In the novel The Scarlet Letter by Nathaniel Hawthorne, we notice that action only happens in a few places, among which are the forest, the market place, the governor’s residence, and Dimmesdale’s house. Although all these locations are significant to the story, the most important symbol among them is certainly the scaffold in the market place, where the story begins and ends. The scaffold’s meaning changes throughout the story and has different values for different characters. It represents humiliation, then insight, and finally redemption for Hester and Dimmesdale, but for Chillingworth, it symbolizes birth of sin, growth of sin, and ultimately consummation by sin.
At the beginning of the story, the scaffold “constituted a portion of a penal machine” (48) that completely disgraces the one punished, in this case Hester Prynn. We learn from the crowd that she committed adultery and that the scarlet letter she wore on her bosom is the embodiment of such sin. However, despite her fear of exposing her dishonor to the entire public, Hester showed an extreme amount of self control by hiding her continuous agony under an apparent elegance and beauty. Even when Hester recognized her husband, she did not show her anguish more than by inadvertently squeezing her child. On the other hand, Dimmesdale was completely craven in that scene. Instead of bearing the shame with Hester, since he was the father of the child, Dimmesdale stood high above the scaffold, on the side of “justice.” Although he appeared righteous when he prompted Hester to reveal the name of the other adulterer, his “frightened look” (59) and his “long respiration” (61) after Hester refused to talk betrayed Dimmesdale’s cowardice. Therefore, in this scene, sin was not onl...
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...rted” (233) that the cuckold’s bore once he realized his failure, symbolizing the total downfall of the antagonist. In contrast to the previous scenes, this final passage gave Dimmesdale absolute control of the situation and took away his former feebleness so that his final moments further emphasize the divine qualities of his repentance.
The scaffold is the beginning and end of the story, as well as the start and resolution of sin in all the characters. For the adulterers, the final scene symbolizes the last redemption because Dimmesdale died free of guilt. For Chillingworth, however, the minister’s last speech allowed the latter to escape his torture. All three characters sinned throughout the story, but by the end of the book, two of them acted on their mistakes and succeeded in repenting while the other one willingly fell in the trap and was at last consumed.
The town is all out to witness the punishment of Hester Prynne some of the women are suggesting other punishments and the women are telling us about Hester and Dimmesdale. People say," said another, "that the Reverend Master Dimmesdale, her godly pastor, takes it very grievously to heart that such a scandal should have come upon his congregation." (Page 49) Reverend Dimmesdale is seen as a godly man. A man who does not commit sin and in his own mind at this point he feels fine and does not have any guilt. Dimmesdale at this point in the novel is seen as godly and throughout the novel is seen as godly even at the end after the last scaffold scene. Consequently enough, Dimmesdale is trying to convince Hester to reveal the man who has sinned along with her , so the man can be relieved of his guilt, some what ironic because he is the man who has sinned along side with her. "What can thy silence do for him, except it tempt him--yea, compel him, as it were--to add hypocrisy to sin? Heaven hath granted thee an open ignominy, that thereby thou mayest work out an open triumph over the evil within thee and the sorrow without. Take heed how thou deniest to him--who, perchance, hath not the courage to grasp it for himself--the bitter, but wholesome, cup that is now presented to thy lips!" (Page 65) This is the first scaffold scene Reverend Arthur Dimmesdale is not showing any signs of guilt at this point, he is still fairly the same and has not began to inflict punishment on himself or so it appears. Dimmesdale in the first scaffold scene seems fairly normal and has not begun to transform himself but by the next time we see him at the scaffold he is taken a turn for the worst.
The three scaffold scenes bring great significance to the plot of the Scarlet Letter. The novel is based on repenting the sins of adultery. The scaffold represents a place of shame and pity but also of final triumphs. Each scene illustrates the importance of the scaffold behind them with many potent similarities and differences.
A few years later the event is again repeated. It is very similar to the
In the book The Scarlet Letter, the character Reverend Dimmesdale, a very religious man, committed adultery, which was a sin in the Puritan community. Of course, this sin could not be committed alone. His partner was Hester Prynne. Hester was caught with the sinning only because she had a child named Pearl. Dimmesdale was broken down by Roger Chillinsworth, Hester Prynne’s real husband, and by his own self-guilt. Dimmesdale would later confess his sin and die on the scaffold. Dimmesdale was well known by the community and was looked up to by many religious people. But underneath his religious mask he is actually the worst sinner of them all. His sin was one of the greatest sins in a Puritan community. The sin would eat him alive from the inside out causing him to become weaker and weaker, until he could not stand it anymore. In a last show of strength he announces his sin to the world, but dies soon afterwards. In the beginning Dimmesdale is a weak, reserved man. Because of his sin his health regresses more and more as the book goes on, yet he tries to hide his sin beneath a religious mask. By the end of the book he comes forth and tells the truth, but because he had hidden the sin for so long he is unable to survive. Dimmesdale also adds suspense to the novel to keep the reader more interested in what Reverend Dimmesdale is hiding and his hidden secrets. Therefore Dimmesdale’s sin is the key focus of the book to keep the reader interested. Dimmesdale tries to cover up his sin by preaching to the town and becoming more committed to his preachings, but this only makes him feel guiltier. In the beginning of the story, Dimmesdale is described by these words; “His eloquence and religious fervor had already given earnest of high eminence in his profession.”(Hawthorne,44). This proves that the people of the town looked up to him because he acted very religious and he was the last person that anyone expected to sin. This is the reason that it was so hard for him to come out and tell the people the truth. Dimmesdale often tried to tell the people in a roundabout way when he said “…though he (Dimmesdale) were to step down from a high place, and stand there beside thee on thy pedestal of shame, yet better were it so, than to hide a guilty heart through life.
When Dimmesdale tried to confess his sin to his congregation, they saw the confession as if it were part of his sermon. “He had spoken the very truth, and transformed it into the veriest falsehood”. (Hawthorne 171) Instead of correcting their assumption, Dimmesdale went along with it, once more hiding his sinfulness. When Dimmesdale finally confessed his sin openly to the public with no doubt of his guilt, it was upon the spot where Hester served her punishment for their crime....
Both characters had to live with the shame and guilt, but how they dealt with it during their lives was different. The two both had a physical symbol on them that they had to live with for their whole lives. Unlike Hester, Dimmesdale’s mark was branded on his chest where no one could see it. The community was clueless to what Dimmesdale had done. He concealed his transgression from the town, causing his guilt to build up inside of him. In contrast, everyone knew that Hester had committed adultery. She was forced to stand on a scaffold and be publicly humiliated in front of everyone. The scarlet letter “A” was displayed on her clothes for everyone to see. Instead of Hester being ashamed and living in guilt her whole life, like Dimmesdale did, she used her transgression as a form of strength. Even though Hester Prynne and Arthur Dimmesdale committed the same sin, the path in which they took to cope with that sin set them apart as
Hester is a youthful, beautiful, proud woman who has committed an awful sin and a scandal that changes her life in a major way. She commits adultery with a man known as Arthur Dimmesdale, leader of the local Puritan church and Hester’s minister. The adultery committed results in a baby girl named Pearl. This child she clutches to her chest is the proof of her sin. This behavior is unacceptable. Hester is sent to prison and then punished. Hester is the only one who gets punished for this horrendous act, because no one knows who the man is that Hester has this scandalous affair with. Hester’s sin is confessed, and she lives with two constant reminders of that sin: the scarlet letter itself, and Pearl, the child conceived with Dimmesdale. Her punishment is that she must stand upon a scaffold receiving public humiliation for several hours each day, wearing the scarlet letter “A” on her chest, represe...
The first scaffold scene takes place at the very beginning of the story. In this particular scene, Hester has moments before walked from the prison door carrying her baby and donning the scarlet letter, which stands for adultery. She must make this procession in front of the entire town. After the march, Hester is forced to stand alone on the scaffold until an hour past noon.
In choosing to contain his deep sin as a secret, Mr. Dimmesdale suffered from a festering guilt that plagued him until his death. After Hester was sentenced with the punishment for her act of adultery, Mr. Dimmesdale remained silent in refusal to confess to his inclusion in the sin. Over time, feelings of remorse gnawed at Mr. Dimmesdale’s conscience and left him in a self loathing state for his own hypocrisy. Dimmesdale felt excessive guilt in allowing Hester to undergo the entirety of the ridicule and punishment alone while he maintained a positioned of respected and idolized authority, yet could not find it in his heart to expose the sin. Looking upon his situation with the Puritan perspective, Mr. Dimmesdale “…loved the truth and loathed the lie, as few men ever did. Therefore above all things else, he loathed his miserable self” (136). Mr. Dimmesdale felt he was living a lie for he, the very man who preached to the community about living a pure life, was living one tainted with...
When the romantic novel begins, Dimmesdale, a local minister, stands with one hand over his heart in shame. As he watches Hester Prynne, former lover, suffer on the scaffold, he suffers himself. The scaffold is a raised platform, placed in the center of the town, for a public humiliation. Hester, a known perpetrator for adultery, has the punishment of jail time, scaffold humiliation, and the wearing of the “A.” Although these seem like terrible punishments for what seems like a not so terrible crime, these are far better than the original punishment for this crime of adultery, death. Despite her situation, Hester stands proud with her daughter in her arms. Some might argue that “this beautiful woman, so picturesque in her attire and mien…[is] an object to remind [others] of the Divine Maternity” (Hawthorne 60). Hawthorne reveals numerous emotions throughout the three scaffold scenes to invite the reader to look at the text from different perspectives (Swisher). As the novel progresses, each scaffold scene
In Nathaniel Hawthorne’s The Scarlet Letter, symbolsim is constantly present in the actual scarlet letter “A” as it is viewed as a symbol of sin and the gradally changes its meanign, guilt is also a mejore symbol, and Pearl’s role in this novel is symbolic as well. The Scarlet Letter includes many profound and crucial symbols. these devices of symbolism are best portayed in the novel, most noticably through the letter “A” best exemplifies the changes in the symbolic meaning throughout the novel.
When being questioned on the identity of her child’s father, Hester unflinchingly refuses to give him up, shouting “I will not speak!…my child must seek a heavenly Father; she shall never know an earthly one!” (47). Hester takes on the full brunt of adultery, allowing Dimmesdale to continue on with his life and frees him from the public ridicule the magistrates force upon her. She then stands on the scaffold for three hours, subject to the townspeople’s disdain and condescending remarks. However, Hester bears it all “with glazed eyed, and an air of weary indifference.” (48). Hester does not break down and cry, or wail, or beg for forgiveness, or confess who she sinned with; she stands defiantly strong in the face of the harsh Puritan law and answers to her crime. After, when Hester must put the pieces of her life back together, she continues to show her iron backbone and sheer determination by using her marvelous talent with needle work “to supply food for her thriving infant and herself.” (56). Some of her clients relish in making snide remarks and lewd commends towards Hester while she works, yet Hester never gives them the satisfaction of her reaction.
Both committed adultery but have suffered in different ways. Hester’s punishment composed of public shaming on the scaffold for all to behold, but afterwards she did not suffer from guilt because she confessed her sin, unlike Dimmesdale, who did not confess, but rather let his sin become the “black secret of his soul” (170), as he hid his vile secret and became described as the “worst of sinners” (170). He leads everyone to believe of his holiness as a minister and conceals the, “Remorseful hypocrite that he was [is]” (171). Hester, a sinner too, however, does not lie about how she lives and therefore, does not suffer a great torment in her soul. While she stays healthy, people begin to see Hester’s Scarlet Letter turn into a different meaning, of able or angel, and they view her in a new light, of how she really lives. Dimmesdale however, becomes sickly and weak after “suffering under bodily disease, and gnawed and tortured by some black trouble of the soul” (167). He hides behind a false mask as he is described as possessing, “Brilliant particles of a halo in the air about his head” (300), and perceived as the most honorable man in New England. People do not see him as truly himself, but rather who he hides
In Nathaniel Hawthorne’s The Scarlet Letter, Mr. Dimmesdale’s greatest fear is that the townspeople will find out about his sin of adultery with Hester Prynne. Mr. Dimmesdale fears that his soul could not take the shame of such a disclosure, as he is an important moral figure in society. However, in not confessing his sin to the public, he suffers through the guilt of his sin, a pain which is exacerbated by the tortures of Roger Chillingworth. Though he consistently chooses guilt over shame, Mr. Dimmesdale goes through a much more painful experience than Hester, who endured the public shame of the scarlet letter. Mr. Dimmesdale’s guilt is much more damaging to his soul than any shame that he might have endured.
Hester and Dimmesdale both bear a scarlet letter but the way they handle it is different. Hester’s scarlet letter is a piece of clothing, the “SCARLET LETTER, so fantastically embroidered and illuminated upon her bosom” (Hawthorn 51). Dimmesdale on the other hand, has a scarlet letter carved in his chest. This is revealed when Dimmesdale was giving his revelation, in which “he tore away the ministerial band from before his breast. It was revealed!” (Hawthorn 232). Since the Scarlet Letter on Hester is visible to the public, she was criticized and looked down on. “This women has brought same upon us all, and ought to die” (Hawthorn 49) is said by a female in the market place talking about Hester. She becomes a stronger person through living this hard life. Dimmesdale instead has to live “a life of cowardly and selfish meanness, that added tenfold disgrace and ignominy to his original crime” (Loring 185). He becomes weaker and weaker by time, “neither growing wiser nor stronger, but, day after day, paler and paler, more and more abject” (Loring 186). Their courage is also weak.