The Scarlet Letter, written by Nathaniel Hawthorne, portrays the adversities faced by Hester Prynne and Reverend Dimmesdale, and their struggles to overcome their sins of adultery. Hawthorne depicts the celestial Dimmesdale as a troubled minister with an uneasy conscience who struggles to cope with his wrongdoings. Dimmesdale is torn between whether to publically confess his wrongdoing with Hester and let the merciless Puritans decide his fate, or keep his secret hidden and let the guilt derived from his actions, along with the devil in Roger Chillingworth, destroy him both mentally and physically. Being divided between his love for Hester and his Puritan ideals, Dimmesdale’s advancement towards making amends for his sin of adultery is manifested in the three scaffold scenes throughout the novel.
The first scaffold scene depicts Hester’s public humiliation of her sin, and Dimmesdale’s lack of courage and troubled soul. In the first scaffold scene, Dimmesdale acts as Hester’s deceptive accuser, letting her stand alone on the scaffold for three hours while being ridiculed by the townspeople for an act they both committed. Dimmesdale charges Hester “to speak out the name of thy fellow-sinner and fellow-sufferer. Be not silent from any mistaken pity and tenderness for him” (Hawthorne 64). By directly speaking to Hester, Dimmesdale wants Hester to reveal his sin to the townspeople of Boston. Dimmesdale does not want Hester to pity him, and take all the blame for their wrongdoing because he does not want to live a sinful life full of hidden sin and guilt. Although Dimmesdale wants Hester to reveal his secret, he is relieved when Hester says “I will not speak...And my child must seek a heavenly Father; she shall never know an earthly ...
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... Dimmesdale, a minister with a troubled soul, regrets his actions and makes amends for his sin, allowing him to finally be free from guilt and suffering.
The scaffold, a place of public shame and humiliation, symbolizes Dimmesdale’s progression towards making amends for his actions, and obtaining salvation. Dimmesdale goes from being a religious and deceitful minister in the first scaffold scene to a humble and lowly individual by the end of the third scaffold scene, freeing himself from the guilt that has caused so much havoc on his life. Dimmesdale’s sin, which is manifested throughout the three scaffold scenes, symbolizes the major theme of the Scarlet Letter, which states that hidden sin will ultimately kill an individual if left unconfessed, and that the only way to achieve salvation is by publicly confessing one’s actions and making atonement with God.
In the book The Scarlet Letter, the character Reverend Dimmesdale, a very religious man, committed adultery, which was a sin in the Puritan community. Of course, this sin could not be committed alone. His partner was Hester Prynne. Hester was caught with the sinning only because she had a child named Pearl. Dimmesdale was broken down by Roger Chillinsworth, Hester Prynne’s real husband, and by his own self-guilt. Dimmesdale would later confess his sin and die on the scaffold. Dimmesdale was well known by the community and was looked up to by many religious people. But underneath his religious mask he is actually the worst sinner of them all. His sin was one of the greatest sins in a Puritan community. The sin would eat him alive from the inside out causing him to become weaker and weaker, until he could not stand it anymore. In a last show of strength he announces his sin to the world, but dies soon afterwards. In the beginning Dimmesdale is a weak, reserved man. Because of his sin his health regresses more and more as the book goes on, yet he tries to hide his sin beneath a religious mask. By the end of the book he comes forth and tells the truth, but because he had hidden the sin for so long he is unable to survive. Dimmesdale also adds suspense to the novel to keep the reader more interested in what Reverend Dimmesdale is hiding and his hidden secrets. Therefore Dimmesdale’s sin is the key focus of the book to keep the reader interested. Dimmesdale tries to cover up his sin by preaching to the town and becoming more committed to his preachings, but this only makes him feel guiltier. In the beginning of the story, Dimmesdale is described by these words; “His eloquence and religious fervor had already given earnest of high eminence in his profession.”(Hawthorne,44). This proves that the people of the town looked up to him because he acted very religious and he was the last person that anyone expected to sin. This is the reason that it was so hard for him to come out and tell the people the truth. Dimmesdale often tried to tell the people in a roundabout way when he said “…though he (Dimmesdale) were to step down from a high place, and stand there beside thee on thy pedestal of shame, yet better were it so, than to hide a guilty heart through life.
The first scaffold scene takes place in the very beginning of the story. Hester Prynne, a woman who has committed adultery and will not name the father of her child, is forced to stand upon the scaffold in shame for three hours in front of a crowd of people. Dimmesdale, who is later revealed as the father, openly denies his sin and even goes as far as telling Hester to "speak out the name of thy fellow-sinner and fellow-sufferer," in order to make sure that nobody suspects him. While the author doesn't make his guilt very obvious, he does give a few hints that suggest Dimmesdale does have some sort of hidden secret. In this scene, the Reverend shows his original strength of character, which he slowly loses over the course of the story.
Hawthorne uses the scaffold scenes to show how the presence of light and dark gives insight into the characters nature. In the first scaffold scene, Hester releases not only her guilt about her crime, but, she also releases Pearl to the society and creates in Pearl the need for strength and determination that she will need to overcome the legacy of her creation. In this scene she also creates the need in Dimmesdale to absolve himself of his guilt. The second scaffold scene is the opportunity for Dimmesdale to attempt to release his guilt from the first scaffold. However, Pearl creates a need in Dimmesdale to repent in front of the town. During the third scaffold scene, Dimmesdale is able to release his guilt about his crime and his lack of strength. He is also able to complete his obligation to accept the hands of Pearl and Hester on the platform from the second scaffold scene. Through his confession, he creates a sense of reality for the entire town. It can be clearly seen that what is created in the first scaffold is released in the second scaffold; while, the things created in the second scaffold are finally released in the third and final scaffold. The darkness during the second scaffold scene is covered in darkness, which display the symbols of reality and truth. There is another complexity to the scaffold scenes in the presence, or lack there of, of lighting. The first scaffold
In the first scaffold scene Hester Prynne is depicted standing alone while clutching her baby. She has been sentenced to the scaffold for three hours to face public condemnation. In the Puritan society, where this novel is set, public shame is a source of entertainment. On this occasion the townspeople are present to watch the judgment of Hester. As the townspeople are ridiculing her, the narrator is praising Hester for her untamed but lady like beauty (60-61). The narrator goes so far as to compare her to “Divine Maternity” or Mother Mary, the ideal woman, the woman that is looked highly upon by the whole Puritan society (63). However, the conditions are set up to show the change in Hester due to isolation and discredit of the Puritan society. Throughout this scene the Puritans are condemning Hester for her sin as the narrator is condemning the Puritans for their severity.
The Scaffold is not only a high view point the in market place but a site where one can see beyond the restraints of town and even time. For one person, " . . . the scaffold of the pillory was the point of view that revealed to Hester Prynne the entire track which she had been treading since her happy infancy (p65)". The experience of the scaffold has a profound effect on Hester. Living on the border between the town and the forest, she learns new freedom while seeing the conformist repression of the town. Hester sees what the townspeople ignore. She soon believes that because of her punishment on the scaffold and her perpetual reminder of it, the scarlet letter, she sees the sins of the entire townspeople and the hypocrisy of keeping them secret. Thus, her time on the scaffold has made her see the truth of the town and its lies.
At the beginning of the story, the scaffold “constituted a portion of a penal machine” (48) that completely disgraces the one punished, in this case Hester Prynn. We learn from the crowd that she committed adultery and that the scarlet letter she wore on her bosom is the embodiment of such sin. However, despite her fear of exposing her dishonor to the entire public, Hester showed an extreme amount of self control by hiding her continuous agony under an apparent elegance and beauty. Even when Hester recognized her husband, she did not show her anguish more than by inadvertently squeezing her child. On the other hand, Dimmesdale was completely craven in that scene. Instead of bearing the shame with Hester, since he was the father of the child, Dimmesdale stood high above the scaffold, on the side of “justice.” Although he appeared righteous when he prompted Hester to reveal the name of the other adulterer, his “frightened look” (59) and his “long respiration” (61) after Hester refused to talk betrayed Dimmesdale’s cowardice. Therefore, in this scene, sin was not onl...
The first scaffolding scene serves as a revelation to, I believe, everyone in the town. Hester’s crime surely must have touched somebody in the large crowd with a revelation of their own guilt. Shame for a past covered sin or perhaps contempt, as even contempt is a sin that should yield shame, for Hester, herself, was most likely felt in many of the townsfolk that day. Yet, the main revelations coming forth in this scene were brought forth by the realizations of the situations each character found his or herself presently in.
His committed adultery deteriorated his physical appearance and sickens him. Additionally, Dimmesdale begins to starve and beat himself, hoping that punishment will make him feel better or give him the courage to admit to his sins; however, he “could not purify” himself (141). He becomes more ascetic to redeem his sins but still finds the guilt manifesting in his heart. By including this allusion, Hawthorne shows that Dimmesdale wants to expose his sins, but does not have the bravery to do it. This changes at the Election Day Sermon when Reverend Dimmesdale calls to Hester and Pearl to stand on the platform together as a family. Hathorne sets this scene on the “pedestal of shame” where Hester first took the “agony” of Dimmesdale as well as her own to shelter her lover's reputation from the harsh opinions of the townspeople (67, 66). Seven years later, the pedestal is no longer the symbol of agony, but it has a “tender” and “slightly triumphant” aura to it (147). This parallels the change in Reverend Dimmesdale, as seven years ago he “hath not the courage” to admit to his sin and love for Hester on his own, while now he gladly reveals to all the townspeople that it is he who committed adultery with Hester so long ago (65). By his confession, Dimmesdale frees himself from the bonds of guilt that plagued him in the past and allowed
Reverend Arthur Dimmesdale, a petite character who gives compelling sermons and is a vital part of the Puritan community has a difficult time dealing with his duty to the church. The reader knows that Dimmesdale is the only one preventing himself from telling the community the truth, but he feels it will disrupt the society. Dimmesdale gets interrogated by Chillingworth, which leads him to physical and emotional trauma resulting in a heart condition that has a superficial meaning of his death later on in the novel. The real reason for his death is of a much deeper meaning it is because he has finally revealed his sin on the scaffold. We as readers do not know this for sure but we can infer it from context when the author sets the mood as he describes the scene “Pearl kissed his lips. A spell was broken” (Hawthorne 234). This scene is almost like a Disney movie in which a spell is broken. In this case it is a sin being lifted and a transformation unlike the frog prince but a transformation into death almost as if god rewarded him in an unconventional way for revealing...
...scourse” (77). Dimmesdale as well, was greatly affected by the environment and by what was going on around him. Dimmesdale was accepted by society, but because he was greatly praised for being a “miracle of holiness” (125) he became greatly burdened and guilty. He was in a dilemma of wanting to tell all the townspeople about what he had done, yet he could not due to the fear that was inside of him. This pushed him to punishments in which he inflicted upon himself and always thinking about the incident pushed him to his limits mentally-seeing visions of his dead parents and Hester as they point a condemning finger at him along with judgmental looks in their eyes (127).
Hester realizes what is going on between Dimmesdale and Chillingworth and gains permission from her husband to reveal his true identity to the minister. Dimmesdale is devastated by the news and agrees to flee Boston with Hester and Pearl. He will do anything to escape the hold that Chillingworth has on him. In the end, however, Dimmesdale realizes that he can only be rid of his tormentor by publicly acknowledging his guilt. At the end of the novel, on Election Day, Dimmesdale climbs the scaffold with Hester and Pearl again. This third scaffold scene is in the light of day and before a crowd. With his family at his side, Dimmesdale finally confesses his sin and shows the scarlet "A" on his chest. He then dies peacefully.
The town is all out to witness the punishment of Hester Prynne some of the women are suggesting other punishments and the women are telling us about Hester and Dimmesdale. People say," said another, "that the Reverend Master Dimmesdale, her godly pastor, takes it very grievously to heart that such a scandal should have come upon his congregation." (Page 49) Reverend Dimmesdale is seen as a godly man. A man who does not commit sin and in his own mind at this point he feels fine and does not have any guilt. Dimmesdale at this point in the novel is seen as godly and throughout the novel is seen as godly even at the end after the last scaffold scene. Consequently enough, Dimmesdale is trying to convince Hester to reveal the man who has sinned along with her , so the man can be relieved of his guilt, some what ironic because he is the man who has sinned along side with her. "What can thy silence do for him, except it tempt him--yea, compel him, as it were--to add hypocrisy to sin? Heaven hath granted thee an open ignominy, that thereby thou mayest work out an open triumph over the evil within thee and the sorrow without. Take heed how thou deniest to him--who, perchance, hath not the courage to grasp it for himself--the bitter, but wholesome, cup that is now presented to thy lips!" (Page 65) This is the first scaffold scene Reverend Arthur Dimmesdale is not showing any signs of guilt at this point, he is still fairly the same and has not began to inflict punishment on himself or so it appears. Dimmesdale in the first scaffold scene seems fairly normal and has not begun to transform himself but by the next time we see him at the scaffold he is taken a turn for the worst.
In Nathaniel Hawthorne’s The Scarlet Letter, Mr. Dimmesdale’s greatest fear is that the townspeople will find out about his sin of adultery with Hester Prynne. Mr. Dimmesdale fears that his soul could not take the shame of such a disclosure, as he is an important moral figure in society. However, in not confessing his sin to the public, he suffers through the guilt of his sin, a pain which is exacerbated by the tortures of Roger Chillingworth. Though he consistently chooses guilt over shame, Mr. Dimmesdale goes through a much more painful experience than Hester, who endured the public shame of the scarlet letter. Mr. Dimmesdale’s guilt is much more damaging to his soul than any shame that he might have endured.
Hester and Dimmesdale’s affair goes undiscovered until Hester is pregnant and bears a child without having her husband present. As her punishment, Hester is forced to stand on the scaffold in the middle of the market place, with an A on her chest. Dimmesdale has not told a single person that he is the adulterer. He sits in the balcony with the Governor, a judge, a general, and the rest of the ministers, watching the display, without any expression or emotion. Hester and Pearl go to the Governor’s home to deliver a pair of gloves, but more importantly to inquire about the possibility of the government taking away her child. Also there with Governor Bellingham are Pastor Wilson, Reverend Dimmesdale and Roger Chillingworth. After Mr. Wilson asks Pearl a few questions, the Governor decides that Hester is unfit as a mother and that the child would be better off in the hands of the church. Hester begs Dimmesdale, whom she says knows everything about her and has charge of her soul, to speak for her. Therefore, he does, convincing the Governor to let Hester keep Pearl. This is Dimmesdale’s first step to becoming the moral blossom. Late at night, a few years after the previous incident, Dimmesdale takes a walk through the town. He climbs onto the scaffold and pretends to confess; though there is no one out at this time at night. Hester and Pearl, on their way home, pass Dimmesdale on the scaffold. Dimmesdale calls out to them and they join him, standing hand in hand in the darkness. Dimmesdale has begun the road to confession by acknowledging Hester and Pearl and by acting out confession. Now he feels guiltier than ever.
Elizabeth Kubler-Ross once said, “Guilt is perhaps the most painful companion of death.” This quote truly captures Dimmesdale’s death and journey to death, it is guilt that drives him to the grave and it accompanies him throughout all five grieving stages. Dimmesdale is one of many characters in The Scarlet Letter that is faced with problems both personally and spiritually. The Scarlet Letter by Nathaniel Hawthorne is a romantic novel about a young woman, Hester Prynne, who is permanently marked with her sin by a scarlet A she must bare on her chest and also by her daughter Pearl. Hester committed adultery with the young minister of Boston, Arthur Dimmesdale. Hester, and her beloved child Pearl, learn to over come the A and change the meaning of it from adulterer to able, while they are changing the way society views them, Dimmesdale is withering away under the “care” of Rodger Chillingworth, Hester’s past husband. Chillingworth knows about the sin and seeks revenge on Dimmesdale. Dimmesdale is helpless and in a downward spiral. He let the sin become who he is, even though the towns people don’t know of his adultery until his dying breath. The Scarlet Letter is a story about overcoming the darkness that hangs above you and stepping out of the sin or gloom that controls you. For characters like Hester this is a fairly easy thing to handle, but on the flip side characters like Dimmesdale struggle and can not seem to escape their heinous acts and don’t find peace of mind until they die. The Scarlet Letter mainly focuses on the process of overcoming these troubling times and how each individual character handles the pressure, stress, and guilt that come along with it differently. Arthur Dimmesdale is a lost soul after his sin, he expe...