Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
history and influence of jazz
history and influence of jazz
history of jazz music timeline essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: history and influence of jazz
Stan Kenton: Progressive Concepts in Jazz
Stanley Newcomb Kenton is one of the most influential figures to be found in all of jazz history, even being called "the most significant figure of the Modern Jazz age" by Frank Sinatra (Agostinelli, 6). Kenton's progressive concepts of how music is written and performed greatly affected the genre of jazz, and created something new and unique. Always under controversy, Kenton and his band always strove to do something different, never settling into a niche for long periods of time. Even today, when hearing modern jazz performers (particularly big bands) one can often hear the influence from Kenton's music.
Kenton was born in Wichita, Kansas on December 11, 1911, although he spent most of his youth in the Los Angeles area. He began studying piano and composition early with his mother and eventually with bandleader and pianist Earl "Fatha" Hines. Kenton was influenced by many different kinds of music other than jazz, including twentieth century composers Claude Debussy, Igor Stravinsky, and Bela Bartok. Once he was a little older, Kenton began playing around in the Los Angeles and San Diego areas, and formed his first band in 1941, beginning his career as a bandleader. Kenton's music is best organized into the different "eras" of the Kenton bands: Artistry in Rhythm (mid-1940s), Progressive Jazz (mid- to late 1940s), Innovations in Modern Music (early 1950s), New Concepts in Artistry in Rhythm (Contemporary Jazz) (early to mid-1950s), Orchestra in Residence (late 1950s), New Era in Modern Music (Mellophoniums) (early 1960s), Neophonic (mid-1960s), and Fusion (early 1970s). Each era had different elements which made it unique while still maintaining the inimitable Kenton sound. Kenton a...
... middle of paper ...
.... 24-28 September 1962. CD. Capitol Jazz, 1997.
Kenton, Stan. City of Glass. Rec. 6 December 1947-28 May 1953. CD. Capitol Jazz, 1995.
Kenton, Stan. Cuban Fire. Rec. May 1956. CD. Capitol Jazz, 1991.
Kenton, Stan. Kenton in Hi-Fi. Rec. February 1956. LP. Capitol, 1956.
Kenton, Stan. Live From the Las Vegas Tropicana. Rec. 2 February 1959. CD. Capitol Jazz, 1996.
Kenton, Stan. The Peanut Vendor. Rec. 1961. CD. Eclipse Music Group, Inc., 1994.
Kenton, Stan(ley Newcomb)." New Grove Dictionary of Jazz. Ed. Barry Kernfeld. New York: St. Martin's Press, 1994.
Rosolino, Frank. Free For All. Rec. 22 December 1958. CD. Specialty Records, Inc., 1991.
Sparke, Michael. Liner notes. Live From the Las Vegas Tropicana. Music by Stan Kenton. Capitol Jazz, 1996.
Wooley, Stan. "Pete Rugolo: Artistry in Arranging." Jazz Journal International, June 1989: 12-14.
"Dizzy Gillespie – Jazz and Blues Masters ." american jazz musician . b 1917 . d 1993.
Baldwin, James. “Sonny’s Blues.” The Jazz Fiction Anthology. Ed. Sascha Feinstein and David Rife. Bloomington: Indiana UP, 2009. 17-48.
Baldwin, James. “Sonny’s Blues.” The Jazz Fiction Anthology. Ed. Sascha Feinstein and David Rife. Bloomington: Indiana UP, 2009. 17-48.
Baldwin, James. “Sonny’s Blues.” The Jazz Fiction Anthology. Ed. Sascha Feinstein and David Rife. Bloomington: Indiana UP, 2009. 17-48.
Recognized as one of the greatest all time jazz figures Duke Ellington, whose career reached over a span of fifty years was mostly known for composing thousands of influential songs. As well as constituting into jazz an ensemble of western sounds which was referred to as “American Music”. This iconic figure has left a mark in the world of jazz for centuries to come.
Baldwin, James. “Sonny’s Blues.” The Jazz Fiction Anthology. Ed. Sascha Feinstein and David Rife. Bloomington: Indiana UP, 2009. 17-48.
Richard Cook & Brian Morton. The Penguin Guide to Jazz on CD. Seventh Edition. East Rutherford, NJ: Penguin Books(USA), 2004
Of course, Armstrong 's achievements in jazz music could not be summarized by the above description. He is the greatest and most important musician in jazz history, and he made an innovation of jazz music. It is no exaggeration to say that, in a sense, Armstrong pioneered jazz
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Kernfeld, Berry. New Grove Dictionary of Jazz, The. Vol. II London: The MacMillan Company, 1988
Carringer, Robert L.. The Jazz singer. Madison: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press, 1979. Print.
Being a jazz standard and commonly played by a military and other marching bands, this piece was first composed by Benny Golson and was first recorded for Blue Mitchell’s Riverside album Big 6 on July 2nd and 3rd, 1958. This piece was influenced by New Orleans marching bands, and “starts in long meter form and transforms back into regular time. From Leonard Feather's point of view, “the theme with its slight bugle-call orientation, has a period quality that ties the work
All types of music require musicians. In the H.R (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of this time. His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal you (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonists of Jazz. His most famous work was a piece named Body and Soul (http://library.thinkquest.org…). Hawkins has also recorded with artists such as Thelonious Monk and Duke Ellington. Other people such as Bessie Smith, Josephine Baker, Duke Ellington, and “Dizzie” Gillespie have also made many contributions to the development of Jazz.
In 1920 the Jazz music has emerged in the City of New Orleans and from there, there were also many great New Orleans Jazz musicians. Jazz is a music style that combines of three main element improvisation, bluesy flavor and swing feeling. Often, African American play Jazz on the street of New Orleans and they started to form bands and perform for people without charging them money. In the early history of Jazz, there was one major artist that has major contributions to Jazz, his name is Louis Armstrong. Armstrong was one of early jazz musicians who were born in New Orleans, Louisiana. Though, many African American Jazz musicians play music on the street of New Orleans but there was not any known record of their musics. Armstrong was one of those early Jazz musicians who move to Chicago where later he play and develop historic jazz style called improvision. Louis Armstrong well known as a soloist performer of his cornet or trumpet. Louis Armstrong using improvising technique where he can compose music while he is solo with his trumpet and create smooths and depth melodies.
Sundquist, Eric J. “Ralph Ellison, Jazz, and Louis Armstrong.” Bloom’s Literature. Facts on File, Inc., 1995. Web. 9 Jan. 2014.