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disguise/mistaken identity in shakespeare
The theme of Identity in literature
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Shakespeare uses the idea of disguise in many of his plays. It is used as an escape from the characters’ personalities and sometimes for comic effect. In As You Like it, the disguise becomes very comical as in the time it was written only men could act on stage. This could lead to much confusion and comedy in the roles of those in disguise. Disguise can give the freedom to a character to act how they like and a chance for them to show their views. It was in the 16th Century that there became an increased sense of self consciousness and identity. This led to people creating an image for themselves. If one can create a self, they can create many different versions of themselves each showing a different aspect of that person. This links in very well with As You Like It because in the play, Rosalind creates many different disguises of herself. At one point she is disguised as a boy acting as Rosalind. Rosalind and Celia are the main focus for disguise in As You Like It. To ensure safety on their travels in the forest of Ardenne, they disguise themselves – Rosalind as a boy named Ganymede and Celia as a peasant named Aliena. Their names are also important to disguise. Aliena is similar to the Latin ‘Alius’ meaning other. Ganymede was a Trojan mythological hero. Rosalind also uses her disguise to test Orlando’s (the man she loves) feelings for her.
One central point is Rosalind’s disguise as a boy. When Rosalind is not disguised she finds it hard to act how she likes without discrimination. For example before Orlando wrestles with the court wrestler, Touchstone says that it is not a sport for women to watch;
“It is the first time that ever I heard breaking of ribs was sport for ladies.”
As a woman, Rosalind is expected to conform ...
... middle of paper ...
...ey are in the forest. There is no major reason for them to be disguised other than the fact that they are in the forest. When they sing and dance, they are revealing what they want to be. In the town, the courtiers are restricted to their life of seriousness. The forest enables them to act how they like.
To conclude, I believe that the characters do reveal themselves through disguise but not entirely. The personality of Rosalind was revealed through the way she enjoyed to trick people, the personality of the courtiers was revealed by their playful attitude in the forest and the personality of Orlando was shown by the fact that he did not disguise. To him everything is in the open and he has no secrets. Love is the only disguise. However, by looking at the different aspects of the characters’ personalities in their different roles, their behaviour is fully revealed.
Timothy Findley and Shakespeare use the theme of appearance versus reality in their texts: The Wars and King Lear. Characters in the novel and the play: Robert, Goneril, and Regan, intentionally appear to be something they are not in order to achieve a goal. However, they differ in where it leads them by the end, as in King Lear the characters die, unlike in The Wars where Robert cannot escape his true self and goes back to follow his personal morality.
1. William Shakespeare, the most popular playwright of all time, experiments with comedy, mystery, betrayal, romance, and tragedy in his play, Hamlet, Prince of Denmark. The author uses a variety of characters from different social backgrounds to give us an elaborate picture of deception. From the opening line of "Who’s there?" the reader gets the impression that people are not what they seem in this play. The interrelationships between the royalty and people of the court are well-developed to illustrate the major and minor similarities and differences between the characters. Shakespeare reveals the deceptive nature of man and the ruin it causes through his use of foils. [Many of the other essays did not follow the directions and used the definition of foils as the introduction. This writer understood that the essay was to be about the use of foils in the play. The introduction, therefore, is about the play, and it leads up to a thesis which briefly states the function (meaning) of the foils within the play. The thesis, in other words, does not simply state that the essay will discuss foils in the play, but rather that the essay will show how the foils help reveal the deceptive nature of man and the resulting ruin. This is, I believe, also the only writer who alludes to "Who's there?" and thereby nicely connects the essay -- and thus the foils -- to much of what I emphasized in class discussions of the play.]
Blanche and Viola contribute to the development of the theme of hidden identity, although their methods of disguise differ. Viola’s disguise is more obvious to the audience at the start. Viola’s focus is on disguising her physical identity; it is necessary for Viola to hide her identity so she can start to re-build her life. However, the same could be said for the intentions of Blanche’s disguise. Blanche’s disguise covers her past actions and her present emotions. Both women cling to their disguises through the plot but they have very different relationships with their disguises. Viola’s hidden identity is born out of the need to survive and she views her disguise as a “wickedness” (II,ii, 24). Blanche, on the other hand “[doesn’t] want realism” and uses her disguise to shield others and herself from the reality of who she really is (Williams 86).
While we all may be shown different faces and persona’s each day, it never becomes clear which a true personality is and which is just a mask. Joyce Carol Oates demonstrates the need for her characters to disguise themselves from the rest of society in order to either be accepted by others or to be seen in a more pleasant manner. However, these characters who conceals themselves are ultimately hurt because of their inability to shed their false fronts and accept who they truly are.
Both the play and the film use disguise as one of the main comedic elements. In The Taming of the Shrew, Lucentio is disguised as a Latin tutor in order to 'woo' Bianca, as he falls in love with her the moment he sees her. As Lucentio is disguised as a Latin tutor, there will be no Lucentio, but as Lucentio is an important man, people will notice if he's gone and will wander where he is. For this reason, Tranio, Lucentio's servant, disguises himself as Lucentio. Also, Hortensio is disguised as a music tutor, as he also falls in love with Bianca.
Hamlet is Shakespeare’s most famous tragedy, which contains and portrays many themes in outstanding ways. Throughout this play, the title character, Hamlet, is obsessed with trapping a culprit and bringing him to justice. (Hamlet, 15) Sorting fact from fiction and appearance from reality is a major theme of the play. Appearance vs. Reality encircles throughout the play and remains constant. It’s about those characters that play their roles behind the veil of duplicity. Within the play, everything appears to be true and accurate, but in reality it’s vice-versa. (Hamlet- Appearance vs. Reality) In this play, Appearance vs. Reality is dealt with by many characters. The way Shakespeare used this theme in Hamlet is not only interesting, but quite astonishing in the way it affects the play in general, but the ending tremendously.
The essentially healthy emotional intelligence of Rosalind and Orlando and their suitability for each other emerge from their separate encounters with Jaques (in some editions Jacques), the melancholy ex-courtier who is part of Duke Senior's troupe in the forest. Both Rosalind and Orlando take an instant dislike to Jaques (which is mutual). And in that dislike we are invited to see something vitally right about the two of them.
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
“No plot device is more constantly recurrent in Shakespearian drama than is disguise.” (P.V.Kreider). Throughout many of Shakespeare’s works deception is credited as among the most frequently visited plot devices. Even the actors themselves in the original performances of the plays donned a disguise in order to deceive the audience, being male dominated the actors had to
Viola's male masquerade also calls attention to the more general theme of masking. As Cesario, Viola suggests that things are not always as they seem, that identities are protean, that self-deception rivals self-knowledge and that only Time can untie complicated "knots." Coppelia Kahn points out that the cross-dressing in Twelfth...
Central to the pastoral vision of As You Like It is the setting in the Forest of Ardenne, especially the contrast between it and the ducal court. In the former, there is a powerful political presence which creates dangers. Deception lurks behind many actions, brothers have secret agendas against their brothers, and people have to answer to the arbitrary demands of power.
Function of Disguise in Twelfth Night by William Shakespeare William Shakespeare's Twelfth Night is a play based around disguise in the form of deception and becoming someone different. In Twelfth Night, disguise takes many different shapes from physical disguise to mental disguise. Disguise is one of the main topics of the play and helps to create the plot. It brings in confusion and comedy as well as the darker and sadder side of the play which is disguised as fun and happiness. Disguise is evident from the very beginning of the play.
From the beginning of the play the Duke shows his fascination with the art of disguise. He has Lord Angelo takes his place and he in turn becomes a friar in disguise. Throughout the play this notion of false identity and exchange of identity plays an important role for the Duke and also for the characters in the play.
In William Shakespeare’s play, “Hamlet”, It is quite evident that Polonius, King Claudius, Rosencrantz and Guildenstern are all two faced. The theme of appearance versus reality is shown multiple times in the play through these characters. Polonius, King Claudius, Rosencrantz and Guildenstern all first appear to be honest and sincere. As the play continues, each character’s true self is discovered and in reality they are all evil and
...disguise to add comic effect by encouraging humour of an audience via the ‘theories of laughter’. Comic effect is accurately demonstrated by Shakespeare’s incorporation of confusion, disorder and farce. However, it can be concluded that Shakespeare’s use of mistaken identity and disguise was for the purpose of more than just for comic effect, but to highlight the audience more serious topics and challenge social norms and values of the period. Ironically, it can be inferred that Shakespeare has masked his underlying purpose of mistaken identity and disguise with comedy.