Shakespeare’s Hamlet explores the motif of madness through the portrayal of Prince Hamlet and Ophelia; Shakespeare portrays the madness as originating from King Hamlet and Polonius, the two overbearing fathers within the story. The two fathers can be seen as the catalysts for their children’s madness, whether the madness be feigned or not. Ophelia and Hamlet have in them residing a love that they must hold at bay due to the requests by their separate fathers; one father sends his child on a mission of vengeance that leaves no time for love and the other father fears for his child’s reputation so requests that they stay away from their beloved. This love deprivation acts as only one example for the causes of the tragic events taking place thus leading to this conclusion: these fathers bring about madness, which in return secretes tragedy from its wake, rendering every tragic act that takes place on the actions and decisions of King Hamlet and Polonius.
The interesting contrast between Ophelia’s and Prince Hamlet’s madness comes from Shakespeare’s ability in presenting the mental illness. Shakespeare uses Prince Hamlet’s ambiguous characterization to drive the plot of Hamlet; while Shakespeare clearly divulges to Ophelia’s being mad, at the hands of King Hamlet and Polonius, he presents Prince Hamlet’s characterization with more subtlety as to whether Hamlet only feigns his entire madness or actually succumbs to to a mental breakdown.
Shakespeare’s exploration of madness begins with Ophelia’s forced repression of love. According to Robert Burton, “Ophelia suffers from hysteria, a malady often ascribed to upper class women who bide their time in their fathers’ homes while awaiting fulfillment of their culturally mandated roles ...
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...long. When his repression reached its boiling point Hamlet lost control which indicates the very madness he feigns as something more real.
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At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
One of the most emotional and moving scenes in William Shakespeare's tragedy Hamlet is in Act III, Scene I lines 90-155 in which the title character becomes somewhat abusive toward his once loved girlfriend Ophelia. It is interesting to examine the possible motives behind Hamlet's blatant harshness in this "Get the to a nunnery" scene toward the easily manipulated and mild mannered girl. While watching Kenneth Branagh and Mel Gibson's film adaptations of the play, the audience may recognize two possibilities of the many that may exist which may explain the Prince's contemptible behavior; Kenneth Branaugh seems to suggest that this display of animosity will help the troubled man convince his enemies that he is in fact demented, whereas the Mel Gibson work may infer that Hamlet's repressed anger toward his mother causes him to "vent" his frustrations upon Ophelia, the other female of importance in his life.
The play Hamlet is known for its eccentric plot and warped sense of reality as well as its fanatical characters. Hamlet himself created all the drama in the play with his pretend “madness” and his emotional outbursts, which lead to the destruction of almost all of the characters in the play. The most notable self destruction came from Ophelia, Hamlet’s object of affection. During the play, Ophelia had undergone a lot of stress which lead her character to metamorphous.
Throughout the play, Hamlet, written by William Shakespeare, the unclear representation of the protagonist’s actions is present. The protagonist, Hamlet, conducts the idea that he is turning mad. Although, there are many indications which support that this so-called “madness” is part of an act that Hamlet portrays. The other characters within the play try to understand the reasoning behind Hamlet’s madness, but cannot figure out the truth behind it. The main cause of Hamlet’s madness is the realization of his father’s death and the numerous influences his father’s death has on his life. Hamlet can control his actions of madness and specifically acts differently around certain characters. The characters who are more concerned
Hamlet is a masterpiece not because it conforms to a set of conventions but because it takes those conventions and transmutes them into the pure gold of vital, relevant meaning. Hamlet’s feigned madness, for instance, becomes the touchstone for an illumination of the mysterious nature of sanity itself (44-45).
Hamlet could not acknowledge what had happened, so he made a guarantee to retaliate for his father’s demise by killing Claudius. The soliloquy exhibited by Hamlet, requesting that whether to be or not to be, is one of the speeches in the play that draws the audience. This is something that the audience can identify with it, and they can expect what is to come and see the advancement of the characters. There is additionally the case of Ophelia, who ends up insane on account of the demise of her father Polonius. Ophelia winds up troubled, crazy, and confused while the other characters start to see her madness when her father is killed. She is one of the characters that move toward becoming seen as a prattling fool all through the play in light of the crazy disturbances she has. This exposition will demonstrate that the Elizabethan audience is targeted by Hamlet through the study of the characters Ophelia and Hamlet. In particular, it will be analyzed; Ophelia and Hamlet's craziness, and the play's connection to regular day to day
The volume of works that Shakespeare wrote over the course of his lifetime was extensive. In that volume are stories that have influenced so many stories written later, stories that have influenced how many define things like love. Romeo and Juliet is perhaps his best-known work and defined western civilization's concept of love for generations. While slightly lesser known, Hamlet has had much the same degree of impact. This revenge tragedy truly defines the genre and opens up dialogues to many things, like madness. It is often the madness of Hamlet that is delved into but Ophelia too went mad in the end. While her father's murder at the hands of Hamlet undeniably contributed to her suicide, it was not the sole cause. Ophelia was driven to suicide by the way the men in her life treated her.
Melancholy, grief, and madness pervade Shakespeare's great tragedy, Hamlet. The emotional maladies presented within Hamlet, not only allow the audience to sympathize with prince Hamlet, but also with the tragic lady Ophelia as well. It is Ophelia who suffers at her lover's discretion because of decisions she was obligated to make on behalf of her weak societal position.
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
Shakespeare wrote Hamlet during the Elizabethan age, which is the time period when England was under the reign of a woman for the second time. Despite this, the sustaining years of the traditional patriarchal society was still a basis that many people in 16th century England followed. This would explain for Ophelia’s quick compliances to the standards of the men close to her. A more in-depth examination of this can be made in act 4, scene 5 of Hamlet, which has also been nicknamed the “Mad Ophelia” scene. Patriarchal constraints can be seen when both Hamlet and Ophelia showcased their “madness,” but one is considered acting while the other is diagnosed as mad as King Claudius says, “…poor Ophelia, Divided from herself and her fair judgment,” [IV.V.85]. Actress Frances Barber interpreted Ophelia as “acutely intelligent and highly perceptive” instead of mad, which opposed Elaine Showalter’s argument that Ophelia’s madness stems from a “predictable outcome of erotomania” (139, 287). In addition to these arguments, Ophelia is repressed for she can’t speak out her mind unless she acts hysterical. Hamlet, on the other hand, has more freedom in this category whether he acts sane or not. What Shakespeare conveyed in this scene is not madness, but the voice of a repressed woman.
Throughout the play the entire cast of characters feel the wrath of Hamlet's madness. It effects everyone. His madness drives the play. It brings characters in while cutting some out and even changes characters like Ophelia. After Hamlet kills Polonius, Ophelia goes insane herself.
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
In Lewis Carol’s, Alice in Wonderland, he tells of the meeting between two of his characters, Alice, and the Mad Hatter. Carol writes about the struggles the young girl Alice has with him due to the fact that he appears to be entirely crazy, though the question stands if there is some method to his madness. Playwright and actor, William Shakespeare, uses this controversial connection between real madness and loss in his play Hamlet, portrayed in his characters Hamlet, and his crazed actions towards his loved ones, in Ophelia and her reaction to the death of her father, and lastly, in his character Laertes and his quick, rash reaction to act upon his desire for revenge.
The tragedy of Hamlet by William Shakespeare is about Hamlet going insane and reveals his madness through his actions and dialogue. Hamlet remains one of the most discussed literary characters of all time. This is most likely due to the complex nature of Hamlet as a character. In one scene, Hamlet appears happy, and then he is angry in another and melancholy in the next. Hamlet’s madness is a result of his father’s death which was supposedly by the hands of his uncle, Claudius. He has also discovered that this same uncle is marrying his mom. It is expected that Hamlet would be suffering from some emotional issues as result of these catastrophes. Shakespeare uses vivid language, metaphors, and imagery to highlight how Hamlet’s madness influences several important aspects of his life including his relationships and the way he presents himself.
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character.