The Ever-Changing Culture of Country Music Bruce Feiler, a native Southerner from Savannah, Georgia, is adamant about the significance of country music in the United States. He believes that the culture of country music has changed from its original foundation of "drinkin', cheatin' and truck drivin'" to a more conservative base that concentrates on the values of the powerful middle-class suburbanites (Feiler 430). By examining the culture of the stereotyped genre, Feiler observes the similarities and discrepancies between it and the general culture of the United States. He helps prove that not only has the culture of country music established values to which the American people can relate, but that mainstream America has adopted much of the culture that it once found so backward. Because of country music's humble beginnings in the farmland of the South, it has seen an unfair amount of criticism by non-listeners since its creation in the 1890s. The style began "out of an eclectic array of sources including Irish and Scottish string music, Mississippi blues and Christian hymns" (Feiler 424). Through country music, blacks and whites united in a rural, working-class bond that helped to push the music into the "1920s as one format for the newly emerging radio and phonograph markets" (Marks). Before that time, the creators of country hid their culture away in "the mountains of Appalachia, the fields of the South and the deserts of the cowboy West" (Feiler 422). As a result, the popular culture of the United States labeled the country music scene as an unacceptable outcast. Feiler quotes Lon Helton, country editor of the publication Radio and Records, as saying, "You had to convince people that country music didn't cause cancer. P... ... middle of paper ... ...s on "sex, drugs, and other forms of license" by offering morality in "tales of love, heartache, family ties and middle-aged renewal" (Feiler 426). So, whether the music has conformed to values of the people or the people have realized the need for country values in their lives, the result is the same: the country music culture has paralleled the changing culture of America, and that bond will now be difficult to break. Works Cited Feiler, Bruce. "Gone Country." The Presence of Others. Eds. Andrea Lunsford and John Ruszkiewicz. Boston: St. Martin's, 2000. 422-432. Marks, John. "Breaking a Color Line, Song by Song." U.S. News Online. 12 April 1999. . Zubiate, Michelle. "Country Music Blazes New Territory." Daily Bruin Online. 27 September 1999. .
Times have changed, and along with the times so has country music. American country music lovers have went from Loretta Lynn and Waylon Jennings, just two of the many classic oldies, to Carrie Underwood and Luke Bryan, two very appealing country music artists. However, it is not only the tune of the music that has changed, it is the image, the appeal, and overall the type of icons the media is portraying these modern music stars as. Icons such as Lynn and Jennings had identifiable features within their music as well as their appearance that spoke sweet southern belle and rugged twang. Whereas Underwood’s and Bryan’s appeal now is much more sexualized than it was during the oldies. These changes affect the way modern day singers are marketed compared to former country music stars, instead of focusing on talent it is now looks.
At the end of the day, racism and prejudice will always exist in some form for whatever reason is most convenient. Additionally, it’s not as if fans of country music are all raging bigots who dream of segregation and a return to slavery-driven southern values. After all, there are plenty of ‘southern pride’ songs that don’t feature race, nativism, and are beloved by most without an ulterior message that is appreciated by Stormfront. After all, Lynyrd Skynyrd’s Sweet Home Alabama features anti-segregation lyrics. Charlie Daniels Band wrote and performed The Devil Went Down to Georgia, lyrically referencing the south as far as Georgia by name alone. Yet both of these are hailed as quintessentially southern pride songs, meaning that southern pride isn’t the same as white pride. The reason the comparison matters, then, is because there is a significant overlap between the two. It is certainly possible to enjoy country music without wishing for a return to Aryan values, and the majority of country music doesn’t advocate it. But enough popular songs feature nativism as a theme to the point that it shouldn’t be ignored. There is a tangible connection between Southern Pride and nativism through music, and a definite connection between nativism and the White Pride movement. Music connects people and spreads ideas; culturally relevant music tends to stay around for a lifetime. Music has power, and the power of hate music is not one that should be
Werner, Craig Hansen. 2006. A change is gonna come: music, race & the soul of America. Ann Arbor: University of Michigan Press.
Many Americans believed that rock n’ roll was an irritant that provoked conflict between parents and teenagers and increased antisocial behavior. Acknowledging that there was no simple, casual equation between enjoying Elvis and arranging a rumble, they remained convinced that rock n’ roll reinforced the most worrisome aspects of youth culture. Because films displayed nudity, teenagers were introduced to various sexual activities displayed on the television.
Country music, as we know it today, was first called “Hillbilly music”. The name “Country” was not widely used until around the 1950s. The creation of this Hillbilly music, very much like American culture, was influenced from many different cultures and styles of music.
For many Americans, country isn’t just a type of music. It’s a lifestyle. From sippin’ sweet tea on the porch, drinking beer at a tailgate or driving a pick up down the backroads, country music has made its way into the hearts and minds of many Americans. It is one of the only truly home grown American art forms. Its relatability and wide appeal has made country music one of the most commercially successful and popular genres in the United States. Using the work of scholars Tichi, Pecknold, and Ellison, I will show how country music grew from its rural southern roots into an integral part of American culture.
Lewis, George H. “Lap Dancer or Hillbilly Deluxe? The Cultural Constructions of Modern Country Music”. Journal of Popular Culture, Winter 97, Vol. 31 Issue 3, p163-173, 11p
Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press.
Country music was brought over by the first European settlers. In medieval times, storytelling was a tradition that allowed history to be recorded when few were able to read and write. When the first British settlers came to America, they brought this tradition with them, along with songs that they had learned in Europe. The people who settled the Appalachian Mountains and the West did not have an easy life and their music gave them an outlet to express their hardships.
Ryan, John. “The Seventh Stream: The emergency of rock n roll in American popular music,” (Book reviews) Social Forces (1994): March, p. 927. Star, Alexander. “Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music” (book reviews)
Percival Everett’s “The Appropriation of Cultures” (2004), demonstrates the power of a symbol and the meanings that it can carry. In the story, Daniel Barkley is a highly accomplished African American man who graduated from Brown and frequently plays guitar near the campus of The University of South Carolina. From the beginning of the story, Barkley exposes a distinct independent personality that isn’t afraid to break stereotypes or labels. The first scene describes an instance in a bar where white fraternity boys were challenging Barkley to play ‘Dixie’ for them. Instead of refusing, like most would have done, he instead begins to play and take ownership of the song. Later in the story, Barkley decides to purchase a truck with a giant confederate flag decal in the back. Despite the strange stares and confusion
Music is an outlet to all aspects of life and culture is a significant way of forming people and the way they live. Although not always seen directly culture has an overbearing influence on the music that is produced and made popular. The political Climate of the early seventies was full of fire with issues such as Vietnam and constant protest throughout the county. Later in the 70’s the end of the Vietnamese conflict brought the rise of the Watergate scandal and Iran Contra. These issues swept headlines and ingrained people’s thoughts. Social issues also played a big role in the developing culture of the seventies. Protests and constant outbreaks about gay rights and women’s rights seemed to overtake the country in storm. Later in the Decade the social climate changed to a celebration of the Past and a can-do attitude. Political and Social climates had an overbearing influence on the attitude that was being developed throughout the seventies. This climate was also transparent in the music world of this decade. In the early 70’s music lyrics were being created that were representative of the popular method of protest and social change. Music is a common way of expression and during this time artist and groups took the most of their popular music by expressing viewpoints on present issues. In the mid to late seventies the birth of new styles that broke from the old seemed to dominate the music industry. These new types of music ranged from disco to television pop. The music of the decade represented the culture and was greatly influenced by events and beliefs of the 70’s. At this time in American history, music and life became closely nit. In the late 1970’s, national issues settl...
In closing, the undoubtable influence of music, more specifically of Rock ‘n’ Roll on American society is responsible for a number of changes to the status quo. These range from sexual liberation and racial desegregation all culminating with other influences to create an intergenerational identity. Despite the desperate attempts of older generations to smother these influences, these changes ultimately shaped the years that followed, molding the country into what it is today. Along the way these changes as well as individual involvement in them has also eased the lives of many through empowerment and a feeling of community and purpose. Despite a lull and renewal Rock ‘n’ Roll continues to serve as an agent of influence and change in today’s youth culture and continues to burn in the heart of past generations of loyal fans.
In conclusion this report has helped us understand the significance of Music in America. Also, the impact it has on music we listen too. Music is very much like a big chain reaction. Rock ‘N’ Roll, much like music today, stood out and was in a way rebellious. Parents now hate Rap and we love it. People in the 70’s loved Rock ‘N’ Roll and parents hated it. This shows that maybe no matter how much older people deny it, the time gap and generation gap is not too far apart. Without Rock ‘N’ Roll the World would without a doubt be changed. Any guess to that of which way would be a good one.
Country Music is everywhere. It may come blaring from a neighbor’s house, blasting the radio from a car or truck, or even playing quietly in a restaurant; but why exactly is Country Music so popular for people to listen to? When it comes to Country Music, the lyrics comes straight from the artist`s hearts where people can relate to them; the rhythm and beat are unique to the specific song, and the artist knows exactly how to tell a perfect story in the song.