In Szarkowski’s essay ‘The Photographer’s Eye’, he discusses how photography has taught us to see from the unexpected vantage point, as well as how ‘photography’s ability to challenge and reject our schematized notions of reality is still fresh’ (Szarkowski. 1966. Page 11). When thinking about vantage point myself, two very different ideas of this characteristic of photography came to mind, which I will discuss and compare in this essay. Firstly, perhaps the more obvious, was the concept of where a photograph is taken from, for example looking at a subject or scene from a position that allows the photographer a favourable view. A very literal approach.
Therefore I decided to think more about how Szarkowski said photography teaches us to see from the unexpected vantage point, and on a visit to the V&A Museum I found Fred Zinnemann’s photograph ‘Empire State Building from the Subway’ (1950) which I think begins to address this idea; the photograph certainly shows an unexpected position for the artist to have photographed the subject from. With the title of the image being ‘Empire State Building’, this surely suggests that Zinnemann intended this to be the main subject and focus point for the viewer, making the position that the artist chose to photograph from very interesting. The empire state building itself is actually set in the background of the image, allowing the viewer to take in the maybe unconventional framing of it, notably the blacked out railings of the subway that are so prominent. Whether Zinnemann intended this or not, I think the vantage point in this image allows for the viewer to relate to the scene more, as it is from a perspective that they could see everyday, when at the same time I feel it also directs the v...
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...Brooklyn Family going for a Sunday Outing. [photograph] (Tate Modern Collection)
Zinnemann, F., 1950. Empire State Building from the Subway [image online]. Available at: http://www.mutualart.com/Artwork/Empire-State-Building-from-the-Subway--c/AD8E090F77375033 [Accessed January 2012].
Calle, S., 1981. The Hotel, Room 47 [image online]. Available at: http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=26559&searchid=10437&tabview=image [Accessed January 2012].
Arbus, D., 1970. Jewish Giant at Home with His Parents in the Bronx [image online]. Available at: http://masters-of-photography.com/A/arbus/arbus_jewish_giant_full.html [Accessed January 2012].
Arbus, D., 1966. A Young Brooklyn Family going for a Sunday Outing [image online]. Available at: http://www.studio-international.co.uk/studio-images/arbus/82364761_b.asp [Accessed January 2012].
In the years between 1933 and 1945, Germany was engulfed by the rise of a powerful new regime and the eventual spoils of war. During this period, Hitler's quest for racial purification turned Germany not only at odds with itself, but with the rest of the world. Photography as an art and as a business became a regulated and potent force in the fight for Aryan domination, Nazi influence, and anti-Semitism. Whether such images were used to promote Nazi ideology, document the Holocaust, or scare Germany's citizens into accepting their own changing country, the effect of this photography provides enormous insight into the true stories and lives of the people most affected by Hitler's racism. In fact, this photography has become so widespread in our understanding and teaching of the Holocaust that often other factors involved in the Nazi's racial policy have been undervalued in our history textbooks-especially the attempt by Nazi Germany to establish the Nordic Aryans as a master race through the Lebensborn experiment, a breeding and adoption program designed to eliminate racial imperfections.
of “the dizzying hustle of Eighth Avenue” or the Empire State Building (4). We can
Schaaf, Larry J. Out of the Shadows: Herschel, Talbot & the Invention of Photography. New Haven and London: Yale University Press. 1992.
Against a bleak backdrop, U.S troops stand thrusting an American flag into the grey skies. The shards of wreckage at their feet speak of the arduous journey these soldiers had taken to reach the summit of the mountain. Despite the grim setting on the ground, the American flag waves on in a perfect manner swaying along with the wind gusts. As a photograph taken by Joe Rosenthal in 1945, this image of U.S troops raising a flag in Iwo Jima during World War II served as a symbol of hope and victory for the American public during the gruesome end to war. The photograph earned Rosenthal a Pulitzer Prize, and showed the extant of the power of a photograph to elicit emotion from an audience. These emotions have the ability to affect ones’ perception towards what the photograph is depicting. However, if these photographs can produce an emotional response, is it possible for them to steer the perception of the audience in a desired direction? If so, is there a way for one to sift through the possible propaganda?
“ The paintings of Filippo Lippi are frequently characterized by two features: an interest in minimizing the divide between world, image and the presence of humor, both bodily and representational. Although these two aspects of Lippi's art might initially seem unconnected, this paper suggests that both can be associated with the use of scientific perspective. Lippi's spatial concerns can be understood as a reaction to the distancing of the iconic image that accompanied the invention of perspective.”
way to go. In another shot of the New York skyline it is behind a
I believe that in able to see the world we should photograph life at a certain moment in time so we can capture reality, and able to look back at it. Susan Sontag expresses, “Although there is a sense which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are” (Sontag 6). Interpreting this quote can go a different way such as, that the photographer is capturing the world by the lenses, not the eyes. I believe that if we’re experiencing the world through the lenses, or rather
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
Liss, Andrea. Tresspassing Through Shadows: Memory Photography & The Holocaust. Minnesota: University of Minnesota Press, 1998.
Despite a blurry vision and a splitting headache, I got up and saw where I was. I perceived that my nose was mashed and my face was bloodstained. I was at the observatory of the Empire state building. The truth, startled me. New York was stuck in a swamp of mechanization. Stretching across were flying cars, transformers, teleports, air stations, all that I had envisioned New York to be.
The world that Robert Jordan weaves is very different from any that I have ever read about, the book has a great “new” feel to it that excites me. When an individual has read as many fictional books as I, you think you’ve seen it all. When a book appears that proves you wrong, it’s one of the few instances when you are joyous to be wrong. The Eye Of The World happens to be one of those books, it still has the same we have to run from the bad guys kind of book, but we don't like to talk about that, the nugget that makes The Eye Of The World special is the ideology of “The Wheel Of Time”.
What do you consider art? Paintings, sculptures, drawings, or maybe something else. I know, when I think of art, I think of photography. Photography Is used for business, science, manufacturing, art, recreational purposes, mass communication, and more. Photography is using light to do amazing things, and some people think of photography as a story that just needs to be told. Ansel Adams probably believed this. He said, “You don’t take a photograph, you make it.” Photography has a long interesting history, like the fact that the word photography is made up of two greek words, photos meaning ‘light’ and graphein which is ‘to draw’ ! Photography also has some complicated techniques to get a hang of taking good photos. Have you heard of the rule of thirds? Or do you know how a camera works? Well, that will all be explained. Maybe, by the end you will take up photography too. This essay will explore the history and types of cameras and the basic rules for taking photographs.
Have you ever wondered why the sky is blue. Often times I find myself looking up on a clear day, pondering over that question? Why isn’t it green, or red or pink for even that matter. Every day, the human eye blinks more than 23,00 times. The human eye is a complicated organ that performs one of the most important tasks for our body. There are many questions about the eye however. What function do they perform? What happens if we don’t take care of them? How exactly do they work together to help us form images? Exactly how far can they human eye see?
The Eye is the organ of sight. Eyes enable people to perform daily tasks and to learn about the world that surrounds them. Sight, or vision, is a rapidly occurring process that involves continuous interaction between the eye, the nervous system, and the brain. When someone looks at an object, what he/she is really seeing is the light that the object reflects, or gives off.
Human eyes are perhaps the most crucial organs among the five body senses. Eyes serve a wide range of purpose to the human being but the most important is the fact that they are the link between an individual and his or her surroundings. A person’s self-awareness to their immediate environment is supported by the use of eyes, marking how essential they are to us. Magnificent scenes like the graceful lines of snow capped mountains, the lush prairies, the meandering rivers, the vast infinite oceans, and all other fabulous man made iconic structures, can only be aesthetically absorbed and artistically appreciated through our eyes. In addition, the entertainment content in media relayed through films and television, Internet games and books.