The Theme of Misunderstanding in Charlotte Bronte's Jane Eyre and Jean Rhys' Wide Sargasso Sea
In both classical novels Jane Eyre by Charlotte Bronte a Wide Sargasso Sea by Jean Rhys the theme of misunderstanding is represented very widely. Both Victorian era dramatical romantic fictions have some impact in them from their respective authors. Bronte's lonliness is transformed into Jane Eyre's Character whom mostly all characters in the novel misunderstand her until they truly get to recognize her which is towards the end of the novel.
Jane Eyre! Such a cute little responsible girl. Not everybody sees her that way even though Charlotte Bronte portrayed her to the best of her ability. Jane looks for her true identity as she is constantly being abused by the people around her. She is also confused in between the choice of her true love and passion for Mr. Rochester or her responsibility as only Adele's teacher. Jane who is thought to be caring, loving, an amazing and loyal friend, and can get along with pretty much anybody doesn't perceive everything the proper way. Literally talking, she sometimes is blinded by her passion and true love that she sometimes can’t recognize people in her own proper and disciplined way. "My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for his creature: of whom I had made an idol" (Bronte 241).
According to Jane’s point of view, her foil, Bertha, is mirrored as an insane and unstable woman to the reader and herself who is an obstacle in her way of her unity with Mr. Edward Rochester. Jane doesn...
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...ason was absolutely a set up prepared by brides family. She was married to him for his wealth instead. Turning to Marie Antoinnete, she is instead described as a slut. She seemed to go for any guy possible just for money so she even betrayed Rochester, who truly loved and valued all his wealth as a glass of water to a sea as compared her love, eloped with some unknown musician to Italy leaving her and Rochester's biological daughter parentless.
Ultimately, when Bertha tries to finish of Rochester by setting the beautiful whole Thornfield on fire, she burns herself to ashes. Even after Bertha's so many attempts to kill Rochester, he tries to save her from fire and loses his sight and a right hand, but she fails because Jane's and Rochester's love is immortal. In the end Rochester is able to partially regain his sight and see his heir while holding him in his hand.
Jane Eyre is born into a world where she is left bereft of the love of parents, family, or friends, but instead surrounded by hateful relatives. She resolves to attend school to begin her quest for independence. This theme is seen through Jane’s behavior when she renounces her relation to her aunt Mrs. Reed, ignoring the nurse’s orders and leaving her room to see Helen again, and when she acquires the courage to speak her opinion to Mr. Rochester.
Charlotte Bronte utilizes the character of Bertha Rochester to interrupt Jane’s potential happy ending with Mr. Edward Rochester. Bertha is announced by Mr. Briggs as a way to stop the wedding and it also shows how hopeless Jane’s situation is. “That is my wife “said he. ‘Such is the sole conjugal embrace I am ever to know—such are the endearments which are to solace my leisure hours! And this is what I wished to have,’” (312) and “’I wanted her just as a change after that fierce ragout,’” (312) are quotes that express Mr. Rochester’s reasons for trying to remarry while he already has a wife, meanwhile showing his disposition towards said wife. Had Mr. Briggs and Mr. Mason not been present for the ceremony, Jane may have lived happily in ignorance. Due to Bertha’s involvement however, Jane could never truly call herself Mr. Rochester’s wife. She says, “’Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire—I should then be your mistress: to say otherwise is sophistical—is false.’” (323) This quote shows that as a result of Bertha’s exposure, Jane refuses to marry Mr. Rochester. The influence that Bertha’s brief debut had on Jane’s life was significant enough to hinder the growth of her relationship with Mr. Rochester.
The novel Jane Eyre by Charlotte Brontë is an early 19th-century English literature; a literary work that is evocative and riveting. It depicts acts of betrayal between family members, loved ones and self-inflicted betrayal. The acts of betrayals are done by Mrs. Reed, Mr. Rochester and Jane Eyre herself.
With that being said, Jane is lost between following her passion and love for Mr. Rochester and her love for herself and reason. This is exhibited when Mr. Rochester attempts to explain everything to Jane and reassure her of his love for her. Jane tells the reader, "I wanted to be weak that I might avoid the awful passage of further suffering I saw laid out for me; and conscience, turned tyrant, held passion by the throat" (303). In addition to Jane’s moral dilemma caused by Bertha, Berthas appearance forces Jane to retreat to God.
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
Jane Eyre’s continuous search for love, a sense of belonging, and family are all thoroughly displayed by Charlotte Brontë. Jane starts off as a despised orphan who is captivated by the thought of love, believing that it will help her achieve happiness. Throughout the novel, Jane attempts to find different substitutes to fill the void in her life.
Jean Rhys obviously had Charlotte Bronte's Jane Eyre in mind while writing Wide Sargasso Sea. Each novel contains events that echo other events or themes in the other. The destruction of Coulibri at the beginning of Wide Sargasso Sea reminds the reader of the fire at Thornfield towards the end of Jane Eyre. While each scene refers to events in its own book and clarifies events in its companion, one cannot conclude that Rhys simply reconstructed Thornfield's fall in Coulibri's. Though they exhibit some similarities, to directly compare these two scenes without considering their impact on the novels as whole works would be ridiculous. Each scene's main importance, and contribution to the overall intertextual meaning, lies elsewhere in the two works, not simply within the confines of the scenes themselves.
With the death of Bertha, Jane is now able to live with the man she loves. Bertha's death precedes a successful union between Rochester and Jane. When they are finally reunited, they are equal (Showalter 122). When Rochester and Jane finally get together, their relationship succeeds due to the fact that he has learned how it feels to be helpless and how to accept the help of a woman (Showalter 122).
For the first half of Jane Eyre, Bertha is only known to the reader through her nearly phantasmal presence&emdash;the peculiar laugh, and the mysterious incident in which Rochester's bed was lit on fire. Only after the foiled wedding of Rochester and Jane, in which Mr. Briggs and Mr. Mason appear unexpectedly declaring that the wedding should not proceed, does Rochester explain to Jane that he has a living wife detained on the third floor of Thornfield Hall. "He lifted the hangings from the wall, uncovering the second door: this, too, he opened" (327). "In a room without a window" Bertha is found living as a wild animal sequestered from everyone but her caretaker Grace Poole. Like a ferocious beast, she is even tied down and bound.
Brennan, Zoe. "Reader's Guide: Bronte's Jane Eyre." Ebrary. Continuum International Publishing 2 2010. Print. April 28, 2014
Jane Eyre and Wide Sargasso Sea, acting as two sides of the same story, serve to comment on the rampant sexism and racism
In Jane Eyre, Charlotte Bronte uses various characters to represent aspects of reason and passion, thereby establishing a tension between the two. In fact, it could be argued that these various characters are really aspects of her central character, Jane. From this it could be argued that the tension between these two aspects really takes place only within her mind. Bronte is able to enact this tension through her characters and thus show dramatically the journey of a woman striving for balance within her character. As a prerequisite for marriage, Jane uses this determination in her relationships with Mr. Rochester and St. John.
Jane grows up distinguishing her personality and voicing her unbiased opinion, but in McFadden-Gerber's opinion, Jane remains the same orphaned female in constant discord with elders and supervisors. Ms. Eyre is a heroine who refuses to blend into the traditional female position of subservience and who stands up for her beliefs. In the beginning, Jane at first de...
Charlotte Brontë's 1847 novel Jane Eyre depicts the passionate love Jane Eyre and Edward Rochester have for each other, and as Bertha Mason stands in the way of the happiness of Brontë's heroine, the reader sees Mason as little more than a villainous demon and a raving lunatic. Jean Rhys' serves as Mason's defendant, as the author's 1966 novella Wide Sargasso Sea, a prequel to Jane Eyre, seeks to explore and explain Bertha's (or Antoinette Cosway's) descent into madness. Rhys rejects the notion that Antoinette has been born into a family of lunatics and is therefore destined to become one herself. Instead, Rhys suggests that the Cosways are sane people thrown into madness as a result of oppression. Parallels are drawn between Jane and Antoinette in an attempt to win the latter the reader's sympathy and understanding. Just as they did in Jane Eyre, readers of Wide Sargasso Sea bear witness to a young woman's struggle to escape and overcome her repressive surroundings. Brontë makes heavy use of the motif of fire in her novel and Rhys does the same in Wide Sargasso Sea. In Rhys' novella, fire represents defiance in the face of oppression and the destructive nature of this resistance.
Edward Rochester, the owner of the Thornfield estate and the later romantic interest of Jane, also has dynamic emotional relationships throughout this Bildungsroman novel. Rochester, a powerful but unusual man, uses his authority to assert his position through his relationship with both Bertha and Jane Eyre. Bertha, his first wife, with whom he has an arranged marriage, involves an association that primarily revolves around preserving