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Comparative literary analysis on play by samuel beckett
The absurdity in Samuel Beckett's Waiting for Godot
Portrait of Franz Kafka
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Travis Maynard
Dr. Wilder, Dr. Krusiewicz
Mid 120 (Paper Assignment One)
17 February, 2014
Nothing Is More Real Than Nothing
The literary works of Samuel Beckett and Franz Kafka have created environments in which the characters are implanted into ludacris and gloom filled realities. The characters are in absurd situations with no explanation of the events that are happening, or going to happen. The question stands, why did these authors place the characters in these destroyed worlds with no hope of resolution? I argue that the history of the authors and the environments in which they lived has a direct correlation to the charactaracters and the dark writing styles of the authors. To relate the characters and environments of the stories to the authors lives, one must first take a look at the history of the authors as well as characters. Looking at the lives of Beckett and Kafka at the time these stories were being written can help to determine the mindset and styles of both authors and how they relate their own real life problems to their characters fictional settings.
Topic I - The Worlds Of The Authors
Franz Kafka was born in Prague in 1883 into a Jewish family. His father, Hermann, was a business owner, and his mother, Julie, was a homemaker. Tragedy struck early in Franz’s life when his siblings passed away when he was 6. Hermann showed a dictatorial way of life during Franz’s childhood which left him very isolated. At this time in Europe, there was a substantial amount of anti-semitism and bigotry towards jews. Not only did Kafkas family receive intolerance for being jewish, but the family was also a german speaking family in the Czech Republic. Kafka was in a completely isolated world, not only from his family, but a...
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...ies, and plays. His play Waiting for Godot was written in 1948 and was completed in 1949. The show opened in a theatre in Paris in 1953, and has been duplicated many times since. Many of Beckett’s works are in a war land and have dark influences and story lines. Beckett’s writing style is heavily influenced by the effects of war on his own life. In Waiting for Godot, they are in a barren wasteland, waiting hopelessly for something, much like a soldier at war, waiting to strike their enemies. Although not all of his writings are about war.
Throughout Beckett’s life, was very secretive. He didn’t like to leave his estate towards the end of his life and he also got married in secret. He liked isolation and removing himself from reality. This may have been an influence on his writing style as well, leaving his characters alone in a vast and overwhelming world.
In “A Hunger”, “The Penal Colony”, and Metamorphosis by Franz Kafka, Kafka succeeded in showing his individuals as obsessed with their profession; however their obsession caused their doom because society asks so much from an individual, only so much can be done. However, regardless of that, these individuals choose their work over themselves, and not even bad health or death can stop them. Because society places immures pressure on Kafka’s work obsessed character, they neglect their well-being and cause their own downfall.
Edgar Allan Poe is one of the most celebrated writers in American literature. He is well known for his style of writing which is dark and morbid in nature. Poe makes use of irony as well as foreshadowing in many of his stories including the short story “The Cask of Amontillado”. For the most part, Poe's descriptions in his writings are haunting and realistic. Some often speculated that Poe derived his unique style of writing from his personal life struggles. His stories are written with deep emotions that make his audience feel a connection and they can create an image of themselves experiencing what is happening in his writing. Poe dedicated most his stories into specific categories which stayed within a genre and those who admire his work are never mistaken for someone else’s. Another American writer, whose writing manifests her life experiences, is Kate Chopin. Chopin is late 19th century writer who used her writing to voice her dissatisfaction of current principles of the time. In her time, women had fewer rights and they were not considered equal to men. Chopin’s “The Story of an Hour” is about how someone can be stuck in a miserable and unsatisfying reality because of other’s thoughtlessness, oppression, and domination. Edgar Allan Poe’s “The Cask of Amontillado” and Kate Chopin’s “The Story of an Hour” share similar elements of irony, foreshadowing, and symbolism. In addition to using similar elements of writing, Chopin and Poe are greatly influenced by their struggles with their own personal life and society. Both author’s stories reach out to their audience not only about what they have witnessed and experienced, but also revealing to them to how the society were in the past.
The bizarre is endlessly fascinating, and Franz Kafka’s work is no exception. It pulls you in, glances dismissively at you, and spits you out, leaving you wondering what it knows that you do not. There is something at once familiar and deeply unsettling about his work, leading to the creation of a new word: Kafka-esque, meaning that something has a twisted, complex, nightmarish quality. Kafka’s longer works are invariably more bizarre, as there is more space and time for the work to develop. When a work is only 76 words like “Kleine Fabel”, however, each word has far more impact and significance. As such, Kafka deliberately chose each word, and each word in turn holds significance and meaning beyond a simple translation. In analyzing translations
Samuel Beckett was forty-two years old and living in post-war Paris when he wrote Waiting for Godot as an exercise to help rid himself of the writer's block which was hindering his work in fiction. Once he started, he became increasingly absorbed in the play, and scribbled it almost without hesitation into a soft-cover notebook in a creative burst that lasted from October 9, 1948, until he completed the typed manuscript on January 29, 1949. After some revision, he offered the script to several producers, but it was refused. Although Beckett himself gave up hope with the script, his wife was more persistent, and, acting as his agent, she continued to approach producers. Finally, she met with actor/producer/director Roger Blin, who had produced a string of four under-funded and under-attended productions of Synge and Strindberg. Blin was immediately delighted with the piece. Unfortunately, money to produce the play was difficult to come by. Years passed between the writing and the actual production of the work.
...dysfunctional family, amidst their painful existence, manages balance their powers and to mutually co-exist. Words have much power, and Hamm retains his grip on his family by his commands. However, Clov – Hamm’s eyes and limbs – has power that matches Hamm’s, because if Clov leaves, no one will be able to physically support them. Nagg and Nell have the power of words and memories, as well as that of listening skills. They are the perfect audience for Hamm, who feels that dialogue is his main reason for living. Without them, Hamm will have no more reasons to continue living. Precariously balanced, the power play in Beckett’s play is like that of its title: an endgame fraught with dangers and overshadowed with doom.
Franz Kafka, b. Prague, Bohemia (then belonging to Austria), July 3, 1883, d. June 3, 1924, has come to be one of the most influential writers of this century. Virtually unknown during his lifetime, the works of Kafka have since been recognized as symbolizing modern man's anxiety-ridden and grotesque alienation in an unintelligible, hostile, or indifferent world. Kafka came from a middle-class Jewish family and grew up in the shadow of his domineering shopkeeper father, who impressed Kafka as an awesome patriarch. The feeling of impotence, even in his rebellion, was a syndrome that became a pervasive theme in his fiction. Kafka did well in the prestigious German high school in Prague and went on to receive a law degree in 1906. This allowed him to secure a livelihood that gave him time for writing, which he regarded as the essence--both blessing and curse--of his life. He soon found a position in the semipublic Workers' Accident Insurance institution, where he remained a loyal and successful employee until--beginning in 1917-- tuberculosis forced him to take repeated sick leaves and finally, in 1922, to retire. Kafka spent half his time after 1917 in sanatoriums and health resorts, his tuberculosis of the lungs finally spreading to the larynx.
Kafka, Franz, and Mark Harman. Amerika: The Missing Person: A New Translation, Based on the
abandoned the conventions of the classical play to concentrate on his important message to humanity. Using his pathetic characters, Estragon and Vladimir, Beckett illustrates the importance of human free will in a land ruled by science and technology. He understood the terrors of progress as he witnessed first hand the destruction caused by technologically-improved weapons working as a spy during WWII. In his tragicomedy, Estragon and Vladimir spend the entire time futilely waiting for Godot to arrive. They believe that this mysterious Godot will help them solve their problems and merely sit and wait for their solution to arrive. Beckett utilizes these characters to warn the reader of the dangers of depending on fate and others to improve one's existence. He supports this idea when Estragon blames his boots and not himself for the pain in his feet, and Vladimir responds, "There'...
Kafka faced isolation not only in his family but in the whole community of Prague too, thanks to German-speaking people being a minority there. Being a jew, he was generally hated in the community (anti-semitism). His complicated network of identities and thoughts are usually considered the source for many of his sophisticated literary works.
Unlike many modern writers, Franz Kafka was heavily influenced by his religion and the culture that accompanied it. This interest caused him to maintain a substantial interest in the Yiddish Theater for the rest of his life. Kafka’s parents were very minimalistic regarding Judaistic practice, so Kafka did not embrace his spiritual culture until he moved away from his parents (Beck xii). Once he realized that there was a new outlet for him in spirituality, he identified as a Jew, but was uncertain in his beliefs after living for such a long time without religion (Wilson 1). Being that he was in a mentally turbulent state, his ambivalence toward religion was reflected in the confusion of The Metamorphosis. After taking interest in his religion, he began attending plays put on by the Yiddish Theater Troupe. More than anything, Yiddish ...
When Alan Schneider put the first American performance of Waiting for Godot, he asked Beckett who Godot is or what is Godot, Beckett said: “If I knew, I would have said so in the play.” This is a useful warning to anyone who is coming to the Beckett’s play with the intention to find the key to understand and accurately identify the meaning. However, it is not surprising that the plays written in this unusual and mysterious manner are perceived as if there is a particular need to disclose their secret meaning translated into everyday language. Does Godot mean the intervention of supernatural forces, or does it symbolizes the mythical foundation of life? Does Godot’s arrival change the situation? In any case
To fully understand this story, it’s important to have some background information on Franz Kafka. He was born into a German speaking family in Prague on July 3rd, 1883. He was the oldest of six children. His father Harmann Kafka was a business man. His mother Julie Kafka was born into a wealthy family. Kafka considered the vast differences in his paternal and maternal relatives as a “split within himself” (Sokel 1). Kafka felt that “the powerful, self-righteous, and totally unselfconscious personality of his father had stamped him with an ineradicable conviction of his own inferiority and guilt” (Sokel 1). He felt the o...
The Web. The Web. 07 May 2014. The "Franz Kafka Biography." Bio.com.
Franz Kafka’s “Before the Law” is often referred to as a parable. Thus, it is logical to approach Kafka’s work as an allegory and search for the deeper meaning underneath the story. We can then try to uncover the identity of the characters; of the gatekeeper, the man from the country, and the Law and subsequently relating them to something that fits the example of the plot; a man’s confused search for god, a man’s quest for happiness but never accomplishing it, a academic’s quest for recognition which never comes. Any given number of innovative readers...
...hin Waiting for Godot. The text is made up of two acts that mirror each other in content, as a convention of the Theatre of the Absurd. Vladimir and Estragon’s existence is cyclical and repetitive as indicated through the stage directions at the beginning of Act 2, “Next Day. Same Time. Same Place.” Vladimir and Estragon are incapable of moving on with their lives, as they are fearful of the repercussions and decisions that may affect their fate. This heightens their anticipation for the arrival of Godot and traps them into complete stagnation. Beckett uses this circulatory structure to effectively communicate the entrapment of humanity post the atomic bomb. As a result of the rejection existential notions, civilisation will remain static until they are freed from their anguish. Beckett further displays Cold War Anxiety through his character little regard for life.