In Victor Frankenstein’s pursuit to discover “the cause of generation and life”, he creates something that becomes the victim of his self-absorption and irrational manner (Segal). Following some insight on the creation of life, scientist Victor Frankenstein decides to take science into his own hands and create a creature out of human cadavers. It is not until the creature comes to life that Victor ponders the perplexing appearance of the creature that is before him. As Victor looks upon the creature he has created, he wonders “Why, in that instant, did I not extinguish the spark of existence” (Shelley 138). With the recognition that the creature truly looks like a monster, Victor abandons the creature and leaves him to the harsh assumptions of society. Although the creature employs a genuinely empathetic and compassionate manner, society refuses to acknowledge him because of his beastly appearance making him the victim of Victor’s persistent curiosity. The violent behavior the creature portrays never allows him to achieve the sympathy he seeks and therefore never attain the mutual affection he so badly desires. The creature states, “For while I destroyed his hopes, I did not satisfy my own desires. They were forever ardent and craving; still I desired love and fellowship, and I was still spurned” (Shelley 224). Despite the fact that the creature is compelled to commit violent acts, his violence causes Victor and Walton to believe he is not trustworthy. Therefore, Victor Frankenstein decides against the idea of making the creature a mate and states: "have you not already shewn a degree of malice that should reasonably make me distrust you"" (149). Compassion is almost roused in Walton: "I was at first touched by the expression o... ... middle of paper ... ... to give him this affection, he feels as though he needs to search for it himself. He is never given the opportunity to relate to another being, even if it was another creature such as himself. Despite his efforts to achieve a sense of affection, he fails to do so; therefore, the creature becomes the victim of this novel. Works Cited Bernatchez, Josh. "Monstrosity, Suffering, Subjectivity, and Sympathetic Community in Frankenstein and "The Structure of Torture"" Science Fiction Studies 36.2 (2009): 205-16. Rpt. in 205-16. Academic Search Complete. Web. Segal, Howard. "Victor and Victim." Victor and Victim 412.6850 (2001): 861. Rpt. in Nature. Academic Search Complete. Web. Yadav, Sachdev. "Human Cloning: Perspectives, Ethical Issues and Legal Implications." International Journal of Pharma and Bio Sciences 2.1 (2011): 28-41. Academic Search Complete. Web.
Victor refuses to create a companion for the monster, he says “their joint wickedness would be enough to destroy the world” (Shelley 104) Frankenstein saw the justness in the creature’s argument but he still neglected to allow him to have a true companion. Frankenstein became afraid of the end results, he didn’t want the world to suffer for his mistakes. By denying this monster a companion he has denied his creation happiness; Frankenstein would allow a human being to live in happiness without degrading them on their appearance or their standards but he could not do the same with the monster. This reason in itself has caused a disconnection between him and the thing that he created, by rejecting his creation he rejected a part of himself as well. Frankenstein created a thing, a monster with such a horrid form, overlooking that this monster may have a will of its own. One example of how he was neglected because of who he became, his origin, the way he was created, such a horrid way to bring life into the world. “Another circumstance strengthened and confirmed these feelings. Soon after my arrival in the hovel I discovered some papers in the pocket of the dress which I had taken from your laboratory. At first I had neglected them, but now that I was able to decipher the characters in
The Creature was born capable of thing such as love and sympathy though he lost these capabilities as a result of how he was treated. The creature’s heart was ‘fashioned to be susceptible of love and sympathy’ but wrenched with misery to ‘vice and hatred’. On a cold night in November, Victor Frankenstein brought his creation to life. This creation has thin black lips, inhuman eyes, and
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
“But when I discovered that he, the author at once of my existence and of its unspeakable torments, dared to hope for happiness, that while he accumulated wretchedness and despair upon me he sought his own enjoyment in feelings and passions from the indulgence of which I was forever barred, then impotent envy and bitter indignation filled me with an insatiable thirst for vengeance” (Shelley 212). It makes sense that the monster would not be happy in this world, he never even asked to be here. He holds Frankenstein responsible for his sorrow as he is the one who created him. To only be seen as a monster despite your attempts at compassion and thoughtfulness can get to someone. Once again, the insight into what the monster is feeling here, envy and rage, makes him more and more human to the reader. The murder the monster partakes in becomes his inclination, “Evil thenceforth became my good. Urged thus far, I had no choice but to adapt my nature to an element which I had willingly chosen. The completion of my demoniacal design became an insatiable passion. And now it is ended; there is my last victim!” (Shelley 212). With his creator also dead, he finds his vengeance at an end. The monster does not murder Victor however. He wants him to suffer as much as he has since his creation. The isolation and abandonment inflicted from Victor is the catalyst for the Monster to murder members of his family. Despite this hatred for this man, the monster still views him as a father figure. This is why he weeps and pleas to Walton, the regretful words of a son who has lost his father. Walton is witness to the creature’s deep depression, he wishes he could take back all the pain and suffering caused by both parties. His sense of longing and remorse in his words are
Works Cited Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
In Mary Shelley’s Frankenstein, she writes about a hopeless romantic man named Victor, who is on a journey to create a perfect human race, starting with a monster he created out of mortified body parts named, “The Creature”. The fact of the matter is, that Victor’s mind was not clear on the fact that he was creating another life, unnaturally at that. Throughout this story, Victor finds himself distraught, and displeased with his work on this being, so he decides to abandon the living creature. As time grows upon Victor, he realizes the damage he has done, not only to the angry, distraught Creature, but on society, and himself. The behaviors in this story range from positive and negative attitudes, and actions that display rage, from a sentimental
Over time, the name “Frankenstein” has become a reference to the green-skinned, lumbering monster in Mary Shelley’s novel, Frankenstein, rather than his creator Victor Frankenstein. However, this is not necessarily a careless mistake. Infact, if one were to define monstrosity as the voluntary separation of oneself from humanity through unnaturally evil behaviors, then the true monster of Mary Shelley’s novel, Frankenstein, would be Victor Frankenstein. Victor best fits this definition because, not only does he engage in malevolent behavior such as attempting to control nature, but the comparisons between him and his creation emphasize that he allowed his obsessions to strip him of his humanity. Also, Frankenstein and his creation had distinctly
Mary Shelley’s ‘Frankenstein’ explores the relationship between creator and being in a very complex manner and allows the reader to delve deep into the psyche of the purpose of their individual journeys. Victor deals with the problems he encounters in his life by fleeing and seeking alternatives instead of confronting them. His avoidance creates further problems once the Creature he created begins to seek him out. The Creature on the other hand is left with nothing; he has to seek understanding and solace by himself. They each have a need to fulfill something inside of them that is constantly fleeting, an acceptance that cannot be found in others. They give themselves to their passions without much contemplation or thoughts of consequence.
While Mary Shelley’s Frankenstein revolves around the quest for revealing new forms of knowledge and discovering innovative technology, another significant part of the book is the character's journey in trying to fulfill their innate desire for companionship. The novel features a crazed scientist named Victor Frankenstein who creates a living being from various dead human corpses in an attempt to become a god-like figure. Frankenstein’s creation presented a moral commitment of responsibility that a creator has over its creation. Frankenstein’s ignorance towards his responsibility as a creator left the disfigured creature alone to be ravaged by the evilness of humanity. The life of suffering that the creature faced due to his lack of emotional
By definition depression is the state if being sad or feelings of hopelessness and in adequacy. Depression is a major role in this writing and accompanies many characters throughout the book. The monster is a main victim of depression throughout the book because of lonesomeness and because he is tile that he is hideous many times. People would run away from the monster in feet that they would be killed or threatened and this would sadden and enrage the monster. Elizabeth is saddened for most of the book as well because Victor is at Ingolstadt for most of the book until word of William's death and Victor's father becoming sickly. Victor is also affected by depression and feels that he is responsible for the death of William and Justine.
Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996
Victor Frankenstein spent months in his laboratory constructing a monstrous figure from discarded human remains. When the crack of lightening on this particular night deemed Victor a father, he proudly accepted his fate. Victor dreamed of producing an offspring but Elizabeth’s infertility posed a problem for biological children. His desire to be a father could have been satisfied through adoption or a surrogate, but Victor’s interest in the creation of life lead him to take matters into his own hands. The months of Victor’s hard work had finally come to a head when the creature calmly sat up from the operating table and stared, with deep-yellow eyes, into the optics of his creator.