Frankenstein: the Modern Prometheus by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson both show Freud’s ideas of Id, Ego and Superego as well as of innate desire. Frankenstein: the Modern Prometheus shows Freud's stages of psychosexual development. Collectively both novels should be considered Freudian through these ideas. Jekyll and Hyde works as a symbolic portrayal of the goodness and evil that resides in equal measure within the soul of a man. It pre-empted Freudian psychoanalysis by twenty-five years and yet is similar to some of his theories. In Frankenstein both the monster and Victor exemplify Freud’s developmental stages.
According to Sigmund Freud's psychoanalytic theory of personality, personality is composed of three elements. The three elements are the Id, Ego, and Superego and they work together to create complex human behaviors. Freud believed that human beings are powerfully influenced by impulses of which they are not aware of. Dr. Jekyll: a law-abiding doctor, who was raised and who lived like a nature and religion lover in its true perspective was the good character. Mr. Hyde was evil unleashed, and in that he goes to slums and does criminal acts and even commits murder without fear of any apprehension Hyde represented Dr. Jekylls subconscious desire to be freed from his society’s restrictions. These desires come from within man and they represent the Id in Freud’s theory. Mr. Hyde is the outlet for Dr. Jekyll to express his primal desires. Dr. Jekyll learns to give into his inner desires when he is transformed into Hyde. The rational, controlled, civilized part of Jekyll attempts to repress the Id, and make Hyde controllable. Jekyll even states
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...ies and have the same defects. This being you must create.'" (Shelley 129). Here he begs Victor to make him a female companion. Victor after realizing some of the possibilities of creating another monster stops his work. The child meets the conflict between the parent's demands and the child's desires and physical capabilities in one of two ways: Either he puts up a fight or he simply refuses to go. In this case the monster will put up a fight and Victor will suffer.
Frankenstein: the Modern Prometheus by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson both show Freud’s ideas of Id, Ego and Superego as well as of innate desire. Frankenstein: the Modern Prometheus also shows Freud's stages of psychosexual development. Both stories exemplify and support many of Freud’s ideas and therefore should be considered Freudian.
As Jekyll reached adult hood, he found himself living a dual life. He had become more curious in discovering his other side. Jekyll insists, “Man is not truly one, but truly two” (125). This eventually led Jekyll into the scientific interests of separating his good and evil side, and he finds a chemical concoction that transforms him into a more wicked man, Edward Hyde. At first, Hyde was of pure impulse, but in the end, he became dominate and took control over Jekyll. Jekyll had never intended to hurt anyone, but he was aware that something could potentially go wrong. Jekyll presumes, “I knew well that I risked death, for any drug that so potently shook the very fortress of identity… utterly blot that immaterial tabernacle which I looked to it to change” (127-129). One could say this makes Jekyll equally as menacing as Hyde. Jekyll couldn’t control the imbalance between the two natures. Jekyll foolishly allowed his evil side to flourish and become stronger. This is shown when Jekyll has awoken to find that he has turned into Hyde without taking the solution. Jekyll says, “But the hand in which I now saw, clearly enough in the yellow light of a mid- London morning…It was the hand of Edward Hyde” (139).
Frankenstein or the Modern Prometheus by Mary Shelley is a classic novel. Frankenstein is about a man named Victor Frankenstein who set out on a quest after his mother died. His quest was to reanimate a body to learn how to maybe bring back his mother. After years of work and isolation Victor succeeded, but was horrified by his creation. After rejecting his creation the monster swore vengeance. For the rest of the novel the monster haunts Victor, by killing his loved ones and in some cases trying to force Victor into creating another monster. Victor Frankenstein; A young Swiss boy, he grows up in Geneva reading the works of the ancient and outdated alchemists, a background that serves him ill when he attends university at Ingolstadt. There
Jekyll. Hyde commits acts of murder and assault yet can be seen as Dr. Jekyll’s id or deep desires. By trying to separate good and bad . Dr. Jekyll passed scientific and social borders to isolate his personality. In doing so, he lost control of who he wanted to be. As a last resort he created a poisonous potion that Hyde drank and died through act of suicide. Dr. Jekyll although not working with anyone took matters in his own hands which makes him seem like an outlaw hero. He did not turn himself into the police when he had control. However, Dr. Jekyll seems to have qualities of a official hero in his maturity in handling the situation. He knows how evil his alter ego is, so he isolates himself from others as a safety precaution. Jekyll tries to live a normal life, but is unable to. His status as a well distinguished doctor and sociability skills with his
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.
One of the major ideas presented in Jekyll and Hyde is the need for both good and evil to live in coexistence within an individual’s conscience. Jekyll’s experiments prove that a balance between the two sides of nature is crucial to be content in the world. He realizes that the only reason he is able to be one of the two sides of his nature is because he has the capacity to be either as long as both are present within him. He makes this clear in the quote, “I saw that, of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both” (125). Jekyll aims to segregate his good side from his bad side. He begins on his endeavor to create a potion that creates an entirely new identity for the evil element of his nature named Mr. Hyde. Jekyll is pleased with himself and feels that he has been successful in his undertaking. He maintains this happiness until Hyde begins to commit unspeakable crimes without Jekyll’s rationality and sense of morality to temper him. Jekyll becomes miserable trying to contend with his evil counterpart and it is then that Stevenson’s message is evident. It is difficult to maintain true happiness without both sides of nature present within one’s conscience to balance each other out and to coexist.
Freud developed his theory from interactions with his neurotic patients and his own psychological experiences. He classifies an obsessional neurotic is classified as one who if “aware of impulses in [himself] which appear very strange,” is “led to actions, the performance of which, give him no enjoyment, but which it is quite impossible for [him] to omit” (Freud Abstracts 2). In Frankenstein’s ...
Frankenstein is among one of the most iconic novels written during the early 19th Century. This novel was written by a distinguished Mary Shelley and first published in the year 1818. Shelley’s story is considered to written before its time as it challenged many themes and ideas of humanism, natural science, ambition, abortion, etc. The novel itself sparked many controversies and debates as numerous different topics are challenged and discussed throughout the novel. Shelley flawlessly executes the story as she writes in a dramatic gothic drama tone and allows the reader to step into different views of the story by changing perspectives.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Henry Jekyll’s innermost vices, but since he held himself to an extremely high standard of moral excellence, he needed to find another way of releasing. He creates Hyde as his way of getting these primal urges out. During this time period, the focus on reputation and credibility was huge, and this is how men were judged. He had many urges that he was internally repressing, as a result of existing in the Victorian era, which was well known for how incredibly stuffy and repressed it was. Jekyll was widely respected in the community as a doctor and he had many friends, so it is understandable that he didn’t want to lose his reputation, which came first for men of his social standing in this time period. He went to great lengths to create and cover for Hyde, including renting a place for Hyde to live, and making a bank account for his alter ego. The creation of Hyde turns out to be way more sinister than Jekyll initially imagined. Hyde’s own name is a pun, as he is the part of Jekyll that he must keep hidden away for fear of
The novel Frankenstein; or, The Modern Prometheus by Mary Shelley has become the source of inspiration for many critiques in the recent decades. This novel is traditionally regarded as the classical work of the Age of Enlightenment, that shares all major characteristics of the time. Though, the contemporary literary discourse can be called more identity centered and Frankenstein by Mary Shelley is often analyzed from the feminist and from the biographical point of view.
In Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, the dual nature of man is a main theme. Jekyll says: "Man is not /truly one, but truly two"(125), meaning all people have both a good and a bad side. Dr. Jekyll creates a potion to fully separate good and evil, but instead it awakens a dormant character, Mr. Hyde. Throughout the novel, Stevenson uses society, control, and symbolism to tell the reader about human nature.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992