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Literary analysis of legend of sleepy hollow
Literary analysis of legend of sleepy hollow
Literary analysis of legend of sleepy hollow
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Washington Irving’s short story, “The Legend of Sleepy Hollow,” was adapted into a movie titled “Sleepy Hollow” directed by Tim Burton nearly two centuries after the original publication. When the story was adapted as a film, several extensive changes were made. A short story easily read in one sitting was turned into a nearly two-hour thriller, mystery, and horror movie by incorporating new details and modifying the original version of the story. The short story relates the failed courtship of Katrina Van Tassel by Ichabod Crane. His courtship is cut short by the classic romance antagonist-the bigger, stronger, and better looking Broom Bones. Ichabod wishes to marry Katrina because of her beauty but also because of the wealthy inheritance she will receive when her father, Baltus Van Tassel and stepmother, Lady Van Tassel die. However, the film tells the story of Ichabod Crane as an investigator who is sent to Sleepy Hollow to investigate the recent decapitations that are occurring. These modifications alter the original story entirely, thus failing to capture the Irving’s true interpretation of “The Legend of Sleepy Hollow.” The film and the original story have similarities and differences in the plot, characters, and setting.
Although the titles of the two works are relatively similar, the plot of each is different. If the film does not include the character, Ichabod Crane, and the reference to a Headless Horseman, the film would have no resemblance to Irving’s story. The difference in structure of plot in the two works changes the entire story. Every facet of the story is different between the two. The exposition offers the audience different stories because Ichabod has a new profession in the movie. The conflict in the two w...
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...as a film is far different from Irving’s original interpretation from 1820. By vastly changing the plot, Burton’s film fails to capture several of the elements that Irving incorporates. Both works have differences in plot, character, theme, point of view, but their setting allows the two to remain connected in their grim similarities.
Works Cited
Irving, Washington. "The Legend of Sleepy Hollow" The Norton Anthology of English Literature. 7th ed. Vol. B. New York: Norton &, 2007. 965-985. Print.
Sleepy Hollow, Dir. Tim Burton. Perf. Johnny Depp, Christina Ricci, and Miranda Richardson. Paramount Pictures, 1999. Film
Bernardo, Susan. “The Bloody Battle of the Sexes in Tim Burton’s Sleepy Hollow” EBSCO Publishing 39-43. Print.
Orr, Stanley, “A Dark Episode of Bonanza ‘Genre, Adaptation, and Historiography in Sleepy Hollow’” EBSCO Publishing 44-49. Print.
In the story, Irving used characterization to create the backstory, characters, and character’s personalities. Irving used direct characterization, so he could describe each character in the beginning of the story. The main character is Ichabod Crane was pictured as a school teacher, love interest of Katherina Van Tassel, and newcomer of Sleepy Hollow. Few people did not like the fact Crane wanted Van Tassel’s hand in marriage because of his position in society. In the story, The Legend of Sleepy Hollow, Crane was described as a simple person with no beautiful features and not the type of man that a woman like Katherina
The readings “The Legend of Sleepy Hollow” by Washington Irving and The Monster by Stephen Crane are to amazing readings. However, these two texts represent violence and conflicts in different ways, which shows that although they have the same concept their tactic for this same concept is used in a different approach.
When we compare Washington Irving’s The Legend of Sleepy Hollow to the 1980 television movie The Legend of Sleepy Hollow starring Meg Foster, Dick Butkus, and Jeff Goldblum, we find that while there are several similarities between the two, there are also some key differences. When we look at various characters as well as the storyline, we see those similarities and differences.
A philosopher named Paul Brunton said, “We should control our appetite, otherwise we will lose ourselves in the confusion of the world.” Washington Irving’s short story, “The legends of sleepy hollow” spins a tale about Ichabod Crane's experiences as a city teacher, while living in a magical place known as Sleepy Hollow. Appetite defines Ichabod Crane in the three following ways: food, wealth, and superstitions.
Many evenings during the winter, Ichabod spent with the old Dutch wives. They would tell ghost stories as well as other super natural beings and demons while sitting by the fire. There was a certain story that was never left out, the legendary Headless Horseman, or sometimes known as the Hessian of the Hollow. The story went on that there was a soldier who with a cannon ball had gotten his head shot off and since roamed through Sleepy Hollow looking for his lost head while on his horse. The Headless Horseman has a jack-o-lantern that sits in replacement of his head. In addition, a love story is part of “The Legend of Sleepy Hollow” however many find it to be more of a pure lust or greed story. There was girl named Katrina Van Tassel who was
Irving uses many other images and scenes within this story that could be delved into further. However, I believe these three main points, along with the knowledge of the political climate of the times, shows Irving’s genius in representing both sides of the political gamut. Irving was able to cater to both the British and the Colonist without offending either side. Irving’s genius was that even though this was an allegory of its time, its elements could represent either or both sides of the conflict during the Revolution. This dual representation in an allegorical story ensured his success, in both countries as a writer. It allowed Irving to make a political statement without taking sides.
Fifteen years separate Washington Irving’s short story “The Legend of Sleepy Hollow” with Nathaniel Hawthorne’s short story, “Young Goodman Brown.” The two share an eerie connection because of the trepidation the two protagonists endure throughout the story. The style of writing between the two is not similar because of the different literary elements they choose to exploit. Irving’s “Sleepy Hollow” chronicles Ichabod Crane’s failed courtship of Katrina Van Tassel as well as his obsession over the legend of the Headless Horseman. Hawthorne’s story follows the spiritual journey of the protagonist, Young Goodman Brown, through the woods of Puritan New England where he looses his religious faith. However, Hawthorne’s work with “Young Goodman Brown” is of higher quality than Irving’s “The Legend of Sleepy Hollow” because Hawthorne succeeds in exploiting symbols, developing characters, and incorporating worthwhile themes.
Over time the language of the original text of "The Legend of Sleepy Hollow" by Irving has been reworked to accommodate the change in audience. The Heath Anthology of American Literature has an unabridged version of the original wording (1354-1373). A complete copy of the original text of "The Legend of Sleepy Hollow" can be found in the young adolescent classic section of a bookstore or the juvenile section in the library. A juvenile edition of the text adapted by Arthur Rackham from 1928 was a replicate of the original it is filled with seven colored illustrations and numerous sketching. A young adolescent version adapted by Bryan Brown from 2001 has been abridged to accommodate the current young reader. The format is changed in Brownâs edition. The yo...
Benoit, Raymond. Irving's The Legend of Sleepy Hollow." The Explicator. Washington: Heldref Publications, 1996. "
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Although at times it is easy to get carried away with the adventure of a story, noticing the elements a writer has put into his work is very important. In reading “Young Goodman Brown” and “The Legend of Sleepy Hollow” you can see both similarities as well as differences of how both Nathaniel Hawthorne and Washington Irving chose to illuminate their romantic writing styles. The writers both use a mystical woodsy setting with supernatural twists to draw in readers. Underlying you will find the differing romantic themes each writer used, as well as how each writer chose to end their work.
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
“The Legend of Sleepy Hollow”, one of the most classic books of all time, written by Washington Irving, was remade into a movie in 1999 by Director Tim Burton. Surprisingly there are many differences between the book and the movie, and little to no similarities. One of the major differences was that in the movie Tim Burton made Ichabod Crane a detective, while in the story he’s a nerdy teacher. Tim Burton did this to make the movie more interesting and for there to be a reason why Ichabod is so good at finding clues and solving the headless horseman case. Also they made Ichabod a little bit more brave in the movie so that there would be more action and drama in the movie. A total different between the story and the movie, is that they give a background of young Ichabod and his mother, but none of that was
A woman named Lauren Oliver once said, “Take it from me: If you hear the past speaking to you, feel it tugging up your back and running its fingers up your spine, the best thing to do-the only thing-is run.” When reading the story, The Legend of Sleepy Hollow, this quote is very relevant to the people of Sleepy Hollow. Ichabod Crane lives in a the small town of Sleepy Hollow, he falls in love with Katrina Van Tassel. While living there he encounters Brom Bones after discovering that both of them love the same girl. Throughout the story, the reader will witness the past brought up in extraordinary ways. In Washington Irving’s drama, “The Legend of