The Post-Modern Reality of Hollywood The shower of bullets leave white grooved funnels in the air, as the hero in slow motion leans back to avoid the deadly aims of the gunmen—all the while his black trench-coat billows underneath him. The saddened husband in heaven spans the chasm of hell to be reincarnated with his soul-mate wife. The young business executive places the pistol in his mouth, his blood-shot eyes rolling upwards as beads of sweat trickle down his grimy face. Moments later, after
This paper answers the question: Are We in a Post-Modern Age? Post-Modernism can be described as a particular style of thought. It is a concept that correlates the emergence of new features and types of social life and economic order in a culture; often called modernization, post-industrial, consumer, media, or multinational capitalistic societies. In Modernity, we have the sense or idea that the present is discontinuous with the past, that through a process of social, technological, and
Post-Modern Victorian: A. S. Byatt's Possession If I had read A. S. Byatt's novel Possession without having had British Literature, a lot of the novel's meaning, analogies, and literary mystery would have been lost to me. The entire book seems one big reference back to something we've learned or read this May term. The first few lines of chapter one are poetry attributed to Randolph Henry Ash, which Byatt wrote herself. Already in those few lines I hear echoes of class, lines written in flowery
A Post-Modern Analysis of Women in the New East Good intentions do not beget positive results. Indeed what may seem to be good from one perspective may be seen as the complete opposite from another. Case in point: Western Feminism. To prove my point I will analyze the work of Ruth Frances Woodsmall, Women and the New East, written in 1960 as a feminist work, from a post-modern feminist perspective, and using works from Coco Fusco (English Broken Here) and Trinh Minh-ha (Women Native Other). One
Cronenberg’s Videodrome and the Post-Modern Condition In past years, when an artist or philosopher critiqued the reality of the world, it was always presumed that there was a reality to be criticized. However, post-modernity has presented those people with a horrifying new challenge -- a world that has literally been so overcome by its technology that the important issues of man's existence no longer consist of finding answers to questions like "Why are we born to suffer and die?" but merely
Premodern, Modern and Post Modern Art 2. The Artist, Hans Rudi Giger and "The Birth Machine" 3. "The Birth Machine" 4. Picture: "The Birth Machine" 5. The Philosophical Narrative a. My chosen philosophical narrative (Postmodernism) b. Analysis of the piece through postmodernism 6. The Poem: "Der Atom Kinder" 7. Critical Evaluation 8. Conclusion 9. Picture: "Bullet Baby" and "Iron Cast Copy" 10. Bibliography Introduction: Premodern, Modern and Postmodern
Post Modern Artists The realm of postmodern art encompasses various aspects of contemporary styles. There is no set format to creating artwork anymore. Art pieces in the past basically conformed to the Kantian-Hegelian theory of art. Thomas McEvilley claim, "It was essentially an aesthetic theory of art, which held Beauty is a universal force that enters the soul with immediate, unquestionable authority at the instant when the soul approaches the beautiful object with openness to it" (qtd. in
Post modern architecture: A revival of architectural elements of the past or a version of aestheticism? Ar.Navneet Kaur Bhatia Astt.Professor Lovely school of architecture and design, Phagwara ar.navneet.kaur@gmail.com, navneet.14789@lpu.co.in Abstract: New forms in current world have been testimony to the contemporary style of postmodern architecture and are the strength of today’s generation for creating significant architectural standards. Post modernism has blurred the borders between contemporary
cases that defy normal investigation, the cases that the government has buried or ignored, labeling them the “x-files.” The two agents are wonderful examples of modernism and post-modernism world views. First in order to understand the reasons Scully and Mulder portray the two world views, we must understand what modernism and post-modernism mean. Modernism was the era that was dominated by Freud and Marx, a belief that humans are purely material machines, a belief that we live in a purely physical world
used to describe JM Coetzee's Foe, one of the more commonly written about is metafiction. Since about 1970, the term metafiction has been used widely to discuss works of post-modern fiction and has been the source of heated debate on whether its employ marks the death or the rebirth of the novel. A dominant theme in post-modern fiction, the term "metafiction" has been defined by literary critics in multiple ways. John Barth offers perhaps the most simplified definition: metafiction is "a novel
from one system into another. Globally, the modernist paradigm changed to the post-modern with the disappearance of central authorities, universal dogmas and foundational ethics. The post-modern world introduced fragmentation, instability, indeterminacy and insecurity. Architectural responses to these conditions occurred as a 'semantic nightmare' of the post-modern discourse and/or the attempted completion of 'the modern project'. In Croatia, transition occurred as a quantum leap from the Socialist
Lost has in this cold post-modern world. The world was a very different place in 1666, and not to say Milton’s ideas where meaningful to everyone in the 17th century, but for many people today Paradise Lost is, to put it rather bluntly, little more than a fairy tale. My thoughts have led me to one question; can a post-modern society such as ours learn anything from Paradise Lost that we can use to help better our world, or do our vast technological skills and post-modern philosophies provide a
well as much pondering and theorizing, it could be said that the question of “why now” is more philosophical, and value oriented, than anything else. The religious content that is present in modern American films is indicative of a more general discussion & questioning of values and resonates with the post-modern, religiously pluralistic mindset that American’s have come to embody. It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the
Within the Philosophy of Socrates There appears to be an unnatural and unfounded fascination with the alleged “works” of Socrates. Perhaps that it is simply that the absolutist ideals of philosophers such as Plato and Socrates do not appeal to the post-modern, politically correct, wishy washy, materialistic reader. It is more likely, however, that the problems posed by the philosophy itself and its surrounding circumstances outweigh the insight and philosophical ingenuity. The world of forms is a creation
The Modern-Post Modern era of poetry took place between 1900 and the 1970’s. The main focus of this era was located in North America and in Europe. Modern Poetry is mainly known as writing with technical innovation in a free verse way when they write a poem or story. This time period was also well known for poets to use the word “I” to refer to themselves in their poems. This small change started a new revolution of writing and a new way to make their poems personal. Those two changes are directly
Showalter's ideas about Ophelia's drowning death, the bond between sexuality and insanity, and the conventions of femininity, Branagh's Ophelia can supplement Showalter's essay -- her "trace" of the history of representation of Ophelia -- serving as a Post-modern example of the representation of Ophelia. In his representation of Ophelia, the relationship that Branagh attempts to establish between female insanity and female sexuality is a strong and obvious one. Through costume, cinematography
beard in front of the faculty to the accompaniment of piano accordion and a showgirl displaying phrases in Russian. He was promptly ejected from that school. Regardless, his song “Once in a Lifetime” is symbolic of the introspective, neurotic, and post-modern approach he often uses to create his lyrical identity. Though I at first found it to be a rough fit, I believe the Pentad can be successfully applied to describe the motivation ... ... middle of paper ... ...it becomes clear that everything
cultural ideals, especially those which claim universality. This paper first examines optimistic and pessimistic prospects for the educational heritage of humanitas, concluding that, in the face of cultural disparateness which is increasingly evident in post-Enlightenment cultures, the pessimistic case seems to be more convincing. Recognizing that this gives added impetus to postmodernist standpoints, the second section examines some key features of these, taking as its examples arguments of Lyotard, Foucault
(sugar) and new (masala) diasporic movements. Sudesh argues that the old diasporic movement is marked by the semi-voluntary flight of Indians to non-metropolitan plantation colonies such as Fiji and Trinidad while the new diasporic movement is the post-modern dispersal of all Indian classes to thriving metropolitan centers such as the United Kingdom, Canada and the United States. Sudesh claims that writers of the old diaspora tend to concentrate on the cracks within the experience while new diasporic
differences between men and women. A third type of feminism, post-modernism, is represented in Sexing the Body by Anne Fausto-Sterling. Post-modern feminism questions the very origins of gender, sexuality, and bodies. According to post-modernism, the emphasis or de-emphasis of difference by cultural and liberal feminists is meaningless, because the difference itself and the categories difference creates are social constructions. Fausto-Sterling's post-modernism, however, depicts this social construction