Throughout the poems “To His Coy Mistress” by Andrew Marvell and “The Rights of Woman” by Anna Letitia Barbauld, violence is used in contrasting ways. Marvell uses violence to manipulate his mistress into a powerless position, while Barbauld uses it to incite rebellion against just such a power structure.Though violence is not the primary thematic concern within the majority of both works, it plays an essential role in developing the storyline and helps to convey the messages of the authors. Within Marvell’s piece, the speaker describes a timeless love that is not reciprocated. Barbauld, as one might assume from the title, challenges the role of women in an ambitious, powerful manner. Throughout both pieces, violence becomes evident when the speakers use various types of diction while emphasizing the juxtaposition of similar sounding words.
Violence and love are often the result of intense passion, and this is no exception within Marvell’s “To His Coy Mistress”. The speaker is clearly infatuated with a woman, the subject of the poem, and he believes that these feelings should be reciprocated. This is made clear when the speaker states,
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near (19-22).
In this, the speaker means to convey his dedication to this woman. He fears, however, that her tendency to be coy will not allow them to be together before the “wingèd chariot”(22) carries him up into the afterlife. Though the speaker believes his affection to be undying, stating that, “nor would I love at lower rate”, he fears that time will not allow them to be together, unless she eliminates this part of her personality. This point is emphasized fur...
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... based on gender are unimportant because mutual love renders all differences equal. Marvell, through his poem, To His Coy Mistress, approaches violence in a slightly different manner. The speaker uses the threat of violence as a last resort to convince his coy mistress to lay with him. Though both poems use violence, they start and end at opposite ends of the spectrum. Barbauld begins with violence and ends with love, Marvell travels down the same path, but in the opposite direction.
Works Cited
Barbauld, Anna Letitia. "The Rights of Woman." The Norton Anthology Of English Literature. The Major Authors Ninth ed. Stephen Greenblatt. New York: W. W. Norton & Company, 2012. 1444. Print.
Marvell, Andrew. "To His Coy Mistress." The Norton Anthology Of English Literature. The Major Authors Ninth ed. Stephen Greenblatt. New York: W. W. Norton & Company, 2012. 751. Print.
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Women in the Romantic Era were a long way from being treated as equals; they were expected by society to find a husband, become a typical housewife, and a good mother. So what happens when women get tired of being treated horribly and try to fight back towards getting men to treat them as an equal? Both Mary Robinson’s, “The Poor Singing Dame” and Anna Barbauld’s “The Rights of Women” show great examples of how women in the Romantic Era were disrespected and degraded by men, whereas all they wanted was to be treated with respect and dignity.
Marvell's piece is structured as a poem but flows as a classical argument. He uses the three stanzas to address the issues of time, love, and sex. In doing so, he creates his own standpoint and satirizes his audience in the process. Using appeals to ethos, pathos, and logos; logical reasoning; and even a hint of the Rogerian technique - Marvell proves that acting now is essential. The logical argument for the "carpe diem" theme is built up from beginning to end.
In Mary Wollstonecraft’s The Wrongs of Woman, or Maria and Mary Robinson’s The Natural Daughter women are subject to many hardships economically, simply because they are women. Women are not given sufficient opportunity, as men are, to pursue a living. Even if she is a woman of taste and morals, she may be treated as though she is a criminal and given no means to protect herself. In order for a woman to be sustained, she must marry into slavery, dishonor herself through unsavory work, or be lucky enough to be properly educated and given proper reference.
The overall gist of "To His Coy Mistress" is established in the opening stanza of the poem. It describes a sceneario where a girl has the option to either give in to the young persuaders sexua...
Woolstoncraft, Mary. A Vindication of The Rights of Woman. The Norton Anthology of World Literature. 3rd Ed. Volume D. Ed. Martin Puchner. New York: Norton, 2013. 134-136. Print.
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
These highly regarded and well-respected female authors are showing that women can and do hold power in our society. These authors send the message to readers that women throughout time have been and still are fully capable of thinking for themselves. They can hold their own ground without having to subject themselves to the dominance of the males, be it in writing novels, raising a family, working in a factory, or pursuing a singing career. Thus, they as all women, deserve to be held in respect for their achievements and deserve equality.
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
In the poem “To His Coy Mistress”, the speaker is trying to seduce his wife. In the assumption the mistress is his wife; she is being bashful towards losing her virginity. The speaker, which is the mistress’s husband, develops a carefully constructed argument where the speaker seeks to persuade his lady to surrender her virginity to him.
Marvell uses many images that work as tools to express how he wishes to love his mistress in the first stanza of the poem. From line 1 to 20 Marvell tells his mistress how he wishes he had all the time in the world to love her. In the very first line Marvell brings up the focus of time, “Had we but world enough and time/This coyness, lady, were no crime”. The second line shows the conflict that the author is facing in the poem, her coyness. Marvell continues from these initial lines to tell his mistress what he would do if he had enough time. In lines, three and four Marvell talks of “sitting down” to “think” where they will walk on their “long love’s day”. All of these word...
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a
Structure, a major tool stressed in this poem, tends to rearrange the text in a large-scale way. In "To His Coy Mistress", the reader should focus on the most significant types of structure: stanza and temporal. In other words, time and chronological order assemble the whole meaning of the text throughout the poem. Although the story contains seduction and intimacy, which is portrayed in the title alone, it is merely a cry for two lovers to be together before time runs out. Temporally, the man first explains to the woman how he would love her if he only had the time. The man's sincerity is truly expressed when Marvell writes, "Had we but world enough, and time...I would love you ten years before the flood...nor would I love at lower rate," (373: 1, 7-8, 20). It seems that the man genuinely cares for the lady, or is he secretly seducing her into bed? Taking a look at the second stanza...