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Greek theater then and now
Characteristics of greek tragedy in oedipus
Characteristics of greek tragedy in oedipus
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Theatre in Ancient Greece
Among the many inventions of the ancient Greeks, there have been a few that have specifically impacted modern day life for the better. Many of the things that are taken for granted today can be accredited to the intellectual minds of the people of ancient Greece. Our complicated plumbing and sewage systems that manage sanitation in most of the cities in the world have their roots in ancient society. The earliest concept of the crane was also developed during this time. Every successful society thrived on expansion, and one could not expand without the building of new structures; the invention of the crane and its evolution sped up this process of industrialization for societies to come. Despite these great achievements, arguably the greatest contribution of the Greeks was theatre. While theatre offers less utility than the previously mentioned contributions, it has had a resonating effect on the art and culture of the modern day world.
Originally, theatre in ancient Greece served solely to pay tribute to their gods. The Greeks would hold festivals where men would dress up and perform song and dance to honor Dionysus. These festivals eventually evolved into a competition where playwrights would compete against one another in regards to the superiority of their plays (this paralleled the competitive aspects of the Olympics). Emerging playwrights of this time took this competition quite seriously and began to focus their efforts on creating the ‘perfect formula’ for creating the finest tragic play (“Ancient Greek Theatre” Web). These playwrights also explored other ways to sway the audience in their favor including the incorporation of the more lighthearted performances being the comedies and satires. Th...
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...“Ancient Greek Theatre.” Ancientgreece.com, University Press Inc. 2012. Web. 9 Dec. 2013.
2. Fonseca, Ruben. “Greek Theater.” Cartage, Cartage. N.d. Web. 5 Dec. 2013.
3. MacLennan, Bruce. “Typical Structure of a Greek Play.” University of Tennessee, University of Tennessee. 14 Sept. 1999. Web. 3 Dec. 2013.
4. “Merriam-Webster's Encyclopedia of Literature.” Merriam Webster, Inc. Merriam Webster. 1995. P. 217
5. “Oedipus.” Encyclopaedia Britannica. Encyclopaedia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2013. Web. 10 Dec. 2013.
6. Osens, Beth. “Acting: An International Encyclopedia.” ABC-CLIO, 2001. p.295
7. “The Structure of Greek Tragedy.” The Regents of the University of California, Berkeley. 8 Jan. 2013. Web. 3 Dec. 2013.
8. Webster, Michael. “Tragedy: The Basics.” Gvsu.edu, Grand Valley State University. N.d. Web. 3 Dec. 2013.
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
The Ancient Greek contribution ranged by the 1900-133 BC, however its influence on the Western Literate Society lasts to this day. As the Greeks expanded their empire, they spread their ideas to other countries, while also borrowing from other cultures. During this period of time, the Greeks made many significant and long-lasting contribution to our modern culture in Philosophy, Art, Democracy, Drama, Math, and Science. These givings of important ideas, inventions, and structures have had an extraordinary influence on the surrounding environment, society, and in the future. The essential contribution of Greeks to the Western Civilization are Democracy, Art, and Philosophy.
Plays at this time were a representation of life. People, at this time, did not have modern visual luxuries upon which to garner entertainment. Plays, as well as playwrights, were supposed to bring life to the people and life to the story,
It was not just sculptures and architecture that showed Greek pride in the individual. Greek drama showed a huge appreciation for humans in all their glory. The Greeks valued human emotions; their plays covered a wide array of subjects, all the way from the tragedies of war to the comedic side of a society in the perils of war. These subjects made it possible to reveal the Greek appreciation for real life situations, showing the value they placed on human actions, but most of all on human nature.
The Ancient Greece era played a big role on how we still live today. It contributed its religion, technology, important events, and even its theater to us. Gods and goddesses also played a big role in ancient Greece, which is evidence in the play The Curmudgeon by Meander.
Difference between Greek and Modern Theatres Theatre today as in ancient Greek times is a popular form of entertainment. The adage is a slam. Today’s theatres share many similarities with the Greek. predecessors, however they are also very different. There are in fact many differences for example; layout, special effects, seating.
In Euripides’ tragic play, Medea, the playwright creates an undercurrent of chaos in the play upon asserting that, “the world’s great order [is being] reversed.” (Lawall, 651, line 408). The manipulation of the spectators’ emotions, which instills in them a sentiment of drama, is relative to this undertone of disorder, as opposed to being absolute. The central thesis suggests drama in the play as relative to the method of theatrical production. The three concepts of set, costumes, and acting, are tools which accentuate the drama of the play. Respectively, these three notions represent the appearance of drama on political, social, and moral levels. This essay will compare three different productions of Euripides’ melodrama, namely, the play as presented by the Jazzart Dance Theatre¹; the Culver City (California) Public Theatre²; and finally, the original ancient Greek production of the play, as it was scripted by Euripides.
Tragedies in the Greek and Renaissance theater were very effective in portraying the social and religious constraints that tainted society. Both playwrights, through the use of their ingenuity and vast literary knowledge were able to perfect and display such flawless spectacles. The differences and similarities between Greek tragedy and Renaissance tragedy, although vast, can be narrowed down to the audience. Greek and Renaissance theater targeted very different audiences that demanded a certain type of play in order to be entertained.
...ision miniseries “The Odyssey”. During Athens’ Golden Age plays were viewed as a highly entertaining, and theatres were dedicated to watching these productions. Broadway is a key example in today’s culture that mirrors the love for performances of drama that Athenians had especially during this time. Athens’ Golden Age allowed for these literary cultural achievements to still have an effect on today’s society.
Theater was an important part of Ancient Greek Civilization. History of Greek theatre began with religious festivals which aim to honor Dionysus, a god. During the festivals some citizens sing songs and perform improvisation plays and other participants of festivals judges this performances to decide which one of them was the best. These plays form the foundation of the Greek Theatre. Because of the competition between performers to create best performances, plays gained an aesthetic perspective and became a form of art. So, theatre as a part of religious rituals took attention of people and gained an importance in Ancient Greek Society.
In ancient Greece, plays were more then simply a form of entertainment. "Athenian drama was supported and financed by the state. (...)Greek theater was directed at the moral and political education of the community." (Kennedy and Gioia, pgs 1357-1363) Sophocles understood this, and dissipated any pollyanic view of society by presenting us with plays that were intended to teach. Sophocles's Oedipus the King issued a warning for those who foolishly believed that they could challenge the forces of nature. Sophocles was known for presenting characters that are fluid not static. So it should come as no surprise that the Oedipus the reader encounters at the outset of the play, an extraordinary leader, but one who's pride has lead him to challenge his fate, has changed by the end of the play. He comes to realize that all his efforts to change the outcome of his life were acts of futility. We are shown a man who has finally accepted divine will and though now fallen from high estate is uplifted in moral dignity. (Kennedy and Gioia Pg 1364-1365)
A modern tragedy of today and a tragedy of ancient Greece are two very different concepts, but ironically, both are linked by many similarities. In “Poetics”, Aristotle defines and outlines tragedy for theatre in a way that displays his genius, but raises questions and creates controversy. Aristotle’s famous definition of tragedy states:
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Ancient Greek Theater is the first historical record of “drama,” which is the Greek term meaning “to do” or “to act.” Beginning in the 5th century BC, Greek Theater developed into an art that is still used today. During the golden age of the Athenians plays were created, plays that are considered among the greatest works of world drama. Today there are thousands of well-known plays and films based on the re-make of ancient drama.
Theater is a natural outlet for our desire to hear and tell stories, and in some ways it is even more primal and powerful than the written word. At its worst, theater will merely bore; while at its best it will not only entertain but move and shape its audience. Two such genres of theater, or drama, have consistently achieved this effect. Tragedy, represented by the weeping actors’ mask, usually features the title character’s fall from greatness to ruin, guided by the gods or fate. Oedipus Rex, written by Sophocles, is the epitome of classic Tragedy, as defined by Aristotle (96-101). Here, Oedipus falls from kingship to blindness and exile. Drama’s other great genre, Comedy, is represented by the laughing actors’ mask. In Comedy the action is usually propelled by a problem or crisis of some sorts, but unlike tragedy it usually ends well. Lysistrata, written by Aristophanes, is a perfect example of classic Comedy. The farcical story line follows the title character, who rallies the women of Greece to withhold sex from their mates all in the good cause of ending war. At first glance these two genres would seem to have nothing in common with each other. Comedy entails laughter and good feelings while the audience will leave a Tragedy in tears. But the best of Comedy and the best of Tragedy will produce the same affect: catharsis. Catharsis is the purgation and purifying of the emotions, specifically fear or pity. (“Catharsis”) The plays that manage to produce catharsis in their audience are the ones that we return to time and time again. Although catharsis is one of the main objectives of Greek Tragedy (Jacobus 34), Comedy done well will shape and move its audience in the same way. These two classic genres use characters that are co...