Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
sir gawain and the green knight literary devices
sir gawain and the green knight literary devices
Sir Gawain and the Green Knight symbolism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: sir gawain and the green knight literary devices
The poem’s journey was set in motion by Morgan le Fay the half-sister of King Arthur. . Although her reasoning behind her quest is questionable her characteristic description allows readers to question if the writer wanted us to focus more on the story between the lines rather that the beauty usually associated with medieval women in poems. Morgan le Fay who was never mentioned in the story until the end is describe in comparative criticism to the wife of Bercilak (who by the way is never named) as being too ugly that she was covered from head to toe in black with the exception of her eyes, lips, and mouth and even those where hideous. An ugly hag she is described as while Bercilak’s wife is the definition of beauty when comparing the two and yet it is obvious who had not only controlled Arthur’s court into participating in trial of honor [that could have ended in unknown punishment for Arthur and perhaps his court also had Gawain failed] but also seems to in power of Berilak’s household, with her sitting on the fair of Hautdesert and Bercilak’s wife standing the power structure sift to the hag and her hold on Hautdesert strong.
Giving that Sir Gawain and the Green Knight poem is a medieval romance poem Morgan’s ugliness although surprising perhaps had another clue that her presence is not a surface mention of one an Arthurian legend but something behind the beauty of women her time focus more on the significance of Morgan herself. Giving the fact that she was the one who set the plot in motion and subsequently holds the power over every character, the reasoning behind this adventure can be said to have failed to be satisfied or justified. Every journey has a point of origin and reason why the hero is set on this journey. Home...
... middle of paper ...
... the full blow did not cut him. At that Gawain become angry and demands that the knight deliver the blow, so the knight does what he was told but not killing him, the knight only inflicted a small cut on Gawain’s neck. When he got cut, Gawain declares that the knight delivered his blow and that he (Gawain) was free of the bargain. When the knight laughs at him, Gawain is told that he (the green knight) was Bercilak who was transformed by Morgan le Fay to not only test Arthur’s court but to frighten Guinevere to death. Gawain, ashamed of his deceit to Bercilak returns to Camelot wearing the girdle as a symbol of shame and weakness. When he got home, he told his fellow knights the tale and his journey and explained to them what he thought his failure was, and after hearing the story the knight forgives him of any blame and stated to wear girdle in a show of support.
Sir Gawain steps in to take the challenge after King Arthur first agrees to participate himself. Sir Gawain wants to bring honor to Arthur and asks permission to take his place. Gawain knows that he is not the strongest, smartest knight but the loss of his life would not be as bad as if King Arthur loses his life. King Arthur agrees to let him enter this game and gives him a weapon to use against this Green Knight. King Arthur says to Sir Gawain, "Keep, cousin what you cut with this day, and if you rule it aright, then readily, I know you shall stand the stroke it will strike after." (372-374) Gawain, with his weapon in his hand, is now ready to take part in the game.
Sir Gawain and the Green Knight was written in the fourteenth century by an anonymous poet who was a contemporary of Geoffrey Chaucer. The story was originally written in a Northern dialect. It tells the story of Sir Gawain's first adventure as a knight.
Sir Gawain and the Green knight is an Arthurian story about the adventure of Sir Gawain to find the Green knight. King Arthur and his court are gathered for a Christmas celebration. Suddenly, the Green Knight appears and challenges king Arthur's court to a game. He asks one man to hit him with the ax. In return, this man will have to seek the knight out at the Green Chapel within a year and a day to receive three hits from Green Knight. The only one who is not afraid to fight is Sir Gawain. He hits the Green Knight with the ax, cutting off his head, which rolls around the floor. The Green Knight picks up his head and tells Sir Gawain to try to find him. Everybody believes that Gawain's journey is without return because he has to face harsh conditions, like wild animals, freezing weather and wild men of the woods. He leaves King's Arthur court, and after Gawain wanders in the forest, a castle mysteriously appears on his way. My passage analysis comes right after the first kiss between the wife of the lord and the Gawain. As days passes the wife of the lord becomes even more aggressive to Gawain.
The Green Knight doesn't move or flinch as he offers his bare neck to Gawain. Gawain grabs the Green Knight's ax firmly and chops off his head. The head falls to the ground and rolls past the feet of many of the people in the court. To the shock of everyone, the Green Knight gets up, grabs the head by the hair, and mounts his horse.
The passage begins with Lord Bercilak returning from his first hunting trip. As has been agreed, he hands over the wild boar he has killed to Gawain. In turn, Gawain gives the lord a kiss. The lord gives Gawain a chance to admit that he has been intimate with Lady Bercilak when he says, “it might be [the kiss] all the better, would you but say where you won this same award” (Norton 187. Gawain is a gentleman, who would never kiss and tell, so the two reaffirm their pact for the next day. The lord’s determination in “pursuing the wild swine till the sunlight slanted” is paralleled by his wife’s determination in seducing Gawain as “she was at him with all her art to turn his mind her way” (188).
...stops him from sleeping with Bertilak’s wife, only until his finds a way to avoid death does he goes against them. What Gawain learns from the green knight’s challenge is that instinctively he is just a human who is concerned with his own life over anything else. Chivalry does provide a valuable set of rules and ideals toward which one to strive for, but a person must remain aware of their own mortality and weaknesses. Sir Gawain’s flinching at the green knight’s swinging ax, his time in the woods using animal nature requiring him to seek shelter to survive and his finally accepting the wife’s gift of the girdle teaches him that though he may be the most chivalrous knight in the land, he is nevertheless human and capable of error.
The passage begins as King Arthur calls Sir Gawain to his side to give him his weapon and blessing. As Gawain kneels before his lord, King Arthur says: "Keep, cousin what you cut with this day, and if you rule it aright, then readily, I know, you shall stand the stroke it will strike after." (Norton p. 210) With these words King Arthur implies that since Sir Gawain has the first hit, he has nothing to worry about, since the Green Knight will be dead and unable to return the blow.
The story begins during the New Year's feast in King Arthur's court. Then a green knight enters asking all of the knights in the court if they would like to play a game. The game is he will allow which ever knight that chooses to challenge him one swing with a battle ax to try and chop off his head, but in order to play the game, the accepting knight must meet the green knight one year later at the green chapel. The brave knight Sir Gawain accepts to the challenge of the green knight. Sir Gawain takes one swing and chops off the head of the green knight. Right after the green knight's head is chopped off he gets up immediately, picks up his head and leaves. Once a year passes, Gawain sets off on a journey to find the Green Chapel. He arrives at a castle in which a lord welcomes him to stay for several days (Gawain only needs to stay there for three). The next morning the lord makes an agreement to share everything he gets during these three days with Gawain, but Gawain must agree to do the same. During days one and two the lord's wife tries hitting on Gawain, but he only allows her to give him a few kisses. At these days Gawain shares what he got to the lord for what he has hunted those days. On the third day, Gawain finally accepts to take a magic girdle from the lord's wife, but he didn't share it with the lord. This magic girdle helped Gawain survive the three fatal swing's of the green giant's ax, only leaving him with a little nick. After Gawain survives these 3 swings at his neck, the green knight then reveals his identity and explains that he is Bercilak, the lord of the castle. He also said that the three blows were taken at him in regards to the three days of their agreement.
In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his theme by leading Gawain on a journey in which nothing is what it seems. Sir Gawain and the reader are confronted with several contrasts of characters’ actions and intentions, symbolic meanings, and Christian and secular virtues. Mainly by showing the difference between actions and attitudes while inside in a social situation and outside in a more wild, untamed environment, these contrasts help to emphasize the importance of unbending faith and loyalty.
What makes a man a hero? Where lies the line which when crossed changes a mortal man into a legend? Is it at the altar at Canterbury? in the Minotaur’s labyrinth? or is it an age or a time? Does a man become a hero when he transforms from a boy to an adult? or when he stops being a man and becomes a martyr? Where are the heroes of 1993? In whom do the children of this age believe? Like whom do they strive to be? Kennedy, Lennon, and even Superman are dead. World leaders are mockeries of real men, more like Pilates than Thomas Mores. Pop culture’s icons change daily. It is interesting that nearly 600 years ago someone was writing about heroism in a way that can be understood today. The poet of Sir Gawain and the Green Knight tells a tale in which a man is proven to be a hero through the seemingly un-heroic decisions made in the course of numerous tests. Sir Gawain is a hero for the 21st century. He is tried and trapped, he is inundated with opportunities to fail and yet he does not lose. More importantly though, in the end he learns an essential, inescapable fact about himself and human nature.
Sir Gawain and the Green Knight is a tale that was written in the fourteenth century. It is an intriguing tale including romance, magic, action, and betrayal. The story opens with a Christmas celebration in which King Arthur refuses to eat until he hears a knightly tale or receives a challenge. The Green Knight enters the scene, and King Arthur receives his challenge. The challenge is a strike for a strike, and the prize is the Green Knight's axe. Sir Gawain is the noble knight who accepts the challenge, so at the same time the following year, he must find the Green Knight and keep his word. Throughout the tale, there are a number of mystical references that foreshadow the ending of the poem. The mystical aura of the Green Knight is the first hint of magic in the poem, but there are also other events suggesting that there is more to this tale than meets the eye.
Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this time perceive women as passive tokens, adulteresses, and manipulators.
Sir Gawain was heroic in seeking out the Green Knight to finish the challenge that was brought to King Arthur’s men. “Said Gawain, ‘Strike once more; /I shall neither flinch nor flee; /But if my head falls to the floor /There is no mending me!’” (lns. 2280-2283) There was no physical power that forced Sir Gawain to keep true to his word. Gawain sought out the Green Knight, just as he had promised, and was now about to receive the blow that would send him to his death. This quote shows that Sir Gawain was ready to be dealt his fate, and that he knew there was no way for him to survive as the Green Knight had done earlier in the poem. This shows a very human side to Sir Gawain as he appears somewhat afraid of death, but ready to face it nonetheless. It is this willingness and readiness to accept death at the hand of the Green Knight that makes Sir Gawain a...
The narrative opens with a holiday feast in King Arthur’s court. The richness of this setting is represented by the decorations surrounding Queen Guenevere described in lines 76-80. “With costly silk curtains, a canopy over,/ Of Toulouse and Turkestan tapestries rich/ All broidered and bordered with the best gems/ Ever brought into Britain, with bright pennies/ to pay.” These lines also symbolize the queen’s role in the poem of a stately symbol of chivalric Camelot and as a female ideal. In this setting women are all around, but Guenevere is positioned above them and is surrounded by expensive, beautiful things. She is clearly made superior.
Yet, Gawain did err in accepting the girdle; that much cannot be denied. We, the reader, can forgive him since he repents fully, even going so far as to impose penance (of wearing the girdle eternally as a mark of his fall) on himself. It takes a mild rebuke by the Green Knight to crack Gawain’s façade of confident valor. His conscience compels him to break down when confronted by his host as to his indiscretion. However, this happened only when the host had revealed himself to be the same as the Green Knight. We realize that Gawain had previously perceived in Sir Bertilak an equal in knighthood; thus his ease in deceiving him in the exchange of winnings game. When Gawain realizes he was the subject of a test, he sees Bertilak/Green Knight in a different light. The Green Knight now becomes Gawain’s confessor and in doing so assumes a fatherly role.