Death and Conflict is a complicated theme throughout both Franco Zeffirelli and Baz Luhrmann's drama. However, Act 5 scene 3 in both variations has become a debatable topic about the way Juliet reacts to when Romeo drinks the poison. And especially in Franco Zeffirelli when juliet commits suicide. Zeffirelli sets his play in the Renaissance Italy (14th century). However, Luhrmann's is set in modern Verona Beach. And because they were set in these locations , the costumes changes. In Luhrmann's the costumes are well distinct the Montagues wore bright Hawaiian shirts that could represent their personalities as being confident, bright, and well suited with the Verona lifestyle whilst the Capulets wore tight leather clothing with metal heels, in the first scene a close up shot is zoomed in at the base of the shoe to show perhaps how wealthy they are, their costume colour is dark suggesting their personalities are dull and frightening . However in Zeffirelli, the costumes are similar in style but not in colour again the Capulets were eye-catching, yellow and red clothing and the Montag...
The Deaths of Romeo and Juliet Was it just one person’s fault, or a mixture? In this essay, I will include many different reasons as to why Romeo and Juliet die. I will explain in detail each point and put forward my own opinions. I will use quotes to back up each point and explain why the historical context is relevant.
Franco zeffirelli and Baz Luhrmann both interpret William Shakespeare’s Romeo and Juliet in their own unique styles. Although they use the same script written by Shakespeare, these two films are different in character, music and blocking. They both introduce the tragic tale of two star-crossed lovers that were kept apart by fate. When compared to Baz Luhrmann, Franco Zeffirelli’s comprehension of Act 2, scene 2 shows more accuracy to Shakespeare’s original work by placing the setting on a balcony, displaying the mood of the scene as more calm and peaceful and creating less emotion for Juliet.
It is often believed that fate plays a role in the end result of peoples’ lives, however, in this tale of star-crossed lovers, fate is not the case. Three characters are to blame for the deaths of Romeo and Juliet in William Shakespeare’s play Romeo and Juliet. They are Friar Lawrence, Lord Capulet and Romeo. Friar Lawrence is the first character responsible for the deaths of the two young lovers because of his immoral actions. Romeo Montague constantly acts too hastily which never works in his favour or any of the other characters. Lord Capulet brings about the deaths of Romeo and Juliet because he doesn’t stay true to his promises. Friar Lawrence, Lord Capulet, and Romeo Montague all have character faults that majorly contribute to the catastrophe in the play.
Whenever something bad goes down, we always want to blame someone else but ourselves. In the case of Romeo and Juliet, Friar Lawrence is the real person to blame. People think that he's the one who was trying to put things back together for the families, but really he wasn't. Giant problems that the Friar ended up causing happen include about three different deaths, lying people and his own selfishness. The Friar may look like the innocent one here, but he isn't. People may think that he is innocent because he was trying to make the two children happy towards the end, but really he was trying to save his own skin. If there is anyone to blame here, it's the Friar.
Zeffirelli’s ultimate goal for his version of Romeo and Juliet was to capture Shakespeare’s original intentions for the play while targeting the teenage audience of his generation. Luhrmann’s intentions were different however; he changed the way an audience looks at Shakespeare’s masterpiece by modernising the props, costumes, and sets. Obviously, to match film time quotas Zefirelli and Luhrmann has both cut many lines out of the play.
The story of Romeo and Juliet is an inevitable tragedy. Many events take place, which are quite detrimental to the love Romeo and Juliet have for one another. By mentioning marriage and death together, Shakespeare foreshadows Romeo and Juliet's tragic ending. From the very beginning of the play throughout and to the end, there has always been the intent of a tragedy, and Shakespeare uses much dramatic irony to express this.
The environment surrounding the star-crossed lovers in the tragedy of Romeo and Juliet can influence audiences who may interpret the scenes in different ways. The audience can be greatly affected in their interpretation of the story by the mise-en-scene, costuming, and the hidden symbolic meaning. This great piece of literature was edited in two unique and intriguing forms, one Zeferelli directed which was filmed in 1968, and the modern version produced in 1996. The different scenes throughout the length of the party were the most influential to me in that I saw how different these movies were directed, and the different meaning I experienced from watching these movies. Focusing on the environment of the scenes and the costuming helped me in my interpretation, because I found hidden symbolism from these two qualities.
What makes a piece of literature relevant or irrelevant to a society? There have been many debates on the relevance about particular pieces of literature, especially old literature, in the modern day. Their relevance can be judged by how they address issues happening in society when they were written compared to those same issues today. It can also be judged on whether the themes present can apply to the modern day. And even if a story portrays issues that are either resolved or irrelevant today it can still have value on how it portrays human nature The Tragedy of Romeo and Juliet is a relevant work for a person in modern times due to its themes on suicide, human recklessness, and violence and revenge.
Baz Luhrmann’s Romeo and Juliet is a film that converts Shakespeare’s famous play into a present-day setting. The film transforms the original texts into modern notions, whilst still employing Shakespearean language. Compared to Franco Zeffirelli’s adaptation of Romeo and Juliet, Luhrmann’s picture is easier for a teenage audience to understand and relate to because of his modernisations. Despite the passing of four centuries Shakespeare’s themes of love, hate, violence, family and mortality remain the same regardless of the setting.
A Psychological Analysis of Romeo and Juliet Romeo and Juliet was obviously not written to fit the psychoanalytic model, as the theories of Freud were not developed for centuries after Shakespeare. Shakespeare wrote about Renaissance England, a culture so heavily steeped in Christianity, that it would have blushed at the instinctual and sexual thrust of Freud’s theory. However, in order to keep literature alive and relevant, a culture must continually reinterpret the themes and ideas of past works. While contextual readings assure cultural precision, often these readings guarantee the death of a particular work. Homer’s Iliad, a monument among classical works, is currently not as renowned as Romeo and Juliet because it is so heavily dependent on its cultural context.
Conflict has many different meanings for both physical and verbal abuse. Conflict could be a viscous feud or a full on physical fight. These days in television soap dramas we intend to see more verbal conflict than physical violence. But over the last couple of years new television programmes have been released which contains a lot of action-packed fighting and physical conflict of some kind. Some programmes include physical and verbal conflict including, “Eastenders”, “The Bill” and other programmes similar to these. The releasing of films such as, “Indiana Jones”, and “Rambo” catches the audience’s attention by involving action-packed, exciting features such as heavy arguments or thrilling battles. Some films are made to include action and excitement but when audiences watch it they cannot help feeling sorry for the victim or just generally sad for the people having the fight. In the same way Romeo and Juliet presents conflict more intense than most soap dramas. When the play was first performed in “The Theatre”, in Shoreditch in the mid 1590’s, the Elizabethan audience was shocked at how Juliet disobeyed her father and also how Romeo and Juliet disobeyed their families. Sympathy must be felt for the audience because they would have never known the idea of a son or daughter disobeying their father. The law at that time stated that the daughter was the property of her father until the daughter got married then her husband “owned” her as property. From this sympathy must be felt for Juliet because she is a victim of arranged marriages. When the play was first performed it got massive great responses which then lead to the play being transferred to The Globe theatre at the start of the 1600’s. Props and different costumes helped ...
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
Throughout the play Romeo and Juliet, one of the main protagonists, Juliet, is forced to deal with a great amount of conflict, whether it is external conflict or internal. Juliet has conflict with many people excluding herself, such as with her father and mother, with the Nurse… Equally, she is conflicted on the inside on many occasions.
Romeo and Juliet is a play about two adolescents—Romeo and Juliet from two hostile families fall in love with each other. This prohibited love ultimately turns into a romantic tragedy, in which they commit suicide for each other. Both Franco Zeffirelli’s (1968) and Baz Lurhmann’s (1996) versions retained the dialogues written by William Shakespeare in their movies. However, these two movies are directed in their own unique ways, which have several distinctive differences.
William Shakespeare treats death in Romeo and Juliet different for each set of characters. Some character deaths was because a familial issue, other were for legal issues. Romeo and Juliet's death was a familial issue, Mercutio’s death was a personal issue and Tybalt's death was a legal issue.