People in the 1930s were fighting a losing battle with themselves. They were approaching a depression, facing the eyes of war, and trying to stay on their feet with what little resources they had. Most were farmers and made a living by manual labor. The majority of what they owned, they made themselves. Such is the setting in John Steinbeck’s critically acclaimed short story “The Chrysanthemums”. In this story, Steinbeck set out to paint a portrait of what the conditions of the people were really like, but in a different light. Instead of focusing on technicalities, he focused on what the heart of America was going through—the struggles between what social standards expected and what individuals desired. In “The Chrysanthemums”, Steinbeck uses the characters Elisa Allen, the Tinker, and Henry Allen to exemplify the different personas of the time, and to reveal certain truths of society associated with each. Elisa Allen lives a peaceful life, but is fighting a constant battle with the prejudicial, parental society against her as a female. As Kenneth Kempton, author of Short Stories for Study, notes, “whether it is freedom suggested by the nomadic life of the tinker, or children symbolized by her care of the young plants, or manliness as indicated by her delight in her strength and her masochist scrubbing of her body in the bath, or a normal sex life hinted at by her tenseness with when with her possibly impotent husband, or merely her lost youth as implied at the end”, Elisa is struggling inwardly. Beginning with a detailed description of the Salinas River Valley, which is enclosed in fog like a pot, the physical surroundings echo Elisa’s lifestyle. In fact, “the chrysanthemum stems seemed too small and easy for her ene... ... middle of paper ... ...n the “bright direction” of the Tinker. Had the Tinker been better able to support himself, perhaps he would not have had to throw Elisa’s chrysanthemums on the side of the road. Opportunity, although presented to each of the characters, was never fully grasped, and so it remained, that “fog and rain did not go together”. Works Cited Kempton, Kenneth Payson. "Objectivity as Approach." Short Stories for Study. Cambridge [Mass.: Harvard UP, 1953. 120-24. Print. Palmerino, Gregory J. "Steinbeck's THE CHRYSANTHEMUMS." Rev. of "The Chrysanthemums" Explicator 62.3 (2004): 164-67. Literary Reference Center. Web. Price, Victoria. "The Chrysanthemums." Masterplots. 4th ed. Pasadena, CA: Salem, 2011. 1-3. Print. Sheets-Nesbitt, Anna, ed. "The Chrysanthemums." Short Story Criticism. Ed. Anja Barnard. Vol. 37. Detroit: Gale Group, 2000. 320-63. Print.
Bloom, Harold. John Steinbeck's Of mice and men. New York: Chelsea House Publishers, 1996. Print.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
John Steinbeck was perhaps the best author of all time. He was the winner of a Nobel Prize, and among other accomplishments, Steinbeck published nineteen novels and made many movies during his lifetime. All of his experience and knowledge are shown through his novels. A reader can tell, just in reading a novel by Steinbeck, that he had been through a lot throughout his life. Also, Steinbeck worked very hard to accomplish everything that he did during his lifetime. Nothing came very easily to him, and he had to earn everything he owned. This helped him in his writing, because he was able to write about real people and real experiences. John Steinbeck got his inspiration from life experiences, people he knew, and places he had gone.
“Short Stories." Short Story Criticism. Ed. Jelena Krstovic. Vol. 127. Detroit: Gale, Cengage Learning, 2010. 125-388. Literature Criticism Online. Gale. VALE - Mercer County Community College. 28 February 2014
Elisa life in the “closed pot” of the Salinas Valley is not one that she wants, but it is one that she cannot escape. Without the encouragement of a man, she cannot find the strength to look beyond her life of gardening and household chores. Until she does, she will remain trapped in role as a house-wife.
Elisa’s inner feelings are most apparent with the portrayal of her working in the garden, the conversation she has with the “Fixer-Guy”, and finally, when she and her husband are going out to dinner. Steinbeck offers an array of different details concerning the character of Elisa Allen. The main detail being that she is a strong woman on the inside although she seems to struggle in showing it throughout the story. Because of the "Pot Fixer," she is able to act, although for a short time, like that strong woman. Steinbeck unfortunately brings Elisa full-circle, back to where she started. She notices on the way to dinner her chrysanthemum sprouts at the roadside. This, along with her husband’s hesitation to allow her curiosity, puts her back where she started, canceling her emergence. One must ask after reading this short story if Elisa will continue this discontented lifestyle. Or will she be able to blossom beautifully for good, as do her chrysanthemums?
Elisa Allen is a thirty-five-year-old woman who lives on a ranch in the Salinas Valley with her husband Henry. She is "lean and strong," and wears shapeless, functional clothes (Steinbeck 203). The couple has no children, no pets, no near neighbors, and Henry is busy doing chores on the ranch throughout the day. Elisa fills her hours by vigorously cleaning the ''hard-swept looking little house, with hard-polished windows,'' and by tending her flower garden (204). She has ''a gift'' for growing things, especially her chrysanthemums, and she is proud of it (204).
Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills, are the survival traits she's adopted in order to survive, and keep her femininity and vulnerability in a man's world.
Steinbeck, John. “The Chrysanthemums.” Fiction 101: An Anthology of Short Fiction. James H. Pickering. Twelfth Edition. Pearson Education, Inc., 2010. 1162-1168
Steinbeck, John. "The Chrysanthemums." Literature and the Writing Process. Ed. Elizabeth McMahan, Susan Day, and Robert Funk. 2nd ed. New York: Macmillan, 1989. 330-6.
The American dream is the ideal that every US citizen should have an equal opportunity to achieve success and prosperity through hard work, determination, and initiative. Even though the dream does not discriminate, people during the 1930s did. During this time period multiple groups of individuals were excluded from this iconic dream. In John Steinbeck's novella Of Mice and Men he exposes the ageism, sexism, racism, and ableism in the 1930s. Steinbeck’s use of allusion, metaphor, symbolism, and juxtaposition create archetypes of the most commonly discriminated against people during the 1930s.
Steinbeck's The Grapes of Wrath is a realistic novel that mimics life and offers social commentary too. It offers many windows on real life in midwest America in the 1930s. But it also offers a powerful social commentary, directly in the intercalary chapters and indirectly in the places and people it portrays. Typical of very many, the Joads are driven off the land by far away banks and set out on a journey to California to find a better life. However the journey breaks up the family, their dreams are not realized and their fortunes disappear. What promised to be the land of milk and honey turns to sour grapes. The hopes and dreams of a generation turned to wrath. Steinbeck opens up this catastrophe for public scrutiny.
Her lionhearted clothes reflected her valiant and strong attitude. However – Elisa Allen hid her true feelings. She was deceitful in interpersonal communication. Her tongue spilled bittersweet black smut like that of industrialized coal engines. However – it was compassionate, her concern and subtle behavior. A girl screaming to escape maiden life, but only knew it was disrupt order. “Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. “The chrysanthemum stems seemed too small and easy for her energy.” Verily, she had the heart of a lion and the appearance of a virgin.
In 2008, Rudra Sabaratnam, the CEO of the City of Angels Medical Center, committed health care fraud when he attempted to extort money from Medicare and Medi-Cal. He was wealthy, yet, his greed for more money led him to cheat the taxpayer-funded healthcare programs of millions of dollars, depriving the people who actually need the help and money. The greed that Sabaratnam had was partly caused by the profit seeking capitalist system. The desire for wealth in capitalist society leads to corruption and causes a divide between the rich and the poor, so perhaps a system that supports equality and fairness is a better choice. The Eastern-European expression,“Capitalism is man exploiting man; communism is just the opposite,” summarizes one of the main ideas in John Steinbeck’s The Grapes of Wrath. Steinbeck’s aversion to a capitalist society is a motif that appears in several of his literary works, but in The Grapes of Wrath he attacks capitalism constantly and he exposes the poverty, cruelty, and greed found in our capitalist system. By emphasizing the wealthy’s insatiable appetite for profit, which forces the migrants to face hardships, Steinbeck accentuates the inequitable aspects of capitalism, and promotes communism as an alternative.
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.