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creative process for movies
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With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
A crew includes a screenwriter, whose job it is to provide the written blueprint version of the entire film. This is basically the starting point for any movie. Next there is the producer. There are many types of producers; executive producers, co-producers, assistant producers and line producers. They all do very different things. Some are the producers are responsible for raising the funds for the movie while others are responsible for the production that goes on during the filming of the movie and still other producers are in charge of what physically goes on the set. Then it is time for the director. The director is in charge of the actors. The director works with the actors to visually bring to life what was written on the screenplay (Fortunato, Who Does What on a Film). Now the idea needs to come together. The idea of writing, “what you know” is not always true and writing, “what you come to know” is in fact a more accurate way to write. Other good ways to formulate ideas are to use existing plays, novels, short stories, life stories, new articles, or even past TV shows and film. When using existing work a person needs to make sure that one secures the copyrights before starting write. Securing the copyrights does not mean one is finished yet. Now a person needs...
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...ce during the end of the movie. The whole time there is a tension that is not released until to final fight and you find out who is going to get the cube, the decepticons or the auto-bots (Valenti, 107).
Works Cited
Fortunato, Joe. "Development" FMP 201. Arizona State University, Tempe, AZ.. Lecture.
Fortunato, Joe. "From Script to Shooting Schedule" FMP 201. Arizona State University, Tempe, AZ. . Lecture.
Fortunato, Joe. "Production" FMP 201. Arizona State University, Tempe, AZ. Lecture.
Fortunato, Joe. "Wrap" FMP 201. Arizona State University, Tempe, AZ. Lecture.
Fortunato, Joe. "Post-Production" FMP 201. Arizona State University, Tempe, AZ. . Lecture.
Fortunato, Joe. "Distribution" FMP 201. Arizona State University, Tempe, AZ.
Valenti, F. Miguel., Les Brown, and Laurie Trotta. More than a Movie: Ethics in Entertainment. Boulder, 2000. Print.
In the film industry, there are directors who merely take someone else’s vision and express it in their own way on film, then there are those who take their own visions and use any means necessary to express their visions on film. The latter of these two types of directors are called auteurs. Not only do auteurs write the scripts from elements that they know and love in life, but they direct, produce, and sometimes act in their films as well. Three prime examples of these auteurs are: Kevin Smith, Spike Lee and Alfred Hitchcock.
Classical Hollywood Cinema is a chain of events that has a cause – effect relationship within a time and space. The environment looks realistic and believable to the viewers because the style is predictable, and the time is linear throughout the film. Each scene with the development of the plot and story is motivated by cause and effect. The filmmaking process involves four major steps that cut across the board. The process revolves around these levels that make it orderly to every individual involved in filming. The process has the following stages: Idea and Development, Pre-Production, Production and Post- Production. In Idea and Development it is normally
Now that we have a script, and we'll cut out the process of submitting it to movie studios, the next step would be pre-production. For this purpose, we'll use a fictional studio and call it L 0 L studios. This studio, after accepting the script, would hire a producer. Let's use a name here, like Richard Donner. His job is to hire a director, audition a cast, find a location to film, or decide if it can be done on a sound stage (possibly both), and try to keep it all under budget. Our director would be James Cameron, because with his success recently, his name alone would bring people to see this movie, which is the whole goal of the project. Casting is difficult, because certain factors have to be looked at, such as looks, (do they look the part?
Telling a story is the main aim for films and comicbooks . In films, the director (in comics is the penciller) is in charge of how the story is told.
As a student of Creative Media Practice, I have come to appreciate the concept of practice as research, people set about research for a diversity of reasons, but the major goals for academics is to address a problem, find things out or establish new heights. According to Robin Nelson in his book, Practice as Research in the Arts: “The term ‘Arts Practice as Research’ would probably not have been coined had artists not gotten involved with modern higher education systems in respect to programmes of learning” (2013: 3). Creative writing has been a source of exploration for me but during this project, I struggled with what constituted as knowledge in creative writing research. Nelson also writes: “Artists engaging in inquiry
With his down-the-rabbit-hole approach to design and obsessive attention to detail, Wes Anderson, writer, director and auteur, is best known for his highly stylized movies. His extremely visual, nostalgic worlds give meaning to the stories in his films, contrary to popular critical beliefs that he values style over substance. Through an analysis of his work, I plan to show that design can instead, give substance to style.
The term cinematography is interconnected with the concept of still photography, but is an integral part of motion pictures. Within this context, Russell Carpenter’s role as the cinematographer of the film Titanic is important. For instance, his attitude towards cinematography, especially his tireless effort to attain perfection contributed to the success of the film. In the film, Carpenter’s co-operation with art department and visual effects department deeply influenced his role in the film as a cinematographer. During the production of the film, Cameron’s initial idea did not clash with Carpenter’s personal idea on cinematography. To be specific, working with Cameron was helpful for Carpenter as a cinematographer because both of them were with similar taste. In addition, Cameron’s knowledge in photography and set construction was helpful for the cinematographer. So Carpenter’s craftsmanship as a cinematographer is the most important factor behind the film’s cinematic beauty and quality.
When I first entered this class, film as an art form and as an expressionistic medium was foreign to me. Films have always been a part of my life; I grew up in the era of Disney and Pixar, but it was an art form I had not analyzed before this year. Throughout grade school, you are exposed to painting, drawing, even perhaps photography; rarely does film enter the picture. You learn about the great master artists, such as Vincent van Gogh, Leonardo Da Vinci, or even Ansel Adams. These are the people that are remembered in our classroom. Film has its own masters of the craft, a concept I did not realize before I took this course. Each part of a movie is carefully crafted; the director is the skilled artist and the film is his masterpiece. This
Before each of these conventions is defined and analysed the process of making a Classical Hollywood film must first be described; it begins with either the completion of a script or the hiring of a scr...
every effort not to and he is proud of his end result, as this quote
The job of a line producer is to hire all the below the line production crew such as camera crews, lighting crews and catering staffs. He/she are also in charge of overseeing the production budget and the day-today operations. The line producer works closely to the executive producer in the case of a television show or else with the director if he/she is working on a film. This is to make sure they are properly executing on the creative vision.
and decide on the size, cost, and content of a production. They hire directors, principal
My film pallet has opened up so much there isn’t a movie that I can’t appreciate for some reason. I may not appreciate some films as much as other, but most films there’s something to be appreciated in it. When I look at the hollywood films of today I am going to remember that they are large committee films that can’t have the concise vision of most led by a single person. When looking at them this way I’m going to expect a committee film and look toward the non-committee film market to get my films that are going to be truly great. I will also most likely search to films of hold before searching for new releases until I have enough of a depth of knowledge under me. When I approach making films I am going to approach them questioning how everything I do help tell the best story possible. I am also going to take the techniques and practices from the greats and combine them other greats I know to make the best film I
This step would focus on how you would shoot the scenes, choose the right scenes, and what application to use in editing. You need to direct the film and make sure that the script lines are properly performed by the actors. Try to get a help of other videographers, ask for tips regarding about the suitable angles in your script lines. After shooting all of the scenes, watch all of it and try to mend all the ones that would really fit with each other. You should also use video editors that are known for great interface and features. Some examples of these are ADOBE Premiere Pro, Cyberlink PowerDirector, and Windows Movie Maker.
Before any physical shooting can take place, a series of preparation steps must occur to ready the production crew and actors alike. The beginning of any film starts with the story, much like a novel. Instead of words in a book, however, a script serves as the backbone of the film, containing all of the characters, settings, and action that takes place in the story. The script’s story will comprise of a conflict posed at the main character, a goal for that main character, and some sort of resolution. The elements of storytelling generally stay the same for scripts; the format for writing the script accounts for largest difference to that of a regular novel. Instead of ...