In C.S. Lewis’s The Lion, the Witch, and the Wardrobe, Lewis emphasizes the three points of philosophy, themes, and symbolism throughout his writing. Lewis was a strong Christian man, and wanted to make children see and understand all the stories of the Bible. Therefore, he put Christian elements through his books, but with fantasy characters as well. Especially in this story, Lewis conveys the differences between good and evil. Aslan is represented as Christ just as the White Witch represents the sense of evil. Lewis wrote several books in this Narnia series, but The Lion, the Witch, and the Wardrobe became the most famous and recognized of his novels.
C.S. Lewis became one of the most prominent Christian writers in contemporary British society, not only because of his devotion to Christ, but also because his stories were so outstanding (Hitchens). Lewis wrote both fantasy and Christian books, which were both connected to each other in their own way. He used Christian elements to write fantasy stories, and vice versa (Langford). When he began to write The Lion, the Witch, and the Wardrobe, he placed the story with four children that had to move out of their own house during the air raids (Hannay). In chapter one, the book tells us: “This story is about something that happened to them when they were sent away from London during the war because of air-raids. They were sent to the house of an old Professor who lived in the heart of the country, ten miles from the nearest post office. He had no wife and he lived in a very large house with a housekeeper called Mrs. Macready and three servants” (Lewis 1). When the actual adventure begins, one of the four children entered the wardrobe’s doors while playing hide and seek with her sibl...
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...oit: Gale, 2005. Literature Resources from Gale. Web. 12 Jan. 2012
Patterson, Nancy-Lou. "Always Winter and Never Christmas: Symbols of Time in Lewis' Chronicles of Narnia." Mythlore 18.1 (Autumn 1991): 10-14. Rpt. in Children's Literature Review. Ed. Tom Burns. Vol. 109. Detroit: Gale, 2005. Literature Resources from Gale. Web. 12 Jan. 2012.
Pietrusz, Jim. "Rites of Passage: The Chronicles of Narnia and the Seven Sacraments." Mythlore 14.4 (Summer 1988): 61-63. Rpt. in Children's Literature Review. Ed. Tom Burns. Vol. 109. Detroit: Gale, 2005. Literature Resources from Gale. Web. 12 Jan. 2012.
Walsh, Chad. "The Parallel World of Narnia." The Literary Legacy of C. S. Lewis. New York, N.Y.: Harcourt Brace Jonavich, 1979. 123-157. Rpt. in Children's Literature Review. Ed. Tom Burns. Vol. 109. Detroit: Gale, 2005. Literature Resources from Gale. Web. 12 Jan. 2012.
...e, is the end; Despite all the odds Lewis highlighted important truths of Christian faith through the story of a demon who is not good at being a demon. Wormwood’s helper shows us those truths in thirty-one irrational letters. A message of light brought forth through darkness.
...ary children stumbled across a land where christianity has been eradicated (symbolized by the removal of Christmas, Christmas being a christian holiday and a celebration of the birth of Christ) and with the help of a thinly-veiled religious figure they once again restored it to the land.
Dr. Don W. King wrote "Narnia and the Seven Deadly Sins," an article stating that each of the seven stories of Narnia represent one of the seven deadly sins. In his article, King stated that the novel The Lion, The Witch, and The Wardrobe could easily be found to represent the sin gluttony. Many quotes from the text can be used to show that all or most of the seven deadly sins can be directly represented as well.
...So Does Season- Seasons in literature can mean different thing. The spring means rebirth and innocents, summer means passion, love and adulthood, fall means aging and sadness, and winter means old and death. In the movie the chronicles of Narnia it is always winter but never Christmas. Narnia is a dark and cold and gives us a sense of evil but when it's spring time, we get a sense of
The Voyage of the Dawn Treader By: C.S. Lewis There are three main characters in the story, Edmund, Lucy, and Eustace. Lucy and Edmund are brothers and sisters and Eustace is their cousin. Edmund is a young teenager, very smart and very kind.
Downing, David C. Into the Wardrobe: C. S. Lewis and the Narnia Chronicles. San Francisco, Jossey-Bass, 2005.
The Lion, The Witch, and The Wardrobe - C.S. Lewis The main characters in this story are Peter, Susan, Edmund, and Lucy. During a war in London they were sent to a professor's house outside London. Lucy, while exploring with her brothers and sister, found a secret passage through the wardrobe to Naria,a secret world. In Naria there are other characters. One of them is the White Witch,also known as the Queen of Naria, who was like a tyrant.
The land of Narnia is a place where something as simple as a wardrobe is the key to something as magical as Narnia. In C.S Lewis’s The Lion, the Witch and the Wardrobe, four children go on an adventure of a lifetime. The main characters are Peter, Susan, Edmund, and Lucy, are siblings that travel to Narnia as the Sons of Adam and the Daughters of Eve. There is controversy whether or not the book is well-suited for children. Lewis uses different literary techniques including character development, animal personification, and censorship to help make the book more appropriate for children.
In The Chronicles of Narnia, C.S. Lewis introduces us to a great and powerful lion named Aslan. C.S. Lewis is quoted in saying, “He is an invention giving an imaginary answer to the question, ‘What might Christ become like if there really were a world like Narnia, and He chose to be incarnate and die and rise again in that world as He actually has done in ours?”(Snyder and Baehr). Aslan is, according to Mr. Beaver in The Lion, the Witch, and the Wardrobe, “He’s the Lord of the whole wood……………I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea” (Lewis 78-79 LWW). Aslan is interpreted in the series by many as a Jesus Christ-like figure. The actions that he does and the words that he says would confirm that interpretation for most people. In the very beginning of Narnia there was nothing, just darkness. Then Aslan appeared and created the whole world of Narnia; the plants, the water, and the animals. Also, Aslan picks two animals of the same species (one male and one female) and gives them the power to be talking animals (Lewis 104-125). In The Voyage of the Dawn Treader, when Lucy and Edmund Pevensie have to go back to earth Aslan tells them that he will be there also. “It isn’t Narnia, you know,” sobbed Lucy. “It’s you. We shan’t meet you the...
The work of C.S. Lewis and J.K. Rowling is of grave vital on the grounds that their work portrays actuality as well as adds to it. Yes, their work is not just a portrayal of actuality; it is somewhat a quality expansion. Their meeting expectations are depictions of the reasoning examples and social standards pervasive commonly. They are a delineation of the diverse features of regular man's existence. Their works serves as a something worth mulling over and a tonic for creative energy and innovativeness. Lying open a single person to great artistic lives up to expectations, is proportional to giving him/her the finest of instructive chances.
If you’ve read The Lion, the Witch, and the Wardrobe, have you ever wondered how wildly popular it is? It is so popular it “has sold over 100 million copies and has been published in 47 languages…” (101books.net). The book is about a group of children who get too curious and end up in a whole new world filled with allegories to the bible, both good and evil. When Clive Staples Lewis wrote the book, he didn’t intend to make it an allegory, according to his biography. He was so religious that it flowed into his work, as it did with most of his other books. In the novel, Lewis uses Edmund eating the Turkish Delight to show gluttony, Aslan dying for the sinner like Jesus, and Aslan’s resurrection
The Narnia Chronicles have already established themselves as timeless works of literature. They appeal to both the atheists and the God-fearing, to both the uneducated and to scholars; to children and adults. An understanding of the Biblical allegory in these books is not essential to their appreciation. A critical analysis of these works, however, does allow the reader to more fully appreciate Lewis' unique gift to simplify complex narratives and craft beautiful children's fantasies. This, in turn, allows the reader to gain both a deeper understanding of Lewis as a skilled creative writer, and a deeper satisfaction of his art. To be able to appreciate C.S. Lewis as such an artisan can only add to one's enjoyment of his works.
The wardrobe is significant for several other reasons. First, one cannot reach Narnia if he or she is seeking to either prove or disprove its existence. When Lucy brings her siblings to the wardrobe with the express goal of proving Narnia's existence, t...
Within The Lion, the Witch, and the Wardrobe, C. S. Lewis creates a question in the reader's mind on whether or not the story was meant to symbolize a Christian allegory. Throughout the story, Lewis utilizes the use of symbolism through his characters, their actions, and the places they travel. All of the main characters in the novel symbolize something within the Holy Bible. The Pevensie children are evacuated from war-torn London and sent to live in the country with Professor Kirke, an eccentric old man. While playing hide and seek on a rainy day, Lucy, the youngest Pevensie, discovers a colossal wardrobe in an empty room. She decides to hide inside, but "she had, of course, left the door open, for she knew that it is a very silly thing to shut oneself into a wardrobe" (The Lion, the Witch, and the Wardrobe, Lewis, 7). She discovers that the wardrobe has no ending and it leads to a world full of snow and strange creatures. Lucy meets a faun, Mr. Tumnus, and she follows him back to his home. Mr. Tumnus confesses that he is a servant of the White Witch, Queen Jadis. He states, "I had orders from the White Witch that if I ever saw a Son of Adam or a Daughter of Eve in the wood, I was to catch them and hand them over to her" (Lewis, 21). This is when the reader sees the first sign of symbolism. Lucy is extremely trusting. She represents children and their absolute innocence. When she enters back into the real world, she starts yelling that she is back and she is alright. However, her siblings have no idea what she is talking about. After they hear her story, the three eldest Pevensie children f...
In conclusion, C.S Lewis symbolizes good and evil into his characters. The good one would be Aslan and the bad one would be the White Witch. They embody their role with characterization. This can be shown with the description of the two characters. Aslan is pure of heart and powerful and the Witch is cruel and terrifying. Also, their actions are key facts to demonstrate their chosen side. Aslan is always doing beneficial action for others, instead of the Witch that wants more and more power, willing to destroy life to achieve her goals. Through this book, the two opposite characters are really well explained and analysed.