a story isn’t about the truth or the accuracy in which it is told, but about the “sunlight” it carries (O’Brien 81).
Hugh Wheeler was born on March 19, 1912 to parents, Harold, who was a civil servant in the Office of the Public Trustee and Florence Wheeler, whose parents were in truck manufacturing. He was born in Northwood, Middlesex, England, (Obituary) and lived there until he was 22 years old. He received his Bachelor of Arts degree from the University of London in 1932 (Gale). After receiving his degree, he decided to move to the United States and pursue his love of writing. He served in the American armed forces in World War II. He also became a naturalized American citizen in 1942. He remained in the United States until his death in 1987 (Obituary). There are few details of Wheeler’s personal life except that he never married and lived privately (Document). He was well respected in the literary world, in which he accumulated a variety of awards.
After dropping out of school, Faulkner worked as a clerk in his grandfather’s bank and in his spare time wrote short stories and poetry and contributed drawings to the University of Mississippi’s yearbook (Locher). His talent was recognized early on by his good friend Phil Stone, Faulkner’s first literary mentor. Stone encouraged and instructed him in his interests and was a constant source of current books and magazines (Faulkner 699). After short stints in the Royal Canadian Air Force and then as a postal service employee, Faulkner, with Stone’s financial assistance, published The Marble Faun, a collection of his poetry. Sales were poor, however, and it was evident that Faulkner’s real talent was in writing fictional short stories and novels. His first novel, Soldier’s Pay, was published in 1926 and was an “impressive achievement…strongly evocative of the sense of alienation experienced by soldiers returning from World War I to a civilian world of which they seemed no longer a part” (Faulkner 699).