Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
fashion in canterbury tales
clothes reference in the canterbury tales
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: fashion in canterbury tales
Throughout The Canterbury Tales: General Prologue, Chaucer’s use of the characters’ clothing, to symbolize what lies beneath the surface of each personality is significant. Chaucer strongly uses the Knight, the Squire and the Prioress’s clothing to symbolize how their personalities are reflected through The Canterbury Tales.
The Knight’s true character is portrayed through his modest apparel. His character is displayed by the way he chooses to show himself in public, which is a noble knight, that is why he wears dirty clothes and chooses to come on the pilgrimage straight from battle. “A Knight there was and that a worthy man, that from time that he first began. To riden out, he loved chivalry. Truth and honour, freedom and courtesy,” (43-46). This quote shows how his humbleness is not warranted because he has the highest social standing out of the other members of the pilgrimage. It clearly demonstrates his morals which are truth, honour, freedom and courtesy. In the Prologue, humbled by his life experiences, the Knight dresses plainly. Garbed in a stained coarse cotton tunic, the Knight sits upon his horse. His armor left dark smudges on his tunic. Seen in a different setting, the Knight's attire would say little about his life as an honorable man. By humbling oneself, a true hero lends credence to the fact that flash is not always needed. Humbling experiences cause people to step back and analyze the fortune they have; they learn that they do not have to wear flashy clothes to have their achievements acknowledged. Sometimes people boast of their success through fine clothing unlike the Knight. “Ne never yet no villainy he said,” (70). This quote shows the Knight is not only humble but is also never rude to anyone. Another ex...
... middle of paper ...
...). This clearly exemplifies the Nuns personality, by showing how sensitive she wants everyone to think she is. The Prioress’s clothing can limit her expression of her true personality, however, discreet accessories that the Prioress adorns, shows how she wants the attention of those around her. Small subtle things can get the point across as well as the obvious, such as her many items of jewelry.
One's life expectations and desires are masqueraded though the clothing they wear. Often, clothing plays a pivotal role in first impressions. The Knight, the Yeoman and the Prioress all have their personal character traits exemplified through their attire. How people dress often give insight into the real person beneath without spoken words. One can judge a person by their outward appearance, but remember that other complex and interesting layers dwell beneath the surface.
In his prologue, Chaucer introduces all of the characters who are involved in this fictional journey and who will tell the tales. One of the most interesting of the characters introduced is the Knight. Chaucer refers to the Knight as “a most distinguished man” and, indeed, his sketch of the Knight is highly complimentary. Another Knight seen in the “Canterbury Tales” is the rapist knight in the Wife of Bath’s Tale, who is not a very noble knight and doesn’t follow a chivalric code. This knight seems more realistic as opposed to the stereotypical ideal knight that Chaucer describes in the Prologue. It is hard to believe that such a perfect knight existed during that time.
In the beginning, the knight wasn’t your typical noble knight. He contained questionable morals, making him seem like an undignified character. Unable to censor himself from his impurity, he forcefully took the “maidenhead” of a young girl one day when he was riding from the river (Chaucer 79). Despite all her
He was a truthful, generous, and noble man “ To ride abroad had followed chivalry / Truth, generousness, and courtesy (45-46).” He wore a stained linen and cotton tunic from his armor “He wore a fustian tunic stained and dark / With smudges where his armor had left a mark (77-78).” The Knight can be compared to The Squire by his connections, battles, sin or virtue, and appearance.
The General Prologue provides a great deal of information regarding the Knight’s appearance. The Knight entitled by rank to wear the finest of garments and clothes, is dressed in armor that is shabby, rusty, and possibly useless. The fact that he humbly adorns the uncomfortable suit, and even carries his bloodstained sword, indicates the knight’s sense of honor and tradition, but also shows the means by which...
“The sixteenth century was one of the most extravagant and splendid periods in all of costume history and one of the first periods in which modern ideas of fashion influenced what people wore” (Sixteenth-Century Clothing). During the sixteenth century, fashion was revolutionary, especially Elizabethan and Italian fashion. Much of the Elizabethan and Italian fashion was influenced by dress that came from other places of the world, but they modified the costume to fit their own style and desires. What people wore back in that era was based upon social class. The wealthy people and ones given a title wore luxurious clothing during this time period. Cheaper and lesser quality dress was worn by those of a lower class. Distinguishing who a person was and what class they came from was made easy by the Sumptuary Laws. These Laws ensured that no one could be mistaken for the wrong class. No choice was given to people; they wore what defined them. Although there were laws to regulate what people wore, Elizabethan and Italian fashion remained sensational.
Finery was the culminating way for individuals to display their prosperity. Rich men were normally seen in suits of the best fabric, giving them a strong professional introspection. Men like this automatically gained more respect than men of the lower class because the classier they looked, the more intimidating they became in the eyes of others. Women who wore excessive jewelry and extravagant outfits tended to stand out, making them more desired by men and envied by other women. Author Elizabeth Hurlock described that fashion reflects how a person is viewed by society (Themes in American History). She also stated, “One of the chief values of clothing is that it enables people to advertise themselves in a way that will win the attention and admiration of others” (Themes in American History). Those who had an ambition for this kind of attention believed that in order to stand out, they had to be diverse and best way to do this was by dressing in a luxurious ...
The Friar and the Parson, as described in the General Prologue of the Canterbury Tales, can be used to portray both the good and the bad sides of clergy. They make a stark contrast to each other, often even directly, with their characteristics as told by the narrator. From physical traits to their actions, these two pilgrims are almost exact opposites in certain ways. Their motivations for these actions describe the differences in the mind sets of the good holy man and the one who is less true to his orders, the Parson and the Friar respectively. Throughout their portraits, the descriptions of the two are set at odds, so as to highlight their contrariety.
In conclusion, clothing is used for multiple reasons in the novel. Hester uses it as a form of rebellion, it is her way to express her feelings through garments. In addition, it is her way of rebelling against Puritan society, by dressing Pearl in colors much not the norm to the society. In addition, clothing is also used to reflect character and situation in the novel. The clothes worn by Chillingworth and by the witch foreshadow their character. Colors of clothing are also important. The use of bright colors, such as crimson, and gold conveys how dissimilar Hester and Pearl are viewed by the Puritan society, which generally dresses in plain, emotionless colors.
... Therefore, the traditional feudal system fell apart, and the middle class began to grow. The middle class tend to question the beliefs of moral standards and religion in their lives. Chaucer has members of the middle class as being a third of the total amount of pilgrims. The rise of the middle class and the decline of the nobility were illustrated by the numbers in the pilgrimage. Although in Chaucer’s society, the middle class was not a third of the population, he felt it was important to make them a large part of his story, due to their rising importance. The Knight is symbolic of those who belong in the highest social class, or the nobility. His peacemaking, gentle behavior is meant to contrast the lower social class, or the Miller and Reeve characters. The Knight is one of the only characters who has a noble position, and he keeps to the old ideals of chivalry.
Ever since their invention many centuries ago, clothes have been used as a way of communicating. The message communicated relies on a number of factors including the social background of both the communicator and the receiver, and the context in which the message is communicated. Although at times the exact message or symbolism one is trying to portray may not be clear, it is evident that clothing has long been embraced as one of the best ways to project one’s desired personal image to those around them.
In the tale, The Knight’s Tale, Chaucer made sure not to deviate away from what he saw during his time because some qualities emerged as prominent figures. The Knight’s Tale made sure to exemplify the idea of courtly love and what it truly means to be a knight who follows the code of chivalry. Some of the qualities of being chivalrous is being generous, honest, courageous, and supporting the notion of justice, which the readers can see that Chaucer understood the significance of the noble behavior and how that affected people at that time. Furthermore, the article, “The Canterbury Tales for Poetry of Students” highlighted how the noble life of the chivalry was a momentous part of the tale since the tale was “a comment on the possibilities
One of Geoffrey's less believable main characters is the Knight, for reasons of chivalry. The knight displays many traits which make him seem almost too good to be true, and a true gentleman that rarely exists in reality. The narrator sums up the knights character by stating that "Though he were worthy, he was wys,/And of his port as meeke as is a mayde." (pg. 5, The Canterbury Tales) The knight holds four main admirable traits, making him the most liked traveler in "The Canterbury Tales," and also amplying the doubt of his realism. The reader is prepared to learn of each of his noble accomplishments and importance when the narrator remarks that" A knight ther was, and that a worthy man,/That fro the tyme that he first bigan/To ryden out, he loved chivalrye,/Trouthe and honour, fredom and curteisye." (pg. 4, The Canterbury Tales) From the characters impressive introduction, it is clear that this man is the most valued and honorable traveler among the group. This perfect gentleman holds a love of ideals that are often not displayed by people. First and foremost, he believes in the ideals of chivalry, and always stays true to its principles. He also feels that one should be honest, truthful and faithful, which many people are not all of these ideals. The knight thinks one should only do what is right, and what will gain him honor and reputation. This character also believes in freedom and generosity towards all, and displays this ideal repeatedly throughout the novel. And lastly, the knight also strongly feels that any proper person should display courtesy and elegance at all times. Another aspect of this character's life which makes him seem too prestigious to be truthful is his impressive military career. He fought in the holy war, known as the Crusades and was involved in 15 "mortal battles." In the prologue, the narrator informs the reader that "Ful worthy was he in his lordes werre,/And therto hadde he riden, no man ferre,/As wel in Cristendom as hethenesse,/And ever honoured for his worthinesse.
In the General Prologue of The Canterbury Tales, the narrator, Geoffrey Chaucer, meets twenty nine pilgrims at the Southwark at the Tabard Inn. They are all going to Canterbury Cathedral to visit the shrine of Sir Thomas Becket. Chaucer decides to tag along, taking some time to describe each pilgrim. The author uses many metaphors, personal histories, and examples of how they would act in certain situations to fully describe the characters in the story. However, some of the pilgrims are given only a few lines of direct description in a very straightforward, visual manner. One of the characters in the tales is Squire, who gets only twenty lines of details, focusing on his appearance, his abilities, and his sexuality.
Clothing is something that defines a person, and allows society to have an outlook on an individual’s lifestyle and beliefs. Unlike criticizing other material things like a car, a home or even something as simple as a television set, criticism of clothing is very personal. This suggests that there is a high correlation between clothing and personal identity and values. (Breward, pg.1) Clothing in a sense has the ability to communicate thought. However, similarly to art interpretations, this does not mean that any two people will perceive these visual aesthetics similarly.
In The Canterbury Tales, author Geoffrey Chaucer writes of the journey several pilgrims make from London to Canterbury to visit the shrine of St. Thomas Becket. Many of the pilgrims are discussed at great length, from their physical appearance to their personality traits. Many of these pilgrims represent a paradigm of their role in the 14th century when this set of tales was written. For example, the knight represents chivalry and honor to the highest degree, while the pardoner embodies Chaucer’s view on several negative aspects of the religious system at the time. These characters are the opposite extremes of Chaucer’s totem pole of morality, but most characters reside somewhere in the middle. Two of these characters are the Sergeant of Law