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Shakespeare's Greatness: Much Ado About Nothing, and King Lear Essay

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The ability of an author to capture the interest of the audience has and will always be an important factor in the art of storytelling and even the expression of research or related material. When an author is able to seize the attention of any partaking of their work, curiosity will develop which will lead to the wonder of what the conclusion my bring about. Not only is it important to snatch the audience’s attention in the beginning, it is necessary to hold it prisoner throughout the tale. Authors do this by having an interesting plot development in which many unexpected details come into play and the course of the story is thrown from the norm and into the conflict. Shakespeare was a master of this art in the work he produced throughout his life and was able to create stories of humor and those of tragedy. For example, his play King Lear is a terrible tragedy in which many awful things take place and the story ends by disastrous means. While in the play Much Ado About Nothing, very little conflict is present and if it is, it is resolved quickly and the play concludes with the joyfulness of marriage nuptials. His ability to develop plot and story in a way in which the audience who love to devour, Shakespeare will in a way immortalize himself, “Shakespeare proved himself to be both the "soul of the age" his works reflected and adorned and the consummate symbol of the artist whose poetic visions transcend their local habitation and become, in some mysterious way, contemporaneous with ‘all time.’” (Andrews) As stated, Shakespeare went beyond his time and created traditions, symbols, sayings, and even stories that people today will remember forever. King Lear and Much Ado About Nothing are each examples of Shakespeare's detailed ...


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...=GALE&role=LitRC>. Second.

Mabillard, Amanda. “Why is Shakespeare important?” Shakespeare online. N.p., 20 Aug. 2000. Web. 19 Jan. 2014. . Fourth.

Partee, Morriss Henry. “The Comic Equilibrium of Much Ado about Nothing.” Shakespearean Criticism. Vol. 88. N.p.: n.p., 1992. N. pag. Literature Resources from Gale. Web. 19 Jan. 2014. . Third.

Smith, Austin. “Great Shakes.” New York Post 8 May 2011: n. pag. NY Post. Web. 19 Jan. 2014. . Fifth.


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