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Explain how Shakespeare explores gender
Explain how Shakespeare explores gender
Explain how Shakespeare explores gender
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Valerie Traub claims that ‘the meanings of homoerotic desire during the early modern period seem to have been remarkably unfixed, with contradictory meanings existing across a complex and fractured field of signification’ (‘Desire and the Differences it Makes’ in The Matter of Difference: Materialist Feminist Criticism of Shakespeare). Choose ONE play on the module and discuss the ‘meanings’ of homoerotic desire.
“Not only did legal, moral, religious and literary discourses understand and evaluate homoeroticism differently, but within each discourse there existed contradictory positions.” Here, in her essay Desire and the Difference it Makes, Valerie Traub observes that homoerotic desire had a variety of “meanings” in the Early Modern Period. She, however, refers to the “act” of sexual intercourse between two men as being the form of homoerotic desire categorised as ‘sodomy’. By focusing on playwrights such as William Shakespeare, who recognised this ambiguity and chose to explore it in particular works such as his Othello, we can see how the idea was represented at the time. However, it appears that not only the ‘meanings’ of ‘homoeroticism’ were unfixed, but that the words ‘love’ and ‘friendship’ were also ambiguous and period-bound. The word ‘love’, for instance, had four distinct meanings in classical Greek and so it is not surprising that we have difficulty in engaging with the past.
By examining the context of these terms, what can be seen is that homoerotic activity has been visible throughout literature and the visual arts since antiquity. However, from our perspective we need to be cautious in making assumptions about what the ‘meanings’ were actually inferring at the time. For example, an understanding of the wo...
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...osexuality and the Signs of Male Friendship in Elizabethan England’ in History Workshop Journal, 29 (1) http://hwj.oxfordjournals.org/content/29/1/1 (accessed 24/03/11).
DiGangi, Mario, ‘Introduction’ in The Homoerotics of Early Modern Drama (Cambridge: Cambridge University Press: 1997)
Honigmann, E.A.J. ‘Secret Motives in Othello’ in Shakespeare: Seven Tragedies (New York: Barnes & Noble Books: 1976)
Montaigne, Michel de, ‘Of Friendship’ in The Essays of Michael de Montaigne trans. M.A. Screech (Virginia: Penguin Books: 2005)
Smith, Bruce R. ‘Combatants and Comrades’ in Homosexual Desire in Shakespeare’s England (Chicago; London: The University of Chicago Press: 1991)
Traub, Valerie, ‘Desire and the Difference it Makes’ in The matter of difference: materialist feminist criticism of Shakespeare ed. by Valerie Wayne (New York; London: Harvester Wheatsheaf: 1991)
In the plays female sexuality is not expressed variously through courtship, pregnancy, childbearing, and remarriage, as it is in the period. Instead it is narrowly defined and contained by the conventions of Petrarchan love and cuckoldry. The first idealizes women as a catalyst to male virtue, insisting on their absolute purity. The second fears and mistrusts them for their (usually fantasized) infidelity, an infidelity that requires their actual or temporary elimination from the world of men, which then re-forms [sic] itself around the certainty of men’s shared victimization (Neely 127).
Snyder, Susan. “Othello: A Modern Perspective.” Shakespeare: Othello. Eds. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1993.
Stewart, J.I.M. Character and Motive in Shakespeare: Some Recent Appraisals Examined. New York: Barnes & Noble, Inc., 1966.
...n Women Reading Shakespeare 1660-1900. Ann Thompson and Sasha Roberts, eds. Manchester, UK: Manchester University Press, 1997.
Wayne, Valerie, ed. The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ithaca, Cornell University Press, 1991.
Fineman, Joel. 1980. 'Fratricide and Cuckoldry: Shakespeare's Doubles.' In Representing Shakespeare: New Psychoanalytic Essays, edited by Coppelia Kahn and Murray M. Schwarz. Baltimore and London: The Johns Hopkins Press, 70-109.
Shakespeare Alive!. Bantam, 1988. p. 85-102. “Love and Marriage.” Life in Elizabethan England.
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
Mowat, Barbara A. and Paul Werstine, ed. Introduction. Shakespeare: Othello. New York: Washington Square Press, 1993.
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
Wayne, Valerie. “Historical Differences: Misogyny and Othello.” The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991.
Reid, Stephen. A. A. “Othello’s Jealousy.” American Imago 25 ( Fall 1968): 274-293. Shakespeare, William. The.
Wayne, Valerie. “Historical Differences: Misogyny and Othello.” The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991.
The feminism of Shakespeare’s time is still largely unrecognized. Drama from the 1590’s to the mid-1600’s is feminist in sympathy. The author
During the Seventeenth Century, eroticism in literature was deemed outrageous and was rarely published or performed. However, a group of male poets often gathered to share their writings between one another. This group comprised of a number of renowned poets that we celebrate today including Jon Donne, Ben Jonson and Thomas Carew. Carew’s poetry is notoriously erotic, far beyond the norm of his era. Carew’s most noted erotic poem A Rapture deals with the courtship of his desire, Celia. Embedded in A Rapture are underlying meanings, mainly dealing with obsessive desire and power. Thomas Carew’s poetry encompasses both Petrarchan and Ovidian discourses of desire, more specifically the obsessive male desire and the attainment of power.